IMDb रेटिंग
6.5/10
6.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn 1917, two children take a photograph, which is soon believed by some to be the first scientific evidence of the existence of fairies.In 1917, two children take a photograph, which is soon believed by some to be the first scientific evidence of the existence of fairies.In 1917, two children take a photograph, which is soon believed by some to be the first scientific evidence of the existence of fairies.
- 1 BAFTA अवार्ड जीते गए
- 1 जीत और कुल 3 नामांकन
फ़ीचर्ड समीक्षाएं
After watching this film I realize that it is not so much about whether it "was really" true or untrue...the essence of the film, made amply clear is the Belief of the two girls in fairies that made them see them in the first place. On a metaphysical level the film says that if you really believe in something, however odd or outlandish, it will come true or be true. There's no sense in being contentious about the basis of this film because that is very much valid as I have pointed out above. To do so, as I see some people have done over here, is to not only misunderstand the message of the film but to downplay its other qualities.
The acting of Florence Hoath as Elsie and Elizabeth Earl as Frances is really impressive. Both have done complete justice to their characters. The rest of the cast, Paul McGann as Elsie's father, Peter O'Toole as Arthur Conan Doyle and Harvey Keitel as Houdini are also really good. I also absolutely agree with most of the reviewers here that the early 20th century has been evoked very well. But of course, the best thing about the film is the cinematography. It's gorgeous! The woods where the girls encounter the fairies are evoked beautifully, they're appropriately dreamy and realistic. Praise must definitely be due to the set decorators who have done a brilliant job with the house that the Wrights live in and especially the room which Elsie and Frances share. It's a dream garret room! The music is also quite good. I thoroughly recommend this film, certainly for those who believe in Believing things and also for those who like to watch a really well made period film.
The acting of Florence Hoath as Elsie and Elizabeth Earl as Frances is really impressive. Both have done complete justice to their characters. The rest of the cast, Paul McGann as Elsie's father, Peter O'Toole as Arthur Conan Doyle and Harvey Keitel as Houdini are also really good. I also absolutely agree with most of the reviewers here that the early 20th century has been evoked very well. But of course, the best thing about the film is the cinematography. It's gorgeous! The woods where the girls encounter the fairies are evoked beautifully, they're appropriately dreamy and realistic. Praise must definitely be due to the set decorators who have done a brilliant job with the house that the Wrights live in and especially the room which Elsie and Frances share. It's a dream garret room! The music is also quite good. I thoroughly recommend this film, certainly for those who believe in Believing things and also for those who like to watch a really well made period film.
..."I see only joy here." No truer words can be evoked to describe the purpose and effect of this beautiful film.
Charles Sturridge ('Brideshead Revisited' and 'A Handful of Dust') has assembled a cast that would be the envy of many other top flight producers and directors embarking upon a "serious" film. That is not to say this isn't a serious film, it is. It is marketed for children, naturally, but it has deeper levels that challenge the adult mind far beyond what one normally encounters in films directed towards adult audiences.
The quality of this script attracted such great actors as Peter O'Toole (Sir Arthur Conan Doyle), Harvey Keitel (Harry Houdini), Bill Nighy, Phoebe Nicholls, Paul McGann and a slew of other well-known British actors. You might also take note of Mel Gibson in an uncredited cameo at the very end.
Sturridge and his team of writers has come up with something beguilingly profound, flowing quietly beneath the simple story of two little girls who have managed to photograph fairies at the bottom of the garden. This is based on the famous "scandal" of the early 20th century when a similar event took place, only in the film the photographs are pronounce authentic whereas in the actual event in England the "experts" proved the photographs to be false. But the film does not pretend to represent the actual events but moves beyond them to a more fundamental issue of out times.
There is nothing "twee" about this movie either and it could have easily become mawkish and sugar-sweet in less committed hands.
I am left, after viewing this film, with Shakespeare's words ringing in my head... "there is far more in heaven and earth than meets [our] little philosophy."
In this blighted age of science and money-worship it is good to be reminded that we limit ourselves through our cynical prejudices and need to have everything proved scientifically, usually for profit.
When the condition of our lives and society has got you all blocked up, watch this little gem and weep for everything that has been lost to us. You will feel better afterward.
I will stop this commentary abruptly now by recommending 'Fairy Tale' to one and all. And get out the Kleenex box before you begin.
Charles Sturridge ('Brideshead Revisited' and 'A Handful of Dust') has assembled a cast that would be the envy of many other top flight producers and directors embarking upon a "serious" film. That is not to say this isn't a serious film, it is. It is marketed for children, naturally, but it has deeper levels that challenge the adult mind far beyond what one normally encounters in films directed towards adult audiences.
The quality of this script attracted such great actors as Peter O'Toole (Sir Arthur Conan Doyle), Harvey Keitel (Harry Houdini), Bill Nighy, Phoebe Nicholls, Paul McGann and a slew of other well-known British actors. You might also take note of Mel Gibson in an uncredited cameo at the very end.
