The Locusts

I found "The Locusts" an excellently written emotional story about hardship, manipulation, abuse, suicide, sex, blackmail, and dealing with mistakes. This is a film which requires attention to fully experience it, so it's not a drinking buddies movie. You can do that, but the film will appear shallow in that context.

The acting is wonderful and subtle. So much is said not through the words but by the actors' presentations of emotion and the scene staging. The plot appears simple on the surface. The plot on the surface is like a film noir; wealthy widow who preys on attractive male employees, her troubled adolescent son grieving his father's death, drifter with a mysterious past, and all. Seemingly black and white characters. Sex-starved widow hires drifter to work on her cattle farm. She sets her eyes on him. The drifter resists and simultaneously tries to befriend the son. This is established early. Later, past occurrences are revealed. Tragedy happens.

However. There is so much emotional subtext in the scenes. So much of the plot is implied by behaviors and not spoken. The character development through the scenes is complex and emotionally powerful. The actors handle it wonderfully. I like it better on rewatching because I can see the things I missed before. I cannot with say more without giving away plot points.

Back to my comment above, it works better if you are going to pay attention, are in the mood to try to figure out what about the characters is not being said. This film may trigger trauma memories in some people. I think the subject matter when released was disturbing to audiences. The subject matter is still disturbing, but some portrayed subjects are better understood today than in 1997.

A cliche-ridden movie with a lusty widow and a mysterious drifter. And oh yeah, they have secrets. And we know it takes place in the quasi-South since everyone drinks iced tea out of Mason jars. Despite the cliches and sloppy film-making, it's completely enjoyable. Cheesy, corny, fun, sexy and often touching thanks to lovely performances by Vince Vaughn and Jeremy Davies. And someone PLEASE remake Streetcar Named Desire quickly. Vince Vaughn is a star in the making, and he and Ashley Judd sizzle. Stanley and Stella, anyone?

I would much rather see a movie like this, that falters occasionally under the weight of a few cliches, than a thousand "innovative" films in love with their own novelties. This film seems made by young filmmakers who've done a hell of a job bringing a very American story to the screen with novelistic detail. Don't see that much anymore, and they almost pull it off here. Wish there was more Ashley Judd. Vaughn and Davies are great together. Vaughn's best role yet... hope there'll be more like it in the

I got lung cancer from all the second-hand smoke. In nearly every scene, cigarettes play a prominent role. Either the director was a cigarette junkie, the cast were nicotine addicts, or tobacco companies funded the entire production.

The plot was predictably hokey, the acting mediocre (with the exception of Flyman), and the directing lazy. It seemed to pause often to make some point but never delivered the point. Capshaw was especially disappointing. I managed to struggle through all 2+ hours waiting for something to reach out of this film. It never did.

The high point was seeing Vince Vaughn take off his shirt - and I'm straight.

Don't waste the time and money. It could drive you to lighting up.

Normally when I hear or read the title of a movie, I have some idea of what it could be like. That's not always correct, but most of the time it works - especially with famous movies of course. But when I read the title of this movie, I really didn't know what it would be about. Of course I didn't think that it would be a movie about the insect, but I just couldn't form a good idea about it. That's why I just gave it a try, not knowing what to expect, but hoping for the best. And I'm glad that I did, because this certainly was a nice movie.

"The Locusts" is situated in the 1950's and shows how the arrival of Clay Hewitt changes life drastically in a small town. He's looking for a job and is hired by the local feed ranch's owner, an aging widow who likes to drink and seduce younger men. He quickly becomes her new lover, but also has an eye for her quiet son Flyboy. The boy hasn't spoken a word in years and is completely withdrawn since the death of his father. The only one who he talks to since his recent return from a mental hospital is his pet bull. But Clay wants to give it a try and gradually he manages to get the boy out of his isolation, much against the will of the boy's mother...

Even though this is perhaps not the most original story ever, I must say that I had a good time watching this movie. The acting has a lot to do with that of course. Vince Vaughn is very enjoyable as Clay Hewitt and Kate Capshaw did a very fine job portraying Delilah, but in my opinion it is Jeremy Davies as Flyboy, who was the best this time. But overall this is a movie that portrayed its characters well and didn't drown in an overdose of plot twists. This is John Patrick Kelley's first and so far only film, but it certainly makes me look forward to new projects from this man. I give this movie a rating between 7/10 and 7.5/10.