Dark City

An absolutely brilliant and nightmarish production! DARK CITY is an enriching and surreal experience, full of beautiful images and powerful symbolism.

John Murdoch (Rufus Sewell) wakes up one night, resting inside a bathtub. He look around, realizing that he is inside a hotel room. In a state of shock, he finds a bloody corpse lying near his bed. Then...reality sinks in. He discovers an appalling revelation which he cannot accept. He is wanted for murder on six separate accounts. How does all of this fit in when he thought of himself as a completely sane person? He does not believe he was responsible for these murders, but the cops think otherwise as they chase him down... Next, a swarm of humanoid creatures known only as the "Strangers" have summon him. For unknown reasons, Murdoch happens to fit into their intricate schemes for conquest...

This is just scratching the surface of the premise for Alex Proyas' moody and engaging film, DARK CITY. DARK CITY is a very vivid film with an original concept. As the story expands and the main character must go into the heart of the matter, he learns that there's a conspiracy going on "mixing and matching" different identities together into one whole. The Strangers are the masters...the inhabitants are their puppets...and the city is their playground...

DARK CITY essentially has gorgeous photography, capturing aspects of the entire city where imagination paints the picture and provides the details. This film relies a lot on imagery and the fantastic production values are laced with a perplexing storyline that keeps the viewer's eyes glued to the screen. The eye-catching, stylish future noir designs a visionary world, evinced in the setting of the Big Apple itself, New York City during the time period of the 1940s. Dark City's visual backgrounds enliven a difficult and incomprehensible plot to comprehend and the special effects create an astounding experience, traveling into a vortex of mankind's phantasm.

DARK CITY, in addition to the superb background settings, allows for character development as well. The audiences grows greatly in a moment of eagerness as they want to determine what will happen next to the characters in this film. As always, the cast is wonderful. Rufus Sewell is excellent as John Murdoch, convincing as an ordinary man on the run from both the law and the strangers. Jennifer Connelly is sensuous and appealing as Murdoch's loving and concerned wife. William Hurt plays his cards right as a straitlaced NYPD inspector, Frank Bumstead, who keeps pursuing John Murdoch. As an eccentric psychiatrist, Dr. Daniel Paul Schreber, Kiefer Sutherland conveys a confused doctor who shares a frightening connection to these Strangers.

DARK CITY is splendid viewing injected with a theme about the loss of identity and the destruction of individualism in order to create an ideal society. DARK CITY is an unforgettable, breathtaking visual experience! This film is enriched with layers of characterization, a plot where there is more than meets the eye, and venturous special effects. DARK CITY is recommended viewing with the lights out! A thoroughly cogent flick which keeps you guessing what is going on. DARK CITY is a fine treat for the eyes and mind. This is one journey where you reach the point of no return!

RATING: *** out of ****.

I don't have words to say, its amazing. Totally unpredictable. I haven't read even the synopsis. It came out giving me heart attack at the end.

It's absolutely worth watching.

Dark City is definitely a one of a kind movie. There's no other in the science fiction genre that's similar to it. It stands alone. Most of the time I really enjoy films that are unique and stand out, and this one fits into that most category. Typically I'm not huge on the science fiction genre, but I think even if you don't usually care for that type of film, you'll still like this one. One of the reasons it can transcend a strict science fiction audience is because of its intelligence. The film doesn't reveal a whole lot until the very end, which is very clever, keeps the viewer guessing the whole way through. The cast is very good. I think each and every cast member was picked well and represents their role well. The plot is a lot to explain, and the movie gets more complicated as it goes along, so I'll just say that the plot is full of rich twists and turns. I can almost 100% guarantee that you will not be bored with this film, too much is going on for that to happen. The special effects were good for 1998, they are kind of dated by today's standards, but they still work, the buildings in the city are probably the most interesting thing as far as visual effects go. Overall, I do recommend this very interesting film. 8/10.

THE CROW director Alex Proyas followed up his stylish debut with this even more stylish slice of sci-fi film noir. It's a complex yet eminently watchable beast, featuring a twisted, world-changing plot and using all manner of innovative ideas to create a true work of science fiction. Where THE MATRIX took a sci-fi principle and used it as a basis for a straightforward action flick, DARK CITY remains about the ideas and their implications all the way through.

The film kicks off as a straightforward murder mystery, featuring the ever underrated Rufus Sewell (in a rare Hollywood good guy role) as a wronged man on the run from the authorities. So far so Hitchcock, but throw in a dogged cop (William Hurt, who's never been better) and a series of repugnant baldies led by the camp but excellent Richard O'Brien, and you have the recipe for one uniquely thrilling film.

There are missteps along the way, including the infamously bad judgement of the studio to include an opening narration which makes redundant all the genuine twists and surprises later on in the story, but for the most part this is an exhilarating slice of film-making and much more mature than the better known Keanu Reeves-starrer. Proyas elicits some fascinating performances from his assembled cast, including an alluring debut for Aussie starlet Melissa George, a creepy turn for British character actor Ian Richardson, a bug-eyed role for MAD MAX 2's Bruce Spence, Jennifer Connelly as a paragon of virtue and the surprisingly excellent Kiefer Sutherland, cast against type as a twitchy doctor whose role owes much to Peter Lorre. The special effects involving the buildings are superb and the film as a whole is a refreshingly original piece of sci-fi done on a grand scale.

For science fiction fans the late 90s were great years. The most famous and popular of all was The Matrix but Alex Proyas's much more thought-provoking(which is saying something as the Matrix, at least the first movie was very thought provoking itself) film is just as good. No movie can ever have too much atmosphere, and Dark City exudes it from every frame of celluloid. Alex Proyas' world isn't just a playground for his characters to romp in -- it's an ominous place where viewers can get lost. We don't just coolly observe the bizarre, ever-changing skyline; we plunge into the city's benighted depths, following the protagonist as he explores the secrets of this grim place where the sun never shines. Visually, this film isn't just impressive, it's a tour de force. Thankfully, Dark City doesn't have an "all style, no substance" problem, either, because there's a mind-challenging story to go along with the eye candy. Proyas hasn't written this film for the passive viewer. To become involved in Dark City, thinking is mandatory.