Black Cat, White Cat

I saw UNDERGROUND and I have been very impressed, and one month ago I went to the movie theater in order to see BLACK CAT, WHITE CAT and it was the illumination: "What a great movie!" I told myself. The music is very good, very captivating and structures all the movie. It make us discover a not very known culture: the tsigan culture which is very interesting and where music is very important.

That movie stands out the RETURN of Emir Kusturica.

This has got to be one of the most refreshing, off-beat movies I've seen in a long while. Welcome to Kusturica's world, and what a world... This film, apart from providing quite a few slap-stick laughs also delivers some visual jewels. The sunflower field scene with the two young lovers frolicking with joyful abandon is one of the most memorable ones and perhaps a simple summary of what I found this movie to be: One full of colours, energy, and a sense of happy carefree existence in a world where rules are only written as need be, all accompanied by an inebriating gypsy soundtrack.

Few films just simply fascinate me. As an American Boomer, I am admittedly spoiled and quite jaded, when it comes to movies. This film tantalized me and enthralled me. I felt like a kid at a carnival. The rich cinematography was palpable. The beauty of the chaotic and very non-Pasteurized world of these kooky gypsies and country folk was unexpectedly stunning. And it was so funny! Just plain old funny! The acting was superb. I recognized some favorite character actors from other films I have seen from Yugoslavia. (Look for the Nail Lady). The only glitch for me was an occasional sense that the subtitles could not convey the full impact of the obviously earthy and colloquial dialogue. The film seems to proudly carry on the zany comedy tradition of Europe in the sixties, such as the Pink Panther series and the Czech "Firemen's Ball". I regret I did not see this in a theater with the howling audience it deserves.

Emir Kusturica's films all pulsate wildly to the wonderful sounds of authentic gypsy music. Guitars, fiddles, accordians and all manor of horns are as much a part of their lives as eating and sleeping.

Song and dance feature heavily in "Black Cat, White Cat," Kustruica's finest and most complete film to date. The music isn't really a soundtrack, but is largely, physically written into each scene (performed with gusto by musicians who often follow the characters around). Indeed, the 'bad-guy' character of Dadan scarcely has a scene where he isn't swinging or dancing along to something (even a bizarre pop/rock song makes a comic cameo). But the other characters have their musical moments as well.

"Black Cat, White Cat" has a large cast and a sprawling storyline, largely resolving around two gangsters - Dadan and the hapless Marko - and their attempts to outwit each other. Things come to a head when Dadan tries to force Marko's son to marry his spinster sister as a repayment for one of his father's debts.

But the plot is largely unimportant in a film of this type. The viewer is simply swept away in a good natured deluge of funny lines, inventive slap-stick, unusual settings and colourful supporting characters (a particular favourite: the old man who continually re-watches the last two minutes of "Casablanca"). All you need to do is sit back and enjoy. Oh...and listen to the music.

"Underground" may still be the most monumental and brilliant work from Kusturica, yet this movie is just so damn feel-good and enjoyable that the man earns my highest praises yet again. Being a sort of comedic parallel to "Time of the Gypsies," old ways clash with the new in this hilarious comedy about Gypsies living on the bank of Danube river. Gangsters, dirty deals, weddings, eccentric characters, great music (played by the orchestra from "Underground"), delicious Eastern European atmosphere - "Black cat, white cat" has it all. I love it. Kusturica is a master of his craft. I tink, dis is de begining of a beautiful frendship...