Knockin' on Heaven's Door

As a german and former huge fan of actor til schweiger it was very important for me to see this movie when it was released in 1997. I wasn't disappointed at all, because this is probably one of the best movies ever. It is so entertaining because it is including a lot of humor (probably a lot of german humor), action and drama. Also very good is the performance of Moritz Bleibtreu, who became well-known, because of his great play of a turkish-german gangster. But this is ,as far as Im concerned, only funny for people who understand german very well.It would be quite nice for american people to watch a REALLY good german movie, that is better as some hollywood movies counted together. If you have the opinion to see it , use your chance!

The movie is great. Simply brilliant. Even if you try to retell the plot you'll miss the whole point, because this movie isn't about the chain of events - it's about the people, the characters, the life itself. There is not a single scene that falls out of the whole composition: even though the plot is not the key issue here, it still beautifully binds the whole story together, perfectly connecting all the dots. And have your tissues ready: no matter how many times I watch it I always cry at the end and I'm not usually very sentimental. As for my male friends who watched it with me several times they usually just stay very silent at the end. It is very emotional and overwhelming: both sad and somehow positive at the same time. I envy those who have not seen it and will watch it for the first time.

The TV guide described the two leads in _KoHD_ as terminally ill gangsters, so when I came to watch it I discovered something quite different from what I had expected.

_KoHD_ is an excellent film that blends facets of gangster, buddy, road movie, comedy and drama genres together into a seamless whole. Initially, Martin and Rudi are, of course, hopelessly mismatched. As they travel towards the sea (their ultimate goal), the relationship between the two men begins to change. The nervous Rudi finds strength and confidence; Martin, on the other hand, who is initially by far the stronger of the pair, comes to rely more upon Rudi for strength and assistance.

Much have been made of the comedy in _KoHD_, and this is a major component - it is the humour that makes the film (which could have been utterly bleak) ultimately an uplifting experience. That being said, however, just when you forget that both men are dying you are reminded forcefully that they are both, as the title suggests, knocking on heaven's door. These two forces - the pathos and the comedy - provide a wonderful balance. Thumbs up.

"Knocking On Heaven's Door" has been a big German box office hit in the winter of 1996/97 and is still considered one of the best German movies of that decade next to the international success "Lola rennt". This is a breath-taking comedy about two losers (Til Schweiger and Jan-Josef Liefers) dying of cancer and getting anything they want during their last days on earth. They are robbing a bank and nicking a car containing a gangster's suitcase with a million marks in it. Of course the gangsters and the police hunting the guys who just want to reach the sea to die somewhere at the shore.

Although this road-movie story itself isn't very new and has been filmed many times in Hollywood movies, it stands on its own. The story has dozens of quotes and references from American movies and film genres, but it also knows how to add a local, German and European style to it. You see two henchmen, a Turk and a Belgian, dressed in black suits and with sunglasses like taken from a Tarantino film. You see Hannes Jaenicke dressed as a fatally-looking leather cop U.S.A. style, drinking Jaegermeister (a popular German spice liquor). You see popular fifties girlie actress Conny Froboess playing Til Schweiger's mum, an Elvis Presley adoring fan.

There are plenty of funny scenes in this movie, many witty dialogues, absurd situations and brilliant performances by all actors featuring Corinna Harfouch as a doctor, "Sexluder" Jenny Elvers as a nurse, Dutch movie stars Huub Stapel and Rutger Hauer as gangster bosses, Ralf Herforth as dumb police officer, etc. Schweiger and Liefers are giving the best performances of their career, adding pain, sadness and tragedy to the all-action-comedy style. The photography, editing and the surf-rock-like sound track by Selig are also outstanding. Take a look at this example of best German nineties cinema!!!

First of all, WHY HAS THIS FILM NOT BEEN RELEASED IN ENGLISH SPEAKING COUNTRIES??!! Is it because Hollywood is afraid of German films that are actually as good as theirs? Is it because this is a foreign film that isn't "foreign" enough (e.g. Bergmanesque symbolism or Wender's "poetic imagery") or is it because neither America nor Britain have the nerve to properly dub this film into English? In any case, the world is missing out. This is a highly entertaining film with a simple plot, lots of humor, plenty of action, and two terrific leads. The plot, regardless of how many people will compare it to "pulp fiction" (a comparrison, by the way, which I simply cannot understand,)is a straight-forward buddy flick about two terminally ill men in their early thirties. Like all buddy movies, (Lethal Weapan, 48 hours, Nothing to lose) the characters couldn't be more different at the beginning, and find a way to get along by the films end. Nothing new here, except for the fact that both men know they will be dead by the film's end, thus eliminating (thank goodness) any chance of a sequel. Anyway, our heroes meet in the hospital, and quickly decide that they want to really "live" their final days on earth, and see the ocean before they pass away. They steal a car which happens to belong to a dutch gangster (brief cameo by rutger hauer). Thus begins the chase across Germany and Holland, a chase which combines road-movie laughs a-la Dumb and Dumber (there is a VERY similiar scene where the two men find the suitcase filled with money, and check into a rediculously fancy hotel) with genuine character development and bonding, a-la Thelma and Louise.

The real star of the film is not the plot, but the little moments of genuine humor and tenderness between the leads. Director Thomas Jahn's balance between over-the-top action-comedy and emotional "cancer drama" is amazingly played out by the two actors (til schweiger and jan josef liefers)

I would recommend this film to ANYBODY who likes to be entertained. The music is great, the jokes (most of them, at least) fly, and the relationships are genuine. The only problem is probably that at this point, you have to speak German fluently to understand most of what's going on. BUT BE PATIENT! Someday Hollywood will discover this film and at least SUBTITLE it like they did the equally terrific(er) "lola rennt". My only hope is that they don't simply ruin the film by remaking it with american stars. That would be a great letdown, because this film is already perfect. I doubt that most people would even think it's foreign, if they simply forget the subtitles and get into it.