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The Boxer

  • 1997
  • A
  • 1 घं 53 मि
IMDb रेटिंग
7.0/10
23 हज़ार
आपकी रेटिंग
Daniel Day-Lewis and Emily Watson in The Boxer (1997)
Trailer 1
trailer प्ले करें1:59
3 वीडियो
31 फ़ोटो
खेलड्रामाबॉक्सिंगराजनैतिक ड्रामारोमांस

युवा डैनी फ्लिन को IRA के लिए "गलत दोष के लिए" 14 साल के बाद जेल से रिहा किया गया और वह बेलफास्ट मेंअपने पुराने घर में जीवन के पुनर्निर्माण की कोशिश करता है.युवा डैनी फ्लिन को IRA के लिए "गलत दोष के लिए" 14 साल के बाद जेल से रिहा किया गया और वह बेलफास्ट मेंअपने पुराने घर में जीवन के पुनर्निर्माण की कोशिश करता है.युवा डैनी फ्लिन को IRA के लिए "गलत दोष के लिए" 14 साल के बाद जेल से रिहा किया गया और वह बेलफास्ट मेंअपने पुराने घर में जीवन के पुनर्निर्माण की कोशिश करता है.

  • निर्देशक
    • Jim Sheridan
  • लेखक
    • Jim Sheridan
    • Terry George
  • स्टार
    • Daniel Day-Lewis
    • Emily Watson
    • Daragh Donnelly
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    23 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Jim Sheridan
    • लेखक
      • Jim Sheridan
      • Terry George
    • स्टार
      • Daniel Day-Lewis
      • Emily Watson
      • Daragh Donnelly
    • 64यूज़र समीक्षाएं
    • 40आलोचक समीक्षाएं
    • 75मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 3 जीत और कुल 6 नामांकन

    वीडियो3

    The Boxer
    Trailer 1:59
    The Boxer
    The Boxer
    Trailer 1:55
    The Boxer
    The Boxer
    Trailer 1:55
    The Boxer
    The Boxer
    Clip 3:07
    The Boxer

    फ़ोटो31

    पोस्टर देखें
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    + 24
    पोस्टर देखें

    टॉप कलाकार99+

    बदलाव करें
    Daniel Day-Lewis
    Daniel Day-Lewis
    • Danny Flynn
    Emily Watson
    Emily Watson
    • Maggie
    Daragh Donnelly
    • Prison Officer
    Frank Coughlan
    • Prison Officer
    Sean Kearns
    • Prison Officer
    Lorraine Pilkington
    Lorraine Pilkington
    • Bride
    Niall Shanahan
    • Groom
    John Wall
    • Priest
    • (as Father John Wall)
    Maria McDermottroe
    • Betty
    Carol Moore
    Carol Moore
    • Wedding Guest
    • (as Carol Scanlan)
    Kate Perry
    • Wedding Guest
    Andrea Irvine
    Andrea Irvine
    • Wedding Guest
    Joan McGarry
    • Wedding Guest
    Theresa McComb
    • Wedding Guest
    Catherine Dunne
    Catherine Dunne
    • Wedding Guest
    Kerrie Duggan
    • Wedding Guest
    Sharon Dunne
    • Wedding Guest
    Derbhla McClelland
    • Wedding Guest
    • निर्देशक
      • Jim Sheridan
    • लेखक
      • Jim Sheridan
      • Terry George
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं64

    7.023.2K
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    फ़ीचर्ड समीक्षाएं

    bob the moo

    Accurate in tone even if it is rather patronising in its simplicity

    After fourteen years in prison for terrorist activities, Danny Flynn is released and returns to his community. Having blanked the IRA members in the jail with him Danny is not very popular but, since he didn't name names, is allowed to live when he comes out. Looking to get past the violence that stole over a decade of his life, Danny reopens his former boxing gym within a local community centre so that he can give the youth of the area something other than hatred and violence. However the discovery of Semtex in the community centre and his insistence that the gym is a non-sectarian venue brings him into direct conflict with the local members of the army council of Sinn Fein/IRA.

    Perhaps I should not have watched this film today but it has been sitting on my "to watch" list for ages and I finally got round to it. You say, today the IRA issued a statement saying that the British and Irish governments "should not underestimate the seriousness of the situation" – the situation being them refusing to give up guns now that the police, the Irish government and the British government all believe that the IRA (while on ceasefire and supposedly pursuing peace) carried out the biggest robbery of recent memory in Christmas 2004. Now I do not know for sure whether they did or not but I do believe that all terrorist groups (and the political parties that represent them) should be ejected from government given that they are all (Republican and Loyalist) still involved in violence, beatings and crime. So this film was even more impacting to me because it was released at a time when I had just left Northern Ireland to live in England and at the time peace looked possible – it is typical that the terrorist groups refuse to do anything unless it is on their terms (even a neutral would have to admit that the British government has bent over backwards to get them involved).

