Dark City

Dark City has an interesting philosophical premise executed very well. I love how you can question your world while watching Dark City, it is something like Matrix. Kiefer Sutherland always plays supporting roles and doesn't get much attetion but he really deserves praise because he's a terrific actor. The special effects were good for that time but ofcourse today they are not that great. I would love to watch prequel to this film.

John Murdoch (Rufus Sewell) wakes up in an eerie hotel, naked and in the bathtub, with no memories and blood on his forehead. (I couldn't imagine a more strange and frightening experience.) The ring of the hotel phone breaks the silence-- a strange man on the other end tells him he must leave because there are people looking for him. Many events such as this one unfold in Dark City, where "man has no past... and humanity has no future".

Dark City has been passed over by so many critics it's depressing. I think that it should at least have been up for "original screenplay" or SOMETHING at the Oscars to reward Alex Proyas for his fantastic vision. I fail to see why so many people label this movie "noir" like it's BAD or something. Being dark and twisted is not a crime, and despite some other people's comments, this movie is NOT just for the trenchcoat-wearing masses (or if it is, maybe the rest of you can learn something from Goths). If you like sci-fi, dark plots and having reality be so well distorted that you don't realize it IS, so you will love Dark City. (People who have seen the Matrix BEFORE this movie MUST see it, it is very similar in these three respects).

I gave it a 9 out of 10 ONLY because I thought the ending fight scene was a bit weak. Great for a fight scene, but because the rest of the movie focuses on John Murdoch's quest to discover his past and the eerie, ominous happenings in the city, the climax seemed hastily thrown together, as if the crew all of a sudden remembered they had a deadline to meet and could no longer continue the plot in the previous fashion.

The visuals in this movie were absolutely stunning. The effects were NOT used to substitute for the plot, like other movies such as Starship Troopers, Lost in Space and Alien: Resurrection. They were used only as needed and were breathtaking. The editing is NOT as choppy as is rumored, it only lends to the power of the movie. There are some heart-stopping images in Dark City. Watch for the Strangers' clock, views of the city and John's memories.

Proyas takes ideas and ambience from many other movies but integrates them all neatly into Dark City. Gotham City is clearly seen as is Metropolis and other influences such as Ed Hopper's "Nighthawks" dominate in the diner scenes. The forty-ish era (yet strangely futuristic) city is known to be populated, and yet it is ominously empty (hence one of Hopper's main themes, isolation in large cities). (It's especially quiet at midnight, hehehehe... ;D ) This 40's era ambience together with the sci-fi fantasy undercurrent makes for a very interesting feeling while watching.

I'm happy that Kiefer Sutherland, Richard O'Brien (of Rocky Horror fame) and William Hurt agreed to do this movie, it gave Dark City just that much more validation in the USA (I wish things weren't like this, but they are). Kiefer Sutherland is absolutely wonderful and convincing as the doctor/scientist Dr.Schreber, and Rufus Sewell is a properly confused yet determined John Murdoch. Many critics say that William Hurt's character, the detective, and Jennifer Connelly's Emma Murdoch could have used a little more development, but I think part of the point of Dark City was that you don't really know who people are (not to mention yourself). Richard O'Brien and his character's whole race creep me out every time I see the movie, but he's especially frightening and a strange character. I had to resist the urge to talk like a Stranger after seeing the movie a few times.

Trevor Jones, one of my favorite movie composers, did the score for Dark City, and I must say it's very apropo. The deep, bass vocals and frantic themes are some of my favorite aspects, but "Memories of Shell Beach" is a haunting, beautiful song as well. Some of my other favorite scores by him are the Dark Crystal and Last of the Mohicans.

Altogether, I think Alex Proyas had a stroke of genius in the making of this movie. One of the most original dark sci-fi movies I've seen in a long time. It deserves its place with the Matrix, 12 Monkeys and others, pioneers in a field so changed (usually for the worse) since Star Wars and since earlier sci-fi classics. I hope these won't be the last of a (dare I say it?) dying race of movies that have true creativity and originality.

A presence down below seeks to affect, the lives of those above to cause effect, and observe the interactions, of various transactions, to ascertain, to verify and to collect. It's a process that's repeated every night, if you knew why, it might just cause a fright, as emotions are arranged, past lives remixed and estranged, try as you might, you just can't fight, or see the light. Then there's John Murdoch who's a mystery and a puzzle, his mind resists being altered and reshuffled, an ability to craft, to change, reflect, and cast, causing tremors down below, a big kerfuffle.

A far from unoriginal take on a simulated world we may or may not live in.

Dark City is the best film of Alex Proyas. He uses the Gothic and claustrophobic themes commonly and dark colors prevail during the film like "The Crow" .The story doesn't follow a certain order of rule, instead there is some mind games and puzzles in the film, that causes watchers to be active in each minute and motivate to the movie..

The topic is about a man who loses his past and first finds himself in a bath tub, doesn^t know about himself and his life, but he has one ability that no one has, he can be alive when the evil forces stops the time and reshapes the world according to their own demand. The story is so fantastic and Proyas' nightmare world come true in that movie.

I can basically say that it's one of the best science fiction movies ever made, it opens doors to different dimensions and force human brains' capability....

"Mutlu Bahar"

Dark City is definitely a one of a kind movie. There's no other in the science fiction genre that's similar to it. It stands alone. Most of the time I really enjoy films that are unique and stand out, and this one fits into that most category. Typically I'm not huge on the science fiction genre, but I think even if you don't usually care for that type of film, you'll still like this one. One of the reasons it can transcend a strict science fiction audience is because of its intelligence. The film doesn't reveal a whole lot until the very end, which is very clever, keeps the viewer guessing the whole way through. The cast is very good. I think each and every cast member was picked well and represents their role well. The plot is a lot to explain, and the movie gets more complicated as it goes along, so I'll just say that the plot is full of rich twists and turns. I can almost 100% guarantee that you will not be bored with this film, too much is going on for that to happen. The special effects were good for 1998, they are kind of dated by today's standards, but they still work, the buildings in the city are probably the most interesting thing as far as visual effects go. Overall, I do recommend this very interesting film. 8/10.