IMDb रेटिंग
6.3/10
22 हज़ार
आपकी रेटिंग
एक व्याकुल व्यक्ति अनजाने में बच्चों के एक समूह को एक संग्रहालय में बंधक बना लेता है।एक व्याकुल व्यक्ति अनजाने में बच्चों के एक समूह को एक संग्रहालय में बंधक बना लेता है।एक व्याकुल व्यक्ति अनजाने में बच्चों के एक समूह को एक संग्रहालय में बंधक बना लेता है।
- पुरस्कार
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
I just finished watching this movie and I must say that I am awestruck. Everyone around the globe should be exposed to the truth of what the national news media has at their fingertips, the power to move the public opinion to one side or the other. This film exemplifies to the last period exactly what I fear so many are ignorant to, and that is the fact that what we see and hear on our televisions everyday lies in the palm of executives and celebrities (news anchors) who run the networks. I was amazed at the amount of detail that was put into this film to show exactly that. Nothing is left unsaid. Bravo to a production all too unknown.
Man, this was some indictment of the television-reporter-mentality! It was exaggerated, of course, but still interesting to see and in many respects good to see because of the onslaught of tabloid-mentality journalism that seems to have taken over the media in recent years. That kind of "reporting" should be exposed and ridiculed.
Whatever, you can enjoy this film for the acting alone with Dustin Hoffman, John Travolta, Alan Alda, Robert Prosky, Mia Kirschner and Ted Levine. These actors, and some good dialog, make the film move along at a good clip despite the absence of much happening on screen.
The story gets you involved and reminds me of the famous 70s film, Dog Day Afternoon, in which much of the film takes place in a bank. Here, it's a museum, and a man is in a predicament something like Al Pacino was in that film except Travolta's character here is totally innocent.
The screenwriters added bit of humor to this involving story and that made it even better. It's very good entertainment and certainly recommended.
Whatever, you can enjoy this film for the acting alone with Dustin Hoffman, John Travolta, Alan Alda, Robert Prosky, Mia Kirschner and Ted Levine. These actors, and some good dialog, make the film move along at a good clip despite the absence of much happening on screen.
The story gets you involved and reminds me of the famous 70s film, Dog Day Afternoon, in which much of the film takes place in a bank. Here, it's a museum, and a man is in a predicament something like Al Pacino was in that film except Travolta's character here is totally innocent.
The screenwriters added bit of humor to this involving story and that made it even better. It's very good entertainment and certainly recommended.
MAD CITY is exciting and thrilling from the first scene.
A talented success-hunting reporter is sent by his boss to a totally not interesting job: to do a story about a museum with financiary problems. Upset and defeated, DUSTIN HOFFMAN's character goes there and has the chance of running into what will prove to be the story of his life: a guy enters the museum and takes everyone inside hostage. It's a smart movie, just because it debates themes that can only lead to smart scenes. Probably the best thing about MAD CITY are the actors: Travolta and Hoffman are great in their roles and they add an extra-value to the movie by the way they act.
What if you really need money to support your family and you just got fired? How far are you able to go to get your job back? Far enough to enter a museum and threat the owner with a gun? Surely. But what if by mistake you do something that you can't get out from? That's Travolta's situation.
What if all your life you aimed for a great story that will totally change everything about you? How far are you able to go? Far enough to play the victim's life in your hands an organise a live show from which you practically doom him to death? That's Hoffman's situation.
The plot grows rapidly and it's very convincing. And the ending is the only one possible.
Costa-Gavras does a great job with this movie and manages to mantain balance between the characters and the action. Good job. Vote: 8 out of 10.
A talented success-hunting reporter is sent by his boss to a totally not interesting job: to do a story about a museum with financiary problems. Upset and defeated, DUSTIN HOFFMAN's character goes there and has the chance of running into what will prove to be the story of his life: a guy enters the museum and takes everyone inside hostage. It's a smart movie, just because it debates themes that can only lead to smart scenes. Probably the best thing about MAD CITY are the actors: Travolta and Hoffman are great in their roles and they add an extra-value to the movie by the way they act.
What if you really need money to support your family and you just got fired? How far are you able to go to get your job back? Far enough to enter a museum and threat the owner with a gun? Surely. But what if by mistake you do something that you can't get out from? That's Travolta's situation.
What if all your life you aimed for a great story that will totally change everything about you? How far are you able to go? Far enough to play the victim's life in your hands an organise a live show from which you practically doom him to death? That's Hoffman's situation.
The plot grows rapidly and it's very convincing. And the ending is the only one possible.
Costa-Gavras does a great job with this movie and manages to mantain balance between the characters and the action. Good job. Vote: 8 out of 10.
A second seeing of this film recently confirmed my impressions on seeing `Missing' (1982)(qv) also a second time a few months back. Costa-Gavras has things to say and he does not mince up his message.
