Jane Eyre

The latest A&E production of Jane Eyre was short but satisfying. While it might have benefited from being longer, they managed to tell the basic story and retain the emotional impact. Unless you're an unforgiving purist, the cuts shouldn't detract from your appreciation of the movie. And if you are an unforgiving purist (there is nothing wrong with that), go find a copy of the Timothy Dalton '83 adaptation.

The biggest point of contention seems to be the performance styles. Peoples' takes on the way Mr. Rochester should be played tend to vary. I've seen the productions with William Hurt and George C. Scott criticized for having a Rochester who was so restrained he might as well have been the heroine in a Jane Austin novel. These people felt Rochester should be played passionately and with fire. After all, he's a manipulative would-be bigamist. Then there are people who feel Hinds was too wild in his portrayal of Rochester and a more restrained, subtle approach was warranted.

If you want a restrained, subtle Rochester, don't watch this version or the Timothy Dalton BBC production from '83. Go for the William Hurt or George C. Scott adaptations of Jane Eyre. If you're like me and you'd prefer a wilder Rochester, you'll probably enjoy both the '97 A&E and '83 BBC productions.

Many reviewers loved this version; many hated it. And that is exactly as it should be. There are many possible interpretations of good literature, just as every person's character has many different facets. Versions of Shakespeare's plays have been enacted for hundreds of years and still every version represents something different about humankind, especially if there is innovation in the production, script or acting.

I first read Jane Eyre when I was about 8, nearly 60 years ago. It was the first book I ever cried over and it's fair to say that was part of my emotional development. I have read it many times and seen many filmed versions since - and I still love it, simply because it is fresh every time as different aspects reveal themselves - either because they are in the book or because the book resonates differently with me as I change.

So please open your mind when you watch this - and other - versions of the Bronte books. In my view it is not perfect, but few productions ever are. Even so, it was interesting, enjoyable and a joy to watch.

I usually like Samantha Morton, but her blankness didn't serve her well as Jane Eyre. She seemed too passive as well. Hinds just overwhelmed her (and maybe that was their point because the character does do that in the book ...at first).

I really thought they lacked any kind of sexual energy however and Hinds was generally too gruff and wild. Of course I've just seen him in Rome. He's an amazing actor and able to play "big" very well. But when you play a romantic lead, it's the little details that count. He came off more as a bully than a man desperate to find love and redemption.

Of course, any performance is better than William Hurt's! Shudder. Rochester should never, ever be played by a fair-haired man. Unless Daniel Craig decides to play him. Against Keira Knightly! Just teasing.

I'll start by saying this was the first version I've ever seen, and after watching it, I decided to read the book (not the other way around).

When I first watched it, I really had no idea what the story was about so I wasn't on my guard, and some scenes really stroke me in an emotional level I didn't believe it when I first started watching it. Samantha Morton as Jane was very convincing, not a beauty, not ugly, then I found out that was how Brontë described her in the book. Jane was well mannered, sweet and tender, but with iron will and fire in her soul, it was a perfect combination of a heroin in the book who had to endure a lot of things during her life.

As for Mr. Rochester, well I'm a big CIaran Hinds so I may not be completely objective in reviewing his acting, but for me, he was PERFECT. Yes he yelled, he was too proud, sarcastic, but his raw passion and angst was right there you feel it, and specially in the parts where he seemed to touch heaven, and the other part where hell was right before him (those who read the book or watched the movie will know what parts those are).

The chemistry between Morton and Hinds is amazing, when they are talking under the tree, I really began to cry and felt overwhelmed by the intense emotion flooding my screen, and then in the same tree after the "event", I cried some more because I could feel the despair from Rochester and Jane's sorrow but determination. And finally, in the end, I cried more and more with the strong performance from the two of them.

I read the book afterwards, and yes many scenes are left out (gipsy, Jane's aunt dying, Jane's dreams, the tale of Bertha Mason, Jane's new found fortune, etc...) but considering they had only 1 hour 40 minutes to consolidate an 800 pages book, I believed they did a pretty good job.

I read some comments about people who disliked Hinds performance as Rochester, saying he screams too much, well personally I didn't think he "screamed", he raised his voice and Rochester does that a lot in the book. I watched another version with Michael Fassbender, and it lacked the passion this Rochester has, it actually made me yawn.

I highly recommend this version, the casting is great, overall the movie is very true to the book, and the strong performances given by Morton as Jane, and Hinds as Rochester, is really something not to be missed. If you imagined Mr. Rochester as a handsome, well mannered, with integrity, soft spoken and tender man (in other words, a Jane Austen hero, I can't imagine why somebody would imagine him like that), you will hate Hind's Rochester, but if you imagined as a non-attractive man in a conventional way, sarcastic, snappish, moody, witty, intense, rough, tough, passionate, angry but tender when he must and overall, a tortured soul who finds redemption through pure love, you will not be disappointed with him.

The only thing that really recommends this movie is the scenery--it was beautifully filmed. However, the hammy acting and seemingly constant yelling of Ciarán Hinds & Samantha Morton spoil much of the beauty of the story. One of the things that attracted Mr. Rochester to Jane Eyre was her serenity. I saw none of that restful quality in this performance. This being one of my all-time favourite novels, I do enjoy watching all versions but I must admit this one was a disappointment. The British versions of the classics are usually better.