    Anyway, perhaps this film is the perfect vehicle to watch on such a night because, unlike many films about Northern Ireland, it doesn't have a bias one way or the other, but rather looks at the "ordinary" people who try to deal with the struggle and, like many films on this subject it gets the mood right even if the material is not that hot. By "mood" or "tone" I mean that this film has little hope within it and is not for viewers who are caught up in the current US assurances that terrorism is something that is being beaten by the use of weapons. Watching it on this day I can say that the portrayal of "the people" as keen to see it all settled in a fair way with both groups of terrorists surrendering their weapons, but the whole thing is confused by those who (like today) refuse to give up the gun while still hoping to be a "proper" government. However, outside of this the material is surprisingly weak. Northern Ireland in the mid-nineties didn't quite look like this and many aspects of the story are simplified – partly to make it a easier story but partly to keep up the movie stable that parts of the IRA are actually peace-loving people who would just love to get rid of every last bullet and gun. This material is rather patronising and may annoy those who have actually lived in the conflict rather than viewed it from the mainland.

    The story also involves a romance that didn't totally convince me and the usual backdrop of a man trying to get out of the situation; it isn't great but the story has enough going on to hold the attention while also showing the wider depression about the conflict. The cast try hard and they do make the film better thanks to their work. Day-Lewis is always worth a watch and, even if he is a bit self-righteous here, he is still a fine actor and his performance is better than the character he has been given. Likewise Watson seems to have been given an insight into her character that is not available to the audience via the script, however she raises the standard by her work. Cox is good but his character is impossible to buy into. Support is also good from McSorley, Fitzgerald and others.

    Overall this is not a great film but it is not a bad one and I suppose Northern Ireland is a very difficult subject to tackle. The story is rather patronising at times and rather bland at others but the film does manage to get the tone right (even if the scenes are a bit OTT at times). Bush may speak with grand words but this film and today's statements from Sinn Fein/IRA show that there are no easy answers and, no matter what the will of the people is, if guns are still involved then there will never be a peace. The film captures this truth well, shame it doesn't do much else as well.
    intuitive7

    Day-Lewis and Watson: Outstanding!

    Jim Sheridan's films are always powerful. Shakespearian in their intensity of character conflict, they bristle with grit, are masterfully acted, and propel themselves the way John Ford's best films do. I consider him, even with his limited output, one of the great A list directors. No, his camera work isn't stunning crane and rail ballet, it's old school - but GREAT old school - Zinneman, Ford. And if you're a filmgoer who likes to care deeply about characters, Sheridan makes your kind of film.

    Acting doesn't get better or more truthful than Daniel Day Lewis and Emily Watson working together. They're absolutely believable - inspiring actually - as a couple struggling through forbidden love after 14 years apart. The dialogue they work with is A plus and written by Sheridan; thus it's probably tuned collaboratively during rehearsal. Very organic. Great (!) work by Gerard McSorley, Brian Cox (L.I.E.) and David Stott as Ike.

    Yep, Northern Ireland as Sheridan portrays it can be dreary, as commented here. But it's also full of humanity, drunkeness, hope, cruelty, love, loyalty, oppression, and a desperate longing for change - all the stuff of true drama. The action commences at the moment Ireland is on the cusp of real but fragile peace. Boxing and the IRA? A one two punch.

    I love this film and I'd watch it again with any friend who wanted to see an excellently written and played picture. If you want your blood to boil from some fine performers playing strongly written characters, check this out. Not quite "Elizabeth", but powerful. Good enough dramatically (albeit not quite visually) to sit on the same shelf with Raging Bull.
    9SKG-2

    Difficult but rewarding

    I think the reason this wasn't as well received as MY LEFT FOOT and IN THE NAME OF THE FATHER (the previous collaborations of Daniel Day-Lewis and Jim Sheridan) is this is telling a more complex tale, and while I loved both of those films, this one you have to work harder for. It should be said there are some lapses, particularly in the dialogue, which is often unnecessarily repeated. And sometimes, in his attempt not to play on our emotions too much, Sheridan goes too far in the opposite direction, making the film too distant.

    Still, this is a powerful film. Sheridan was accused with IN THE NAME OF THE FATHER with making an anti-British film, but in that one and this one, he shows he's not afraid of taking on his own people as well. At the same time, while his sympathies are with Day-Lewis' character, he's able to recognize all sides of the situation, as to emphasize the point that peace is always hard work. Day-Lewis, as usual, gives an outstanding performance, though he's a little too old, and Watson continues to grow as an actress with her performance.
    DarthBill

    The Irish "Rocky"?