In `Missing' he succeeded in getting Jack Lemmon to play a convincing role, and in `Mad City' he managed to get John Travolta to carry out the best role I have seen him in: his playing of a deranged simple worker real mad at having lost his job is truly memorable. Dustin Hoffman ably supports but without exceeding himself overly.
However, rather than the actors in themselves, it is the story itself which is more important and its message: getting the story on your TV news programme before your competitors is much more important than any other considerations such as in this case, a group of schoolchildren held hostage with a shotgun aimed at them. But do not worry about them get the story live on TV at any price, what a scoop! what a sensation!
And thus we live at the dictates of that ogre of communications called TV: whether wars in Rwanda or Afghanistan or Palestinians blowing themselves up in Israeli cafés or airliners crashing into the WTC, the most important thing is to get it live on screen for the hungry masses. We are at the mercy of papirazzi, that merciless squad of camera-toting fame-seekers, who have no scruples at getting their story first or even inventing it.
Thanks for the message, Costa-Gavras: I learnt it long ago, but you tell it well.
In `Missing' he succeeded in getting Jack Lemmon to play a convincing role, and in `Mad City' he managed to get John Travolta to carry out the best role I have seen him in: his playing of a deranged simple worker real mad at having lost his job is truly memorable. Dustin Hoffman ably supports but without exceeding himself overly.
However, rather than the actors in themselves, it is the story itself which is more important and its message: getting the story on your TV news programme before your competitors is much more important than any other considerations such as in this case, a group of schoolchildren held hostage with a shotgun aimed at them. But do not worry about them get the story live on TV at any price, what a scoop! what a sensation!
And thus we live at the dictates of that ogre of communications called TV: whether wars in Rwanda or Afghanistan or Palestinians blowing themselves up in Israeli cafés or airliners crashing into the WTC, the most important thing is to get it live on screen for the hungry masses. We are at the mercy of papirazzi, that merciless squad of camera-toting fame-seekers, who have no scruples at getting their story first or even inventing it.
Thanks for the message, Costa-Gavras: I learnt it long ago, but you tell it well.
This movie gets off to a slow start. To be honest it doesn't build much suspense. It does, however, have a message about modern society. People have a fascination with crisis situations and media personalities feed on that fact like sharks in a frenzy. That can lead situations to escalate out of control.
Dustin Hoffman stole the show as Max Brackett. A fellow viewer couldn't believe that he was the same man that had played in Rainman. He delivers a standout performance as TV news reporter Max Brackett who is looking to inject life back into his career but at the same time retains some sense of compassion and justice. The forces battle inside him through out the film.
John Travolta was on the money but not stellar as Sam Bailey, a recently unemployed security guard on the cusp of losing everything that he owns. Sam is a bit of low watt bulb, but he is basically a good person caught up in a very bad choice and situation that runs awry of his plans. He is very distraught about his situation and popping caffiene pills to stay awake doesn't help his state of mind much either. Not one of Travolta's best but it is still good.
What a pleasure to watch Alan Alda in front of the camera again. As Kevin Hollander he is the guy that you love to hate. Hollander is Max Brackett's nemesis and antagonist. Alda easily departs from his compassionate portrayal of Dr. Haweye Pierce on TV's MASH for this one.
This isn't a perfect film but it is a good one. It will leave you thinking about the message that it has. The acting is good to great.
Dustin Hoffman stole the show as Max Brackett. A fellow viewer couldn't believe that he was the same man that had played in Rainman. He delivers a standout performance as TV news reporter Max Brackett who is looking to inject life back into his career but at the same time retains some sense of compassion and justice. The forces battle inside him through out the film.
John Travolta was on the money but not stellar as Sam Bailey, a recently unemployed security guard on the cusp of losing everything that he owns. Sam is a bit of low watt bulb, but he is basically a good person caught up in a very bad choice and situation that runs awry of his plans. He is very distraught about his situation and popping caffiene pills to stay awake doesn't help his state of mind much either. Not one of Travolta's best but it is still good.
What a pleasure to watch Alan Alda in front of the camera again. As Kevin Hollander he is the guy that you love to hate. Hollander is Max Brackett's nemesis and antagonist. Alda easily departs from his compassionate portrayal of Dr. Haweye Pierce on TV's MASH for this one.
This isn't a perfect film but it is a good one. It will leave you thinking about the message that it has. The acting is good to great.
क्या आपको पता है
- ट्रिवियाIn an interview, Dustin Hoffman mentioned that whenever he appears in a movie he dislikes, or one that performs poorly with critics or audiences, he tends to give nicknames to those movies. This one he has referred to as "Mad Shitty."
- साउंडट्रैकJenny's Garden
Written and Produced by Philippe Sarde
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Mad City?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Thành phố điên cuồng
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $5,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,05,41,523
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $46,49,742
- 9 नव॰ 1997
- दुनिया भर में सकल
- $1,05,41,523
- चलने की अवधि1 घंटा 54 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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