The Boxer

I really liked this film for several reasons. Firstly, it dares to tell the story of ordinary people caught up in a conflict that they don't want to be a part of, and having their best hopes crushed. The script isn't written to be a crowd-pleaser.

Secondly, the story and the style of narration is wonderfully subdued and lowkey, both fitting the story perfectly and allowing the viewer to really involve him/herself in the story and characters.

Finally, the performances of Day-Lewis and Watson are very good. Day-Lewis lends great credibility to his character. He is no Mel Gibson or Harrison Ford rising again with a firm jaw after each blow, but rather a believable portrait of a man believing and wanting to do his best, but time and time again having his hopes crushed.

But the real star performance of the film is by Watson. After "Breaking the Waves" I had written her off (sorry, but I tend to do that with people who have played in von Trier movies), but her performance in this film is simply outstanding. Her portrait of both pride, strength and vulnerability is amazing.

9 out of 10.

I rarely watch movies more than once, however this is my second time watching "The Boxer". Why? Because the airline I was on when I watched the film is stupid. What I mean is that I'd seen 95% of the film---then they cut it off!! For years, I always wondered what happened at the end and finally I've gotten around to it.

Before I talk about the movie, I did find the choice of rolls for Daniel Day-Lewis very interesting. After doing "My Left Foot" and "In the Name of the Father", he chose yet another film set in Ireland or Northern Ireland. Because of this, and especially coming after "In the Name of the Father", there is a HUGE sense of Déjà vu, not only for the location but because BOTH films are about an Irishman who has been imprisoned for IRA activities. Though in this film Day-Lewis' character is much calmer, sweeter and subtle than in these other films--plus you really have to admire the way he prepared for this role*.

The film begins with Danny (Day-Lewis) about to be released from prison. I don't recall what it is he did to get there but it had to do with IRA activities and Danny is sick of prison and wants to put it all behind him. As far as he's concerned, although he's now 32, he wants to pick up with his old boxing gym (Holy Family) and distance himself from the IRA. He obviously has become disenchanted by them and their killing of innocent civilians. Now he just wants to box and do something very radical for Northern Ireland--open up the gym to young would-be boxers of all faiths--not just Catholics. His goal is to facilitate the healing through boxing and his idea generally is well received--though his old compatriots are not particularly pleased and do everything they can to keep the fires of hatred stoked. Plus, his old flame (Emily Watson) isn't sure if she should be loyal to him or her rather toxic family.

I really liked this film but noticed there were LOTS of divergent opinions. As a person with neither British nor Irish heritage, perhaps that is why I appreciated its message that it's time to stop the violence and have peace. I am sure this simple message irritated many on both sides of an insane conflict, though to me it just seems like a reasonable thing. Extremely well acted and quite gripping--I sure liked this film. I should warn you, however, the film is tough to watch at times. The boxing match with the Nigerian is one of the toughest and bloodiest in film history and the ending sure is tough to watch as well.

By the way, it could be because I watched the film streaming through Netflix, but there were no captions. I really would have preferred them since I am a bit hard of hearing and it's sometimes tough for me to understand the accents--and I am sure some others might have the same experience.

*Day-Lewis' acting method is legendary and even a bit scary. Even most method actors would be shocked how he puts himself into the roles (such as behaving as if he had severe cerebral palsy every second--even when the cameras were off while doing "My Left Foot"--necessitating insane things to accommodate his 'disability' by the crew). Here, according to IMDb, he worked for three years (THREE YEARS!) to perfect his boxing skills! Wow...that's dedication. And, while it might sound crazy, he is the actor with the most lifetime Oscars for Best Actor with three statuettes to his credit so far!!

Jim Sheridan's films are always powerful. Shakespearian in their intensity of character conflict, they bristle with grit, are masterfully acted, and propel themselves the way John Ford's best films do. I consider him, even with his limited output, one of the great A list directors. No, his camera work isn't stunning crane and rail ballet, it's old school - but GREAT old school - Zinneman, Ford. And if you're a filmgoer who likes to care deeply about characters, Sheridan makes your kind of film.

Acting doesn't get better or more truthful than Daniel Day Lewis and Emily Watson working together. They're absolutely believable - inspiring actually - as a couple struggling through forbidden love after 14 years apart. The dialogue they work with is A plus and written by Sheridan; thus it's probably tuned collaboratively during rehearsal. Very organic. Great (!) work by Gerard McSorley, Brian Cox (L.I.E.) and David Stott as Ike.

Yep, Northern Ireland as Sheridan portrays it can be dreary, as commented here. But it's also full of humanity, drunkeness, hope, cruelty, love, loyalty, oppression, and a desperate longing for change - all the stuff of true drama. The action commences at the moment Ireland is on the cusp of real but fragile peace. Boxing and the IRA? A one two punch.

I love this film and I'd watch it again with any friend who wanted to see an excellently written and played picture. If you want your blood to boil from some fine performers playing strongly written characters, check this out. Not quite "Elizabeth", but powerful. Good enough dramatically (albeit not quite visually) to sit on the same shelf with Raging Bull.

The Boxer is an excellent film in almost all its aspects. The acting is quite good across the board, especially Emily Watson and Brian Cox. The cinematography is often stunning, especially in the way it uses the cold and minimalist color palette. There's a palatable sense of tension that flows throughout the picture, made more taut by the various directing techniques used by Jim Sheridan. One technique is the shots from the helicopters that circle above Belfast, showing a community that is under siege and giving a greater perspective on what it's like to live in this part of the city. And there are three parts to the story, all of which work very well. There's the story of Danny's release from prison and his attempt to start a boxing club. There's the romance between him and Emily Watson, a romance that is forbidden by I.R.A. codes. And then there's the I.R.A. themselves, struggling to find peace but being broken apart from within by leaders of splinter factions. A very moving film (with a great score by Gavin Friday and Maurice Seezer as well) and a film that really addresses the issues of neverending violence in a very direct and emotional way.

The Boxer is dark movie about a seemingly unsolvable problem. It's filmed in a constant dark, dreary, depressing light; this light reflects not only the weather but the mood of Northern Ireland.

This expose of "the troubles" in N. Ireland uses a story about a boxer who returns to his home after being released after 14 years of imprisonment. His goal is to take his most usable asset (boxing) and make something of himself and his former coach.

Like everything in N. Ireland, living normally is laced with problems when you're in the middle of a war. His interest in his now-married former girlfriend is forbidden, since prisoners of war wives are off limits to honor the prisoner. Accepting gifts from the police force is also a sign of capitulation, and as such carries penalties.

The film clearly shows that those that wish to make peace (however passively) and live normal lives are marked as disloyal and targeted by the Irish Mafia (alluded to as the IRA in the film).

It's a sad commentary on a desolate group of trouble makers in a growing desolate land.