The Maker

for starters, a movie with mathew modine as a career criminal and a bad influence on a young "troubled" teen can be summed up before viewing the film as crap. this could be deemed ignorant, but heh? whatever. the writing was reminiscent of a "troubled" idiot who seems to have a bit of "trouble" with plot, seeing as how there is little to none of it here. the acting is far below satisfactory, the directing was lackluster at best, the ending was laughable, as was the attempt to convince viewers that this was a touching story. honestly, i'm shocked that any one with the time to enter a comment would be so devoid of knowledge or good taste. "tell me how to be the maker." throw me a bone here! that's ridiculous ( to say the least). anyhow, i wanted everyone to know that the above are stupid and this movie really is bad. a "hot" star and a "hip" soundtrack do not amount to a good movie... the fact it made its permier on cable will amount to that. i can't think of a good cable movie.... ever! there... i said my piece.

Quirky intelligent little tale of a boy choosing between his foster parents' dream of college and his older brother's exciting life of crime. A lot of fun funky little touches. Pacing is slow, but it's quite interesting.

There were so many good things here -- interesting characters, good details (like the Minnell's perfect home being right next to an ugly industrial complex), and the potential for a nice dramatic movie about troubled brothers reuniting. The filmmakers had lots of good ideas and no way to weave them together into a coherent movie. Modine was sadly unconvincing as a bad guy, Madsen was an unnecessary scenery-chewing addition, and how Balk's character was written off was a crime. The scenes between Bella and Josh were the best. Jonathan Rhys Meyers was excellent! (He does a good American accent.) He brought a very genuine, believable feel to the character Josh. It's a shame the movie let him down by becoming increasingly implausible, and finally just a low-budget action climax cliche. Good cast & good ideas make this worth seeing.

For the most part, the only things that brought me through the whole film are that it was very difficult to get the loan of a copy of the film via interlibrary loan, and it has Rhys Meyers (as he spelled it for this film) in it, who is always nice to look at. Although there is a good premise for an interesting film and story, there was not enough continuity and plot development to keep me interested and engaged. There were a number of subplots and minor characters which and who really didn't add anything of value to the story. I think that if you are a fan of Rhys-Myers or Modine, you may want to see the film in order to get to see them in an unreleased-for-theaters film, but otherwise, it really isn't work your time or trouble. If you're planning to enjoy looking at Rhys-Myers' skin, you can do a lot better with some of his other work. Tangled may not be an excellent film, either, but he drops his pants for you in it, and that is worth something you won't get out of "The Maker."

If ever I need to renew my enthusiasm about current filmmaking, a film featuring the talents of Mary Louise Parker is a pretty good place to start. Her part in this film is as a supporting character, and the few scenes in which she appears and fleshes out the kindly but down to earth police officer underline how this film's best parts unfortunately don't add up to a good movie.

The leads are good (Rhys-Meyers is a talent to watch, Balk has always interested me and if Modine just sat and dribbled, I know he could make it look rivetting), the script contains some nice character exchanges, the camera work has some nice touches, and director Tim Hunter puts effort into giving the film some unexpected lift (such as sitting a crim at a desk on open ground beside an airport runway, and getting the art department to set up a backyard breakfast patio of white picket fence and red flowers under the threatening gaze of power lines.)

But although it started well, in the end, this is too many good individual stories fighting with each other instead of making a coherent whole. Any one of the various plot lines could've held their own. At film's end, the script has to literally shoot its way out of the entwined mess its in to reach a conclusion. Maybe this goes down well on cable. I think a viewer, whether sitting in a cinema, or in his own home, is entitled to better.