Southie

Not able to shake its Low-Budget roots, this good try, once again, at tough Neighborhood Street Stuff, is a somewhat confusing rival Gang Melodrama with strong Characters in front of a meandering Script.

The confusing Story about the troubled financing of an After Hours Club bogs down this otherwise engaging Movie that, in its sincerity, can't seem to find the right Melody. It has some episodic believability with Family interactions on a personal level.

But the problem here is definition. Aside from the strong elements of interpersonal relationships among Siblings and the Home Unit, this gets lost in the Mob stuff where it is difficult at times to tell who is with who and what all the fuss is about.

Worth a watch for some of its intensity and works best in the more quiet introspective moments, it just meanders and its lack of clarity confuses and can be too heavy, at times, with all the fisticuffs and the pushing and shoving going over the top to the detriment of the Drama.

After watching 'Southie' I was surprised at its low rating on the IMDb; and somewhat puzzled because almost everyone who took the time to post a comment found it an excellent film. Although in overall effect it is not on the level of 'Mean Streets', it a still a very solid production; on the level of "Monument Avenue" and "The Friends of Eddie Coyle". I suppose that a rather ordinary screenplay and a downbeat ending put some people off.

But this small film did a fine job of presenting a believable (if troubled) family, it utilized some interesting (out of favor) camera techniques to advance the storyline, and it showcased some excellent acting. It is refreshing to watch something without a hint of computer generated crap. If your production fundmentals are sound you don't need that kind of distraction.

There are two diametrically opposite scenes between Donnie Wahlberg and Rose McGowan that work so well that you wonder why they didn't alter the script to expand McGowan's part . One is in an Irish bar where Danny convinces his sister to enter an in-patient alcohol treatment program. The other is a few days later when he visits her in the middle of the program. The contrast between the intensity levels of these two scenes is amazing and McGowan pulls off the dramatic performance of her career. She is great at comedy but in these scenes she shows unexpected dramatic range. 'Southie' would be worth watching for just these two scenes but it is a solid effort from start to finish. Highly recommended.

It's too bad this independent production didn't have some of the advantages of a major studio. The camera work is mediocre and the sound level is just terrible in spots. I hope that the latter is the result of me having a bad VHS copy.

Southie is not the kind of film that the late Pat O'Brien would have appeared in. It's the story of the South Boston neighborhood, a rugged Irish enclave as seen through the eyes of Danny Quinn and his family. It certainly isn't all Irish charm and blarney.

Donnie Wahlberg, late of New Kids on the Block and older brother of Mark Wahlberg, is Danny Quinn. He's gotten in trouble with the son of one of the two local mob chieftains vying for control of the neighborhood. So he beat it to New York for a while and now he's back.

He tries to go straight, but because of the need for money due to his mom's heart condition, young Quinn gets involved again in illegal activities. His old enemy is still around and leads to a whole lot of tragedy.

This was obviously a labor of love for Wahlberg as that's where he and the other New Kids on the Block sprang from. Too bad his neighborhood wasn't better photographed.

Lawrence Tierney as the old mob boss from South Boston and Anne Meara as Wahlberg's mother give strong performances.

This was all under the direction of John Shea, better known as Lex Luthor, from Lois and Clark. Too bad he didn't have better production values in what could have been a great film.

I happened upon Southie one day while browsing through my local video store. Having grown up around Boston I was amazed that I did not hear of it before. Even though the DVD had a very `B' looking cover, I gave it a shot… I was very surprised! Donnie Wahlberg was very convincing as Danny Quinn, a Southie kid who returns home after a self-imposed exile. He finds his family slowly falling apart, and hears the neighborhood beckon him to return to a life of crime. If this sounds familiar, that's because it is! The script suffers from a lack of originality, but the interesting thing is that the dialogue is very well written, even though the theme is well trodden. The acting is also well done: James Cummings plays the film's principle antagonist Joey Ward, and manages not to go over the top, (as many others tend to in gangland films such as this). Rose McGowan is also wonderful as Danny's younger sister Kathy, who battles with alcohol addiction. Finally Lawrence Tierney gives a fine Cameo as a local `good' gangster. The only thing that is noticeably absent in this film is any drug use whatsoever. South Boston like many other urban neighborhoods has had many problems with drugs. The difference is that in Southie most live by a code of silence, and do not like to air dirty laundry about their community, whether it's true or not. That may explain why James Cummings, a South Boston native, didn't include any reference to them. Overall this is a fine film, which I recommend to anyone who enjoys the genre. The DVD also includes one of the best Cast/Director commentaries that I've ever experienced… A real treat!!!

Let me begin by saying that I have lived in Dorchester and South Boston all of my life, so my opinion may be a bit loaded. Let me also say that I have seen this movie before, 15 different times, all of which with a different title, the first and best version of this story being "Mean Streets" by Martin Scorcese.

The idea of people battling against an urban environment for a better life is hardly anything new to American Cinema. it has been here since the early 70's. It has been done and done again. There are great films built around this theme. Some of which will be very hard to outdo.

What is amazing is that the vast majority of scripts written by young men who grew up in similar surroundings continue to deal with these issues in less resilient and origional ways.

In this film Donnie Wahlberg's 'Danny Quinn' is the ultimate candidate for the phrase, "you can take the boy out of the (insert town here), but you can't take the (insert town here) out of the boy". Arriving home after leaving town for a while Danny is dragged back into the vicious cycle that made him leave in the first place (gee, didn't see that one coming). Try as he might, he can't resist the gravity of his surrounding and is sucked into an blackhole of alcoholism, violence, and abuse. Like I said, nothing original. The film does explore some meaty drama with the Quinn mother played by Anne Meara, then she dies 3/4 of the way though the film, so that's that. The rest of the movie is color by numbers.

I should note that the South Boston presented in this film is nothing like the South Boston of today. Yes, it is a mostly blue collar community, yes, the people there are mostly irish americans, yes it can be a tough place, and yes the people are very parochial (enter "forced bussing" into any search engine). However it is not the type of place where gangsters go around having shotgun fights, it hasn't been remotely like this since the 70's when Whitey Bulger's gang was in its heyday. While all of the negative attributes of the community and its history are examined in "Southie" none of the positive attributes are even touched upon. This does not hold true for the film "Southie" rode into cinemas and film festivals on the laurels of: Good Will Hunting (If ever there was true to life picture of a blue collar boston, this is it).

Take a look at another recent film about a different Boston community, "Monument Ave". Though this movie suffers from the same cliche problems as "Southie", it explores a theme that many of Boston's blue collar residents can identify with. Set in charlestown, a neighborhood which is known for its "code of silence", the characters in this film squirm as they see their once closed off neighborhood become an area of blue chip real estate for young yuppies looking for an upscale urban home. In "Monument Ave." there is a clear juxtaposition between the violent, troubled townies and their new neigbors. This phenomenon holds true for the real South Boston as well, however the film "southie" does not even touch upon it.

In the end it probably does not matter where the setting of the film was. The writers were from boston so they chose southie. It could have been the third moon of Jupiter, but it still wouldn't have made this film any more original, 3/10 stars.