बूगी नाइट्स

Boogie Nights is an excellent picture. You don't have to have be a part of the whole 70's scene either to appreciate it. The title is very misleading to some who do not generally read reviews beforehand. This movie is an exhilerating piece on a late 70's-early 80's porn star. Yes, it sounds like a very simple plot and much gratutious sex. But it's so much more. While you may be thrown off by the violence and the sexuality Boogie Nights is nowhere near pointless. It features great acting all across the board-even Reynolds is very sympathetic. Some advice though, seeing this movie more than once is a good idea. It grows on you. This movie takes you to the deep down threshold of your heart. It shows you the rise of a porn star and the downhill spiral that follows it. Even in some of the sleaziest of characters can a human being be reached out to. Rent this one tonight - and who cares about all that talk about the use of prosthetics anyway. This is the pulp fiction of the 70's porn industry, "a low class subject made in a high class way".

Boogie Nights is perhaps one of the greatest examples any would-be filmmaker should take a long hard look at. Sure, you could spend loads of quality time reviewing the clasics from Hitchcock to Scorsese; but lets follow suit for the modern generation and study half-heartedly.

Where to begin, I suppose one could look at the film as simply a story, perhaps even docudrama which focuses on the late 1970's porn industry-and what an industry it was! The other half could focus on the incredible detail one brillant filmmaker can achieve simply by using polyester and *ahem* rubber. But honestly, Boogie Nights brings back the pure, no-bul!shi$, in your face kind of cinema I haven't experienced since the film greats of the 1970's...ironic...or stroke of genius. The story is full of richly detailed characters, all of which you either can relate too, love, or hate; but the impact is clear-you are feeling something for them. Among the characters the two performances which stand out are: Burt Reynolds as Director Jack Horner, and Mark Wahlberg as Eddie Adams/Dirk Diggler. Julianne Moore is also brillant, as is Heather Graham...but if I focus on any one actor it would have to be John C. Reilly. John's performance is a perfect balance of comedic timing and character driven emotion...I'm a sucker for the line "Ever see the movie Star Wars?...People say I look like Han Solo." Anyway, the look of the film is incredible, the Director of Photography and Director/Writer/Producer, have come up with a vibrant colour, and flashy style that compares to Martin Scorsese, and Stanley Kubrick(in terms of his perfection of his craft); but with creating his own unique look, and pushing the edge with the longest single shot I'ver ever seen...that being the New Year's party sequence.

The music, like in any great film, is a character of its own. At times, it consumes oneself with sorrow or grief...but mainly its all about fun, dancing, and having a good time; the spirit of the 1970's. OK, back to the performances.

Burt Reynolds plays the character of Jack Horner, a porn director who feels the burden of what the future of "film" means to his genre. The awful transition from shooting on film to recording on magnetic tape. The lose of his art, as it were...and the changes in mentality to the people he works with. Walhberg adds the perfect blend of innocense and sexual bravado needed for the character. For all those individuals who have seen Burton's Planet of the Apes, pay no attention to the performance of Wahlberg in that film...rent boogie nights and see what a difference a good script can make!

Julianne Moore plays the would-be mother to all, and with that comes the torment and anguish she feels, as life imitates art; and she loses all those close to her. Heather Graham is the eye-candy, but later holds her own, and steals some of the scenes from even the great Mr. Reynolds himself. Each character is multidimensional, rich with life, and performed by actors that seem to be picture perfect for the part.

The film itself is often funny, tragic, exciting, and provides a uncompromising look into the turblulant lifestyle of the fast-pace 1970's. It makes no excuses, and tells no lies; and offers the audience a trip back. But even more importantly, the movie gives us a grand example of how films should be made; and a new director whose bold visions bring back art in film.

The first time I saw "Boogie Nights" in a theater, I walked out flabbergasted. I'd never been that affected by a movie since "Pulp Fiction" (and that's saying a lot). After being numbed by a decade's worth of stark, Kevin Smith-style indie banalities, I just wasn't used to seeing a movie that covered that much emotional and cultural ground. I saw it three more times in the theater, never getting bored with it. I own it today on video. I really can't say enough great things about this amazing movie. A movie which will no doubt be regarded as a classic in years to come.

This is not so much of a review as it is a testament that it has been proven, yet again, that the Academy rewards money, not artistic accomplishment. And I must say I am saddened that this usually artistic and intelligent band of imbd members have left this off the top 250. Boogie Nights is powerful, raw, and gutsy through script, direction and acting. Very few movies can claim this triple crown.

Great filmmaking, a true masterpiece by a then young and hungry director with a boatload of influences. It's a wonderful story with colorful characters and excellent performances. It could've been a mundane and uninteresting affair but the movie has a secret weapon, comedy. A lot of the characters have this "dumb innocence" that makes the story so side-splitting funny and real. Mark Wahlberg and John Reilly have that "stupid guy" charm that results in so many laughs. The actors are aware of these funny personality gags and are self conscious of it, and that is what makes the drama work.