IMDb रेटिंग
5.7/10
5.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThree marijuana farmhands see their boss killed, ending their peaceful existence in NW California. They decide to harvest, process and sell the crop themselves. Crime bosses, corrupt cops, k... सभी पढ़ेंThree marijuana farmhands see their boss killed, ending their peaceful existence in NW California. They decide to harvest, process and sell the crop themselves. Crime bosses, corrupt cops, killer pilot, greed etc. ensue.Three marijuana farmhands see their boss killed, ending their peaceful existence in NW California. They decide to harvest, process and sell the crop themselves. Crime bosses, corrupt cops, killer pilot, greed etc. ensue.
Michelle C. Bonilla
- Nurse
- (as Michelle Bonilla)
फ़ीचर्ड समीक्षाएं
Another example of a really good small film that didn't get the promotion or distribution it deserved. Billy Bob Thornton just gets better and better. This little film about the Northern California Dope Growers, is great. I disagree with the categorization of the film as a comedy. It is more of a drama with moments of comic relief, but it certainly entertains. There are no great life lessons to be taken from it. (well maybe there is one lesson. If you're doing something illegal, it's best not to have a gunfight in the parking lot thus calling attention to yourself) An incredibly good cast, cleverly written and well performed I'd give this one a solid 8.
Well, it's a weird movie. That Stephen Gyllenhaal seems to LIKE weirdness, really.
The fact that the film is billed as a comedy should not be considered an indictment. A film is made because someone decided to try to share this particular story with you--NOT because he wanted to add another movie to some given drawer/shelf in a video rental store, nor because he wanted to make things easy for the marketing department.
I know the film wasn't well-promoted, but looking at the movie itself, I think it's actually a pretty innovative piece of work.
What really makes the film work is the ambiguity and (ok, I admit it) PARANOIA of it.
If you've found yourself wondering what any particular scene adds to this movie, I fear you've fallen victim to lack of imagination. The characters never know "who knows what," and that is the single most essential premise of the movie. The film uses a far stronger perspective of first-person perspective than such bubble-gum fare as the Matrix. When the hapless dope-growers meet the first distributor they're looking to do business with, they don't know whether he's "in on everything." When BB Thornton talks to Sienna, he has no idea what SHE knows about the situation...and in fact, no matter how you choose to interpret that particular scene, you really ought to acknowledge that perhaps the "reality" (cinematically speaking) is the complete opposite of what you first thought when you watched it. Almost every meaningful dramatic scene in the film is completely ambiguous in possible interpretation. At least up until the climax.
This is a film that truly does get better with repeated viewings, IF you have the patience for a movie that doesn't spell everything out for you. If you want a heavy musical score and a didactic moral "point," stick with Spielberg. He'll never disappoint. If you want to WONDER what the characters are really up to in a film, check this one out.
The cast is terrific, the story is novel if not earthshaking, and the polish and presentation are first-rate. It has a few minor editorial flaws--I could've done without Lithgow's late appearance, or some of the "feel-good" moments laced into the script early on, but I certainly don't think someone else would have done a better job with the concept and script...unless Kubrick or Fassbinder were still alive.
8.5 out of 10.
The fact that the film is billed as a comedy should not be considered an indictment. A film is made because someone decided to try to share this particular story with you--NOT because he wanted to add another movie to some given drawer/shelf in a video rental store, nor because he wanted to make things easy for the marketing department.
I know the film wasn't well-promoted, but looking at the movie itself, I think it's actually a pretty innovative piece of work.
What really makes the film work is the ambiguity and (ok, I admit it) PARANOIA of it.
If you've found yourself wondering what any particular scene adds to this movie, I fear you've fallen victim to lack of imagination. The characters never know "who knows what," and that is the single most essential premise of the movie. The film uses a far stronger perspective of first-person perspective than such bubble-gum fare as the Matrix. When the hapless dope-growers meet the first distributor they're looking to do business with, they don't know whether he's "in on everything." When BB Thornton talks to Sienna, he has no idea what SHE knows about the situation...and in fact, no matter how you choose to interpret that particular scene, you really ought to acknowledge that perhaps the "reality" (cinematically speaking) is the complete opposite of what you first thought when you watched it. Almost every meaningful dramatic scene in the film is completely ambiguous in possible interpretation. At least up until the climax.
This is a film that truly does get better with repeated viewings, IF you have the patience for a movie that doesn't spell everything out for you. If you want a heavy musical score and a didactic moral "point," stick with Spielberg. He'll never disappoint. If you want to WONDER what the characters are really up to in a film, check this one out.
The cast is terrific, the story is novel if not earthshaking, and the polish and presentation are first-rate. It has a few minor editorial flaws--I could've done without Lithgow's late appearance, or some of the "feel-good" moments laced into the script early on, but I certainly don't think someone else would have done a better job with the concept and script...unless Kubrick or Fassbinder were still alive.
8.5 out of 10.
This is a pretty good movie heavily influenced by John Huston's "The Treasure of the Sierra Madre" with Humphrey Bogart, but original in its content and conflict. It is not so much a comedy as a quirky drama, like Treasure, though its point is not as sharp at the end. You should see Treasure (again) before or after seeing this.
