Hoodlum

I had this movie on homemade VHS for a while and just received the DVD.

Mesmerizing!!! Beautifully Filmed! Hats off to Bill Duke - another very distinguished African-American director!! Once you get past the fact that the movie is FILLED with phenomenal performances from the likes of Laurence Fishburne, Andy Garcia, Tim Roth, Vanessa Williams. Queen Latifah, Loretta Devine, Clarence Williams III, and of course, Miss Cicely Tyson you also discover a gem of a movie.

It follows the exploits of a 30s Harlem gangster Bumpy Johnson. Fishburne reminds you of why he is such a charismatic actor. His performance here is one you can watch over and over again. Of course the movie may have been exaggerated but what movie isn't?! It is a very stylized presentation and the obvious attention to detail to create the look and the feel of the period help intensify the viewing experience.

I am quite proud of the production and highly recommend it become part of your movie collection. Notwitstanding that is a worthy project, there are treasures of performances here that warrant attention.

An epic gangster story. Great performances. They don't make them like this no more!😎

The 1997 movie `Hoodlum' takes place during the depression. A black man named Ellsworth `Bumpy' Johnson (Lawrence Fishburne) was released from prison and went back to Harlem. Then he joins his cousin, Illinois Gordon, and gets back into an illegal lottery racket ran by Madame Queen. They call the game `numbers.' They say that numbers is the only business in Harlem which provides them with work. A white man from uptown named Dutch Shultz (Tim Roth) is also trying to run the numbers downtown in Harlem, and there ends up being a battle between Shultz and the Queen. Madame goes to jail and leaves Bumpy in charge. Bumpy meets a fine woman, Francine (Vanessa Williams), who sees good in him and wants him to stop messing around with `numbers.' But she stays by his side while things get chaotic. Will he realize what he should do in time or will he lose everything?

The director Bill Duke has a message in this movie. It says when people are left limited options, they are going to find a way to get by. In one scene, Bumpy is telling Illinois because of the depression there isn't very many jobs and white men didn't leave them any jobs, so they had no options for making money other than through the numbers racket.

This movie had fast paced action. I liked the part where Dutch Shultz wants Madame Queen's organization out of the numbers racket in Harlem, so he can make all the money from it. Bumpy, who works for Madame Queen, comes up with a plan for eliminating the problem of Dutch, by getting Lucky Luciano (Andy Garcia), another gangster, and Dutch in a fight. This movie is a `classic gangster movie.'

"Hoodlum" is a film that deserved much better. Bill Duke, its talented director, gives us a picture of what the Harlem of the thirties was like. In fact, "Hoodlum" suffers when it's compared to Coppola's "The Cotton Club". Mr. Duke, an actor himself, was able to amass a great cast and he got performances that are amazing from this first rate ensemble.

The cast headed by the brilliant Laurence Fishburn is amazing. Mr. Fishburn is basically the whole reason for watching the film. His Bumpy Johnson is a larger than life figure in that era. Tim Roth also is quite amazing as Dutch Schultz, a white man who saw the hidden treasures of the black community of Harlem and tried to capitalize in that world. Andy Garcia plays Lucky Luciano, an Italian man who also was instrumental in the criminal activities one sees in the film.

Also in the cast, Vanessa Williams, Cicely Tyson, Loretta Devine, William Atherton, Queen Latifah, and the rest, respond well to Mr. Duke's command.

The film is entertaining and will not disappoint fans of the genre, or of Mr. Duke.

Hoodlum.....what can I say, if you had cool Grandparents that grew up in Harlem in the 1930's who liked to party, dress and play numbers then maybe you'd of heard some of the stories about the going ons in Harlem U.S.A. during that period. Numbers were literally the Black mans lottery back then and communication between runner and player no matter how small the amount played was the lug that connected dreams with hope for the little guy; Hoodlum is a story about the preservation of those hopes and dreams by a one Bumpy Johnson. The music, wardrobe and cinematography is superb, I highly recommend this tale of Harlem history.

Macheeste~