अपनी भाषा में प्लॉट जोड़ेंAn imprisoned I.R.A. fighter is freed to help stop a brutal, seemingly "faceless" assassin from completing his next job.An imprisoned I.R.A. fighter is freed to help stop a brutal, seemingly "faceless" assassin from completing his next job.An imprisoned I.R.A. fighter is freed to help stop a brutal, seemingly "faceless" assassin from completing his next job.
- पुरस्कार
- 1 जीत और कुल 4 नामांकन
फ़ीचर्ड समीक्षाएं
I was sure this movie was going to be a disappointment, but after seeing it I have to say I was deeply wrong. Sure, the story has numerous big holes (Gere knows the operating technique of his opponent so well and down to the last detail, you'd think they used to live together from the moment they were born - total exaggeration, another example are the lame effects when he's between two trains), and Gere's dialect is way off (for some reason it didn't bother me at all), but the rest is pure action and entertainment extravaganza. Bruce Willis was a perfect choice for the Jackal and Sidney Poitier was as always amazing and really helped the atmosphere of the movie with his role. The ending was a bit short, but in my opinion necessary, because I knew what was going to happen, so why delay it. Nicely done, and great music. 7/10
Comparing this movie with the original film, The Day of the Jackal (1973), from which this was adapted, I would say this new version is just okay. The original film is simply extraordinary and if you haven't seen it, I sincerely recommend that you do it today and compare by yourself.
You can't really approach this as a remake of the classic 'The Day of The Jackal.' Though broadly similar, the entire feel of the two films is incomparable. And suspense thrillers are all about "the feel" aren't they?
The story is pretty standard fair - a super villain assassin (Willis) is going to make a big kill using a huge weapon and leaving a trail of bodies along the way. Gere, an IRA soldier (jailed for "terrorism") is brought on as consultant because he is one of the few people who has seen 'the Jackal", and given a few vague promises in exchange for his help. As it turns out, Gere has more than just knowledge - he has a vendetta. Poitier oversees Gere and the investigation of Willis, and comes to realize that Gere is the only hope of stopping him.
I like Sidney Poitier, Bruce Willis and Richard Gere, so I was predisposed to like this film. I was neither very surprised nor disappointed. The Jackal is entertaining and the performances are strong. Poitier is always a class act, and Willis and Gere have terrific anti-chemistry. There's nothing wrong with the cinematography or directing, and the pace of the film, though a little breathless, is fine. Regardless, the story-line never reached much beyond the ordinary thriller fare. Making a truly great thriller requires either doing something really original (very hard to do) or using a truly inspired script. This film's script is decent, but the story line could have used a little more careful thought and a bit more complexity.
The story is pretty standard fair - a super villain assassin (Willis) is going to make a big kill using a huge weapon and leaving a trail of bodies along the way. Gere, an IRA soldier (jailed for "terrorism") is brought on as consultant because he is one of the few people who has seen 'the Jackal", and given a few vague promises in exchange for his help. As it turns out, Gere has more than just knowledge - he has a vendetta. Poitier oversees Gere and the investigation of Willis, and comes to realize that Gere is the only hope of stopping him.
I like Sidney Poitier, Bruce Willis and Richard Gere, so I was predisposed to like this film. I was neither very surprised nor disappointed. The Jackal is entertaining and the performances are strong. Poitier is always a class act, and Willis and Gere have terrific anti-chemistry. There's nothing wrong with the cinematography or directing, and the pace of the film, though a little breathless, is fine. Regardless, the story-line never reached much beyond the ordinary thriller fare. Making a truly great thriller requires either doing something really original (very hard to do) or using a truly inspired script. This film's script is decent, but the story line could have used a little more careful thought and a bit more complexity.
I thought that this was an intelligent thriller that lived up to the original. I thought that willis portrayed the perfect cold-blooded assassin. Richard Gere did a fine job as well. Even though you can tell his cheesey accent is a fake. This is not an action movie, so if you're expecting cars and planes blowing up, it doesn't happen. Even though one car blows up. This is a thriller and a good one at that.
The main purpose of this movie is to show Bruce Willis in a villain character, the very first of his career. He will do a few more, later, in the late 2010's, in direct to DVDs craps. I like this Michael Caton Jones feature, it is a fast paced action movie, tense, on the condition you don't compare with the Zinneman's feature of course. I was waiting for a face to face between Gere and Willis, I found it very interesting, exciting and I was not deceived. But I still don't know what Sid Poitier, already an old timer, did in this film. But he's good, as usual. And for the first time in his career, he doesn't play a Black man role; his character could have been played by a Chinese, Arab, White actor. Poitier who, all long his life, symbolized the Civil Rights fight. The best moments are when Willis kills people, watch out for this face; he is absolutely exquisite.
क्या आपको पता है
- ट्रिवियाFrederick Forsyth, who wrote the novel "The Day of the Jackal", insisted his name be taken off the credits of this film, which is why it is billed as "based on the screenplay".
- गूफ़(at around 57 mins) When the weapon is first test fired from the mount and misses, the problem is unlikely to have been with the mount and more likely to be poor alignment of the targeting system.
The mount is the only moving part of the gun platform. That's how the gun is aimed, by adjusting the mount. It *is* the targeting system.
- भाव
Valentina Koslova: She's Basque, isn't she?
Declan Mulqueen: Aye.
Valentina Koslova: They say Basques live by the vendetta. If they hate someone it's to the death. It's the same when they love.
- इसके अलावा अन्य वर्जनDVD special edition features additional scenes deleted from the theatrical release and an alternative ending, where the Jackal is killed by Isabella.
- कनेक्शनEdited into The Jackal: Deleted Scenes (1998)
- साउंडट्रैकStar
Written by Bobby Gillespie (as B. Gillespie), Robert Young (as R. Young),
Martin Duffy (as M. Duffy), Andrew Innes (as A. Innes)
Performed by Primal Scream
Courtesy of Creation Records Ltd./Sony Independent Network Europe/Reprise Records
By Arrangement with Warner Special Products
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- El chacal
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $6,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $5,49,30,280
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,51,64,595
- 16 नव॰ 1997
- दुनिया भर में सकल
- $15,93,30,280
- चलने की अवधि2 घंटे 4 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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