    Daniel Day-Lewis plays a former IRA man released from prison for a bombing that took place years ago. While out and about, he tries to put his life back together by opening up a gym open to everyone regardless of their religious beliefs and rekindles an old romance with Emily Watson, even though she's got a kid and her husband, one of Day-Lewis's former fellow IRA mates, is still in jail. Naturally, the IRA starts making life rough for Day-Lewis, but he refuses to back down and be intimidated in the face of adversity.

    Sure it may not dig as deeply on uncomfortable subjects the way "My Left Foot", "In The Name of the Father" or even "The Last of the Mohicans", but this is still a damn fine film addressing a still current problem in Ireland.

    Daniel Day-Lewis and Emily Watson are a great pair and their chemistry helps keep the film aloft.
    9BBCdk

    Realistic, depressing and yet full of hope

    I really liked this film for several reasons. Firstly, it dares to tell the story of ordinary people caught up in a conflict that they don't want to be a part of, and having their best hopes crushed. The script isn't written to be a crowd-pleaser.

    Secondly, the story and the style of narration is wonderfully subdued and lowkey, both fitting the story perfectly and allowing the viewer to really involve him/herself in the story and characters.

    Finally, the performances of Day-Lewis and Watson are very good. Day-Lewis lends great credibility to his character. He is no Mel Gibson or Harrison Ford rising again with a firm jaw after each blow, but rather a believable portrait of a man believing and wanting to do his best, but time and time again having his hopes crushed.

    But the real star performance of the film is by Watson. After "Breaking the Waves" I had written her off (sorry, but I tend to do that with people who have played in von Trier movies), but her performance in this film is simply outstanding. Her portrait of both pride, strength and vulnerability is amazing.

    9 out of 10.

    इस तरह के और

    My Left Foot: The Story of Christy Brown
    7.8
    My Left Foot: The Story of Christy Brown
    क्रूसिबल
    6.8
    क्रूसिबल
    The Ballad of Jack and Rose
    6.5
    The Ballad of Jack and Rose
    In the Name of the Father
    8.1
    In the Name of the Father
    द ऐज ऑफ़ इनोसेंस
    7.2
    द ऐज ऑफ़ इनोसेंस
    Nine
    5.8
    Nine
    The Unbearable Lightness of Being
    7.2
    The Unbearable Lightness of Being
    प्रेत धागा
    7.4
    प्रेत धागा
    Lincoln
    7.3
    Lincoln
    The Last of the Mohicans
    7.6
    The Last of the Mohicans
    Eversmile New Jersey
    5.4
    Eversmile New Jersey
    Stars and Bars
    4.8
    Stars and Bars

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Sir Daniel Day-Lewis boxed and trained for three years in preparation for this role.
    • गूफ़
      In one of the early scenes when Danny meets and talks to Maggie, she slaps him on the left side of his face. It was a very weak slap yet he gets a bad nose-bleed - from the right nostril. In the boxing sequences when his face is pummeled, there is less blood.
    • भाव

      Danny: I'm not a killer, Maggie, but this place makes me want to kill.

    • कनेक्शन
      Featured in The 55th Annual Golden Globe Awards (1998)
    • साउंडट्रैक
      LET ME DOWN EASY
      Performed by Josie Doherty

      Written by Josie Doherty

      Arranged by Conor Brady

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is The Boxer?
      Alexa द्वारा संचालित
    • Who's speaking in the voiceover quotes on the opening titles?
    • Are there still 'peace walls' and paramilitary murals in Belfast today?
    • Did the split within the IRA shown in the film actually happen?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 9 जनवरी 1998 (यूनाइटेड स्टेट्स)
    • कंट्री ऑफ़ ओरिजिन
      • आयरलैंड
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइट
      • Universal
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Boxer. Golpe a la vida
    • फ़िल्माने की जगहें
      • Dublin, County Dublin, आयरलैंड
    • उत्पादन कंपनियां
      • Universal Pictures
      • Hell's Kitchen Films
      • Hell's Kitchen International
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    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $59,80,578
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $86,097
      • 4 जन॰ 1998
    • दुनिया भर में सकल
      • $1,65,34,578
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      1 घंटा 53 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • DTS
      • SDDS
      • DTS-Stereo
    • पक्ष अनुपात
      • 1.85 : 1

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Daniel Day-Lewis and Emily Watson in The Boxer (1997)
    टॉप गैप
    By what name was The Boxer (1997) officially released in Canada in French?
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