The first half hour of "Homegrown" was rather boring and not absorbing, but as the film progressed, so did my interest in the characters and the plot. Several scenes are really scary and you fear for the main characters who you actually grow attached to. The story is about three hired hands on a hidden illegal marijuana farm in southern California. They witness the murder of the farm's owner, Malcolm (John Lithgow), and they take over the weed for their own. The three rather simple-minded farm hands soon get swept up into a scary world of mafia and local interest, while all of the time trying to convince everyone that Malcolm is still alive. While the movie had several faults and a slow beginning, it turned out to be worthwhile. 7/10 stars.
This film was marketed as a comedy but anyone who went into it expecting "Half Baked" was probably dissapointed. Instead of a mindless stoner-comedy, we get a good solid film that is equal parts drama/comedy/thriller. It's the story of a group of pot farmers who, after seeing their boss murdered, decide to cash in the crop for a cool 3 million. Needless to say, things turn out to be a bit more complicated than expected and getting the money takes a back seat to getting themselves out of this bind that they have done such a good job of getting themselves into.
The three central characters, Jack (Billy Bob Thornton), Carter (Hank Azaria) and Harlan (Ryan Phillipe) are working for Malcomn (John Lithgow), manning the pot farm, when Malcom is killed by his own helicopter pilot. Thinking they know way more than they actually do, they decide to take charge of the situation and finish out the job. Jack poses as Malcomn (none of Malcomn's customers have ever actually seen what he looks like) and becomes the natural leader while Carter and Harlan bumble around doing the grunt work.
Things go a little over Jack's head when mob boss "Gionni the wop" (played hilariously by Ted Danson) enters the picture. Pretty soon it's paranoia time for the three stooges and their mutual girlfriend Lucy (Kelly Lynch), fighting off rippers, avoiding hitmen, and trying to find a buyer, all without getting caught by the feds (all the local cops are paid off).
There are many plot twists in Homegrown and the acting is great from a huge ensemble cast. Hybrids like this rarely work completely and Homegrown does sputter occassionally. There are a few scenes that leave you wondering if they are supposed to be funny. One thing that is highly overlooked and misunerstood about this film is how it makes you feel just like the characters. It totally succeeds in putting you in the same boat with them and making you feel the same things that they are feeling.
All in all, I give this movie a 9/10 and I highly reccomend it. It DOES NOT glorify the use and distribution of marijuana (many would like to argue that point) but merely uses it as a backdrop for what is going on. Give it a run. I especially reccommend this one to Billy Bob Thornton fans. He is so perfect in his role that you can almost smell the weed on him.
The three central characters, Jack (Billy Bob Thornton), Carter (Hank Azaria) and Harlan (Ryan Phillipe) are working for Malcomn (John Lithgow), manning the pot farm, when Malcom is killed by his own helicopter pilot. Thinking they know way more than they actually do, they decide to take charge of the situation and finish out the job. Jack poses as Malcomn (none of Malcomn's customers have ever actually seen what he looks like) and becomes the natural leader while Carter and Harlan bumble around doing the grunt work.
Things go a little over Jack's head when mob boss "Gionni the wop" (played hilariously by Ted Danson) enters the picture. Pretty soon it's paranoia time for the three stooges and their mutual girlfriend Lucy (Kelly Lynch), fighting off rippers, avoiding hitmen, and trying to find a buyer, all without getting caught by the feds (all the local cops are paid off).
There are many plot twists in Homegrown and the acting is great from a huge ensemble cast. Hybrids like this rarely work completely and Homegrown does sputter occassionally. There are a few scenes that leave you wondering if they are supposed to be funny. One thing that is highly overlooked and misunerstood about this film is how it makes you feel just like the characters. It totally succeeds in putting you in the same boat with them and making you feel the same things that they are feeling.
All in all, I give this movie a 9/10 and I highly reccomend it. It DOES NOT glorify the use and distribution of marijuana (many would like to argue that point) but merely uses it as a backdrop for what is going on. Give it a run. I especially reccommend this one to Billy Bob Thornton fans. He is so perfect in his role that you can almost smell the weed on him.
क्या आपको पता है
- ट्रिवियाJamie Lee Curtis is the godmother of Jake Gyllenhaal and Maggie Gyllenhaal and friends with their father, Stephen Gyllenhaal.
- गूफ़After an establishing shot that shows Jack Marsden driving into San Francisco via the Golden Gate Bridge, the close-up of him in the BMW shows he's traveling on a different bridge - one that's constructed of gray metal trusses and girders, rather than the famous red-orange of the Golden Gate Bridge.
- कनेक्शनReferences Fantasy Island (1977)
- साउंडट्रैकDevil's Train
Written by Brent Daniels & Daniel Lenz
Performed by Hednoize
Courtesy of Wax Trax!/TVT Records
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Homegrown?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $77,910
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $77,910
- 19 अप्रैल 1998
- दुनिया भर में सकल
- $77,910
- चलने की अवधि1 घंटा 42 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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