Grosse Pointe Blank

I love this movie. Grosse Pointe Blank is smart and witty and has a stunning 1980s soundtrack. Martin Blank (Cusack) is an angst ridden international hit-man who has stopped enjoying his work. He searches for meaning in his life and returns to Grosse Pointe, Michigan for his 10th year High School reunion and one last job. Blank meets his mom, some old friends and discovers that his childhood home has been knocked down to make way for a convenience store. He ponders his life choices and has recurring dreams about Debi Newberry (Driver) the girl he stood up on Prom night.

Blank's activities have attracted a collection of hit men trying to find an excuse to kill him. These include Aykroyd, two federal agents and a freelance Basque hit-man. There is a shoot-out at the end and overall the film has a large body count, but Cusack makes Blank seem like a lovable version of Jason Bourne. The film is something of an ensemble piece with great comic performances from Alan Arkin, Joan Cusack, Jeremy Piven and Aykroyd. The film pokes fun at the loner tough guy hero featured in so many Hollywood movies. At the time of its release the story was a little unusual but Mr and Mrs Smith has since explored similar territory of rich cosmopolitan assassins trying to blend into ordinary American life.

Blank spends most of the movie in pursuit of Debi. Will she forgive him? Will he have time to complete his assignment? This is my idea of a great movie. It's funny and clever and the characters are flawed but likable.

Although not nearly as popular as it deserves to be, GROSS POINTE BLANK has become an increasingly respected cult flick in the year following its theatrical release and it's not hard to see why. The movie is probably the only film on earth that is able to blend comedy, graphic violence, and romance together perfectly, which is what makes it such a classic. John Cusack is excellent as Martin Q. Blank, a hit-man who attends his ten-year high school reunion. At first he doesn't want to, but decides to go since he has a case there and he wants to see his old girlfriend Debbie (Minnie Driver) again. This dark comedy is heavy on exciting action, suspense, gunfire, laughs, and fun, but it doesn't have not quite enough character development for my taste (a bit more on how Martin became accustomed to killing would have been nice). Still, GROSSE POINTE BLANK was one of the best films of 1997 and one of the better comedies of the 1990s. There were rumors of a sequel happening for a while, though the chances of that happening are slim to none. Too bad.

About the same time as this film was made there was a spate of hitman focused comedy dramas (from Leon to Coldblooded) so this risked being viewed in the same way as these. This is strictly a comedy - there's no deep soul searching here, the analyst is also in it for comedy value.

The story is funny and lively, the soundtrack reminded us that not all 80's music was rubbish and the whole feel of the film is one that it must have been fun to make. John Cusack is excellent as the hitman, he just seems to bring the character to life and play him in a jokey way without making fun of the film, Dan Akroyd gets the best role he's had in years as the hitman trying to get Cusack to join his union, while Minnie Driver is girly and fun - the whole cast are excellent in fact!

The film is not a classic by any means and many see it as a down side that it ignores any serious issues or that the film is set so far away from reality but for me this is part of the fun. Sit down, don't take it seriously and just enjoy the ride!

John Cusack (hit man) has got a violent feud with Dan Akroyd (another hit man). In between there is a budding romance with Minnie Driver and when I say " in between" I mean literally in between the shootouts and sometimes even DURING the shootouts. Hilarious. Original.

Weird, yet quite unique combination of violence and romance. It's literally like a gangster shooting someone and a second later proposing to marry his high school sweetheart. Sounds silly? Wait till you see it and seeing it you must if you are into black gangster comedies.

The good: produced by John Cusack himself, meaning he had control and it shows. The jokes are spot on and the story is refreshingly original, however weird it might be. Nice eighties soundtrack as well.

Any bad? It's a bit silly. So what? It's meant to be out of control silly, THAT's the fun of it.

Watched this for the first time in 20 years and all I could think of was "what ever happened to John Cusack and why doesn't he make great films like this???" Fantastic sound track to a black comedy.