आलोचक समीक्षाएं

Throughout the film cause and effect, the mainspring of most narratives, is replaced by a sense of spiritual synchronicity.

Brilliant. [24 December 1997, p. 24]

Think of it as an epic poem, in which Scorsese's swirling, headlong baroque camera searches paradoxically for the stillness at the meditative heart of Buddhism. [22 December 1997, p. 86]

Kundun, which was written by Melissa Mathison ("E.T.") from interviews conducted with the Dalai Lama, doesn't make you greedy for its images the way some gorgeous films do. It allows you to drink each one in tranquilly.

It provides a deep spirituality, but denies the Dalai Lama humanity; he is permitted certain little human touches, but is essentially an icon, not a man.

It's all very beautiful, not to mentioned high-minded. But the loftiness comes at a sacrifice.

Ultimately Kundun emerges as a movie that's hypnotic without being truly compelling, sensuously stunning but not illuminating.

May not be the ultimate word on the Tibetan situation, or even the Dalai Lama, but its heart seems to be in the right place; and it's entertaining enough to give audiences an emotional sense of the story. [16 January 1998, p.N32]

Most of the film is dull and soporific. Breathtaking photography without emotional involvement can take an audience only so far.

A slow, meditative movie-an appropriate choice given the subject matter-that ultimately fails, in spite of clearly heartfelt good intentions, because of its almost inhuman detachment.