The Manson Family

I like the movie a lot, probably not for the crappy set design and poor acting, or even the low budget premise. I just liked the fact that an independent film maker with a vision got to see his dream after 15 years get rewarded. I have to admit, the movie is pretty gritty and I got the parallel between the new Manson zeolites and the original family and found it more intriguing than the usual docu-drama the media portrays. Well done...oh and people that hated this movie, it's too bad because I was entertained throughout and in a way it took out the mystique of the Manson family rather than glorifying it. Yes it was low-budget but if you watch the documentary on the film's creation it's quite brilliant and fascinating.

Jim Van Bebber's "The Manson Family" is an extremely violent and bloody horror film that reconstructs the early activities of the Family and their descent into the Tate-LaBianca killings.Van Bebber mixes this with a contemporary sub plot involving tabloid journalist Jack Wilson's quest to film a documentary on the subject.The film is loaded with plenty of sex and full-frontal nudity.The final third of "The Manson Family" is a grueling nightmare with some of the most sadistic and savage murders ever captured on screen.The acting is generally amateurish,although Marc Pitman is truly impressive as Tex.The photography perfectly captures the hazy sex-and-drug fuelled lifestyle that Charlie and his largely female disciples indulged in on their Californian ranch.The killings themselves are extremely graphic and gory as hell,so I was satisfied.The scene of blood drinking orgy is truly frightening as is the slow progression of Charlie from a peaceful Jesus Christ figure to Satan himself."The Manson Family" is easily one of the most controversial and disturbing horror films ever made.Give it a look.

**1/2 out of ****

By golly, it's about time that a film about the Manson Family wasn't made to be more of an event then it really was. I mean sure, it is very tragic that those people died, I always will mourn for their families and them, being that they were innocent people who did not deserve to die, but the family isn't something that should be really feared. When you really break it down, the members of the cult were not smart people. They didn't ask questions as to what was the purpose was for murdering all those innocent people, they didn't see Charlie as someone who should not be taken seriously, and they didn't even know who they were murdering. They were very foolish people, and they should be anything but feared. I don't understand the rationale of someone who finds the incident of the cult to be so shocking. I mean sure, it's shocking that these people actually went out and committed these murders, but they were just a group of people who had obviously lost too many braincells. That is why I thought this was a good movie. Because it is honest, shows the incident from the evil side, and does it in a responsible and realistic manner.

The film structure consists of the members of the family being interviewed in jail about what they did. We briefly see Charlie as the ringleader and we see him as a foolish looking funny man who mostly doesn't know what he is talking about. The film builds up to a Roman Polanski's MACBETH style third act in which the family goes on their killing spree, but by the time they begin to do these things, the audience realizes that these people don't have any rationale except for hate, and they gradually became blinded by it and began thinking that they were doing something of purpose, which they were certainly not.

I don't recommend this to the casual movie goer. People who rent this thinking that it's just a horror film are wrong. This is not just a horror film. This is an extremely disturbing, gruesome, tasteless, and senselessly brutal film that just so happens to depict an honest representation of the family. People who will see this film will wonder if it merits any purpose. Indeed, it may not. That is not the point though. The point is that Mario Vanbebbler wanted to make the most realistic version of The Manson Family as possible, so even though the film may not be good, I am happy to say that he has succeeded in doing exactly what he wanted. That is something I greatly admire, and that's why I like this film.

Not Rated. Adults only. contains explicit violence and sexuality, and drug use.

Director Jim Van Bebber finally got his low budget Manson picture released. Was it worth the wait? Sure, if you're interested in the case, that is. From what I can gather, the film is fairly accurate with its portrayal of events, actions, and even some dialogue. Van Bebber does take some liberty though, showing a few things that were only suspected in the real case. I guess that's to be expected. Anyway, the movie basically shows the story from the Manson Family's point of view, complete with faux interviews, tied together with a running subplot of a modern TV station putting together a documentary on Manson and his followers. Obviously, it is a very violent and disturbing movie, not shying away from the drug use, orgies, or murders. The shot of his three female followers with shaved heads, coming down the courtroom stairs, is a haunting one. The movie as a whole is not great, though I did find it intriguing, horrifically trippy, and ultimately tragic. It's a shame that some youths still look up to the guy, even wearing shirts with Manson's picture on it. The two DVD set includes two feature length documentaries and a short interview with Charlie Manson. Boy, is he out there.

Many years in the making this is, if ultimately rather sad and depressing with a confused ending, an involving documentary style depiction of what life may well have been like within the notorious 'family'. At the beginning there is a fair mix of youngsters held together largely by sex and quasi religion. Largely it's the girls that talk of Jesus whilst disrobing and the men of, f***ing. Fuelled by dope and acid they go their merry way for a while but then interestingly Charlie reckons a mix of blood and death will keep the group alive. And so it does but always of course spiralling hell bent towards the inevitable, 'helter skelter'. The best and worst of the hippie movement is depicted here in what was essentially it's death throws. Bebber makes considerable play on the racist slant to the 'family' belief structure and their fear of a black takeover, none of which have I been aware of before. Very interesting with lots of gore and bare flesh with much emphasis on the meaning/meaningless of words, gullibility and the mighty power of the promise of sex and violence.