Sturridge and his team of writers has come up with something beguilingly profound, flowing quietly beneath the simple story of two little girls who have managed to photograph fairies at the bottom of the garden. This is based on the famous "scandal" of the early 20th century when a similar event took place, only in the film the photographs are pronounce authentic whereas in the actual event in England the "experts" proved the photographs to be false. But the film does not pretend to represent the actual events but moves beyond them to a more fundamental issue of out times.
There is nothing "twee" about this movie either and it could have easily become mawkish and sugar-sweet in less committed hands.
I am left, after viewing this film, with Shakespeare's words ringing in my head... "there is far more in heaven and earth than meets [our] little philosophy."
In this blighted age of science and money-worship it is good to be reminded that we limit ourselves through our cynical prejudices and need to have everything proved scientifically, usually for profit.
When the condition of our lives and society has got you all blocked up, watch this little gem and weep for everything that has been lost to us. You will feel better afterward.
I will stop this commentary abruptly now by recommending 'Fairy Tale' to one and all. And get out the Kleenex box before you begin.
Fairytale: A True Story is a truly charming and delightful film, that has all the charm of the enchanting Secret Garden and the equally wonderful Little Princess. The screenplay was very solid, and the film does look very, very beautiful, with perfect camera-work and splendid period detail. The simple but well-told story tells of two young girls who find and photograph fairies, and they manage to convince even Sir Arthur Conan Doyle (marvellously played by Peter O'Toole) that the fairies are real. The music was really lovely to listen to, and director Charles Sturridge manages to draw spirited (and exemplary) performances from his two leads Florence Hoath and Elizabeth Earl. The supporting cast include Paul McGann, Pheobe Nicolls and Harvey Keital, and all do more than a respectable job. Overall, a very pleasing and charming film, that does certainly leave you wanting fairies at the bottom of your garden, like the back of the video box promised. 10/10 Bethany Cox.
This film ostensibly tells the "true story" of the girls who photographed the "Cottingley Fairies" in Yorkshire. But the film takes the point of view that the photographs were genuine and that the fairies were real.
In old age, the girls involved admitted it was all a hoax - so why does the film treat what they say as true?
There is a scene in which Arthur Conan Doyle tries to convince committed rationalist Harry Houdini (Harvey Keitel) that what the girls say must be true - after all how could they, two young girls with apparently no knowledge of photography, fake the photographs and fool some of the greatest minds in the country? Houdini maintains, of course, that they have done so, however unlikely it may seem.
It strikes me that what Houdini says is correct and that THIS IS A BETTER STORY TO TELL! It is precisely because it seems so unlikely that makes it such a good story (now that we know the truth).
My view is that the two little girls were hoaxers, but that doesn't mean I don't have an enormous amount of respect for their achievement. Surely a better tribute is paid to them by showing fully the extent of their cleverness?
In old age, the girls involved admitted it was all a hoax - so why does the film treat what they say as true?
There is a scene in which Arthur Conan Doyle tries to convince committed rationalist Harry Houdini (Harvey Keitel) that what the girls say must be true - after all how could they, two young girls with apparently no knowledge of photography, fake the photographs and fool some of the greatest minds in the country? Houdini maintains, of course, that they have done so, however unlikely it may seem.
It strikes me that what Houdini says is correct and that THIS IS A BETTER STORY TO TELL! It is precisely because it seems so unlikely that makes it such a good story (now that we know the truth).
My view is that the two little girls were hoaxers, but that doesn't mean I don't have an enormous amount of respect for their achievement. Surely a better tribute is paid to them by showing fully the extent of their cleverness?
10rkeinc
When I saw the average for this film was 6.2 I was uncertain whether I would watch it or not - I am so glad I DID! It was simply delightful and the acting superb, convincing and absolutely fun. I recommend this to anyone who wants to be entertained with a purity and simplicity rarely seen in today's films. It should be rated G and not PG since there was nothing offensive in it and I can't wait to watch it again with my grandson! Peter O'Toole, Harvey Keitel and the little girls made it all so believable. The English scenery, the attention to detail to the time period around 1917 and the entire storyline was wonderful. I recommend this movie to anyone who just wants to believe that there really are fairies. Enjoy!
क्या आपको पता है
- ट्रिवियाThe last film of Don Henderson.
- भाव
Harry Houdini: Cover your ass!
Sir Arthur Conan Doyle: Cover my what?
- साउंडट्रैकSee the Conquering Hero Comes
from "Judas Maccabeus"
Composed by George Frideric Handel (as Georg Friedrich Händel)
Arranged by Christopher Blood
Performed by the combined brass ensembles of St. Peter's & St. Oliver's Schools, York
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is FairyTale: A True Story?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Fairy Tale: A True Story
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,40,59,077
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $35,15,323
- 26 अक्टू॰ 1997
- दुनिया भर में सकल
- $1,40,59,077
- चलने की अवधि1 घंटा 39 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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