IMDb रेटिंग
6.4/10
8.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn the post-apocalyptic world of 1990s Nevada, a rock 'n' roll samurai on his way to Lost Vegas takes a young orphan boy under his protection as Death and his metalhead Horsemen chase after ... सभी पढ़ेंIn the post-apocalyptic world of 1990s Nevada, a rock 'n' roll samurai on his way to Lost Vegas takes a young orphan boy under his protection as Death and his metalhead Horsemen chase after them.In the post-apocalyptic world of 1990s Nevada, a rock 'n' roll samurai on his way to Lost Vegas takes a young orphan boy under his protection as Death and his metalhead Horsemen chase after them.
- पुरस्कार
- 2 जीत और कुल 2 नामांकन
Jefferson Zuma Jay Wagner
- Car Guy
- (as Zuma Jay)
फ़ीचर्ड समीक्षाएं
This movie has so many faults. But why do I love it so much? First off the position of the bad guys is never really explained. I mean who exactly are the windmill people? What makes Buddy flip around when the kid cries? (Amen to the reviewer who mentioned the kid's psychotic episode inducing moan) Just what exactly happened at the end? The music is great but at certain times does not feel fitting for the situation. Buddy repeats the same lines over and over as if that will make them cooler. (ex. Float away little butterfly, swell, etc.)
However, there is so much to love. The instant Falcon appeared on the screen as Buddy, the kung fu rocker, I was amazed. I kept thinking to myself, "dang, this guy is awesome". The scenery and photography is gorgeous. As to a comment about erotic photography I did notice that there was a similar scene. Buddy and the kid are standing on opposite sand dunes. It looks like a pair of boobs to me, but that's just me.
As for the guy that complains that Death was given a wussy guitar, that seems to be the point to me. Heavy Metal is contrasted with Rockabilly and Surf Guitar. The director obviously prefers the latter, and so do I.
The dubbed voices are cheesy, but that doesn't make it any less cool. I loved the too short segment involving the "windmill god" himself. But what was with that kid who kept saying, "Tag! You're It!" To get all the nuances of the film you probably have to be an anime, hong kong, mad max, Sergio Leone junkie. I liked the fact that the movie was bloodless. It helps to keep the fun factor high.
This movie is just what the world needs. Meteor destroying the Earth, bah! A pale remake of a giant rampaging lizard, forget it. Take a trip back to the fifties when rock was revolutionary.
However, there is so much to love. The instant Falcon appeared on the screen as Buddy, the kung fu rocker, I was amazed. I kept thinking to myself, "dang, this guy is awesome". The scenery and photography is gorgeous. As to a comment about erotic photography I did notice that there was a similar scene. Buddy and the kid are standing on opposite sand dunes. It looks like a pair of boobs to me, but that's just me.
As for the guy that complains that Death was given a wussy guitar, that seems to be the point to me. Heavy Metal is contrasted with Rockabilly and Surf Guitar. The director obviously prefers the latter, and so do I.
The dubbed voices are cheesy, but that doesn't make it any less cool. I loved the too short segment involving the "windmill god" himself. But what was with that kid who kept saying, "Tag! You're It!" To get all the nuances of the film you probably have to be an anime, hong kong, mad max, Sergio Leone junkie. I liked the fact that the movie was bloodless. It helps to keep the fun factor high.
This movie is just what the world needs. Meteor destroying the Earth, bah! A pale remake of a giant rampaging lizard, forget it. Take a trip back to the fifties when rock was revolutionary.
I love strange and unique movies that create a bizarre world and invite you in to visit. Movies like 'Faster, Pussycat! Kill! Kill!', 'El Topo', 'Eraserhead' and 'Repo Man' for example. As profoundly odd as those movies are, they feel natural to me, not contrived attempts at making a "cult movie" ala Troma. I don't like Troma's output much and can think of very few of those kind of self consciously quirky movies that I actually like ('The Adventures Of Buckaroo Banzai' is one, 'Killer Klowns From Outer Space' is another). 'Six-String Samurai' for me is closer to the contrived Troma approach than the naturally strange Russ Meyer/Coen brothers one. It's the kind of movie that is more fun to describe to someone else than to actually sit through yourself. Now it isn't a complete failure, far from it. I did enjoy parts of it a lot, but it kinda dragged on, and for me just didn't live up to its potential. The initial premise was good, but the script needed a lot more work. As it stands it would have made a neat 50-60 minute short. Jeffrey Falcon plays Buddy, a guitar slingin' samurai who is on a journey to Lost Vegas to become the new King of rock'n'roll. In this America you see, the Russians took over after they dropped the Bomb in the 50s. Buddy encounters lots of oddballs along the way, reluctantly looks after The Kid (Justin McGuire) , and ends up having a showdown with Death (Stephane Gauger). 'Six-String Samurai' deliberately echoes 'El Mariachi', 'Mad Max 2' and the Lone Wolf and Cub series, but never reaches the heights of its inspirations. I always like to encourage low budget film makers trying to push the envelope. 'Six-String Samurai' doesn't quite do it for me, but I hope Lance Mungia and Jeffrey Falcon continue to make movies. Who knows, guys, maybe next time?
When I saw this movie at in the rental section, I assumed it would be a rip-off of EL MARIACHI or DESPERADO. I rented it out of curiosity and found that I was mistaken. This film is quite original and a little bizarre, but it is definitely the kind of independent movie that is worth seeing.
The budget is low, the costumes and special effects are sparse, and some of the sound is non-synchronous. But this is all made up for with a story and directorial style that lends itself to "camp." The stylization of this movie is definitely what makes it worth seeing. It is kind of an over-the-top martial-arts, rock and roll, post-apocolyptic odessy-adventure.
I enjoyed the flow of the story, which breaks down like this: The hero is traveling across the desert to the post-apocolyptic city of Lost Vegas, to vai for his right as king. Along the way he is tested by other would-be-kings with the same goal in mind. This allows for constant samurai style action/fight scenes. But the story is compounded by the jugernaught he must inevitably face, which is manifested by his ultimate competition, a "Death Metal Band" lead by Death himself. The story is smart, allowing each fight scene to develop the characters. We see Buddy, the hero, to be a supreme, loan-wolf type fighter. And Death, stalking close behind, is ruthless and hard to beat. This sets the stage for their eventual conflict. The first conflict they have is ended permaturely by outside influence, which furthers the story by creating a score to settle in the final fight scene. I prefer when movies take the time to set up this kind of conflict. Rather than just throwing a good guy up against a bad guy and having one big fight scene, we get learn about the characters and the story. Business is left un-finished, which allows the audience to anticipate the climax. This adds suspense to the story and draws the audience in to the movie. The movie has a very good Second Act, which throws the main characters in to great peril, with the bad guy's having all the advantages. This is then resolved with a great third act, finding clever resolution. Very good story telling.
The movie is totally over the top and wierd, but the story is fairly concise and exciting. The circumstances are totally bizarre, but the director creates a world that is enigmatic and yet consistent. I would say this movie is kind of a "Mad Max in Wonderland." It is not your standard Hollywood tale, which, of course, made me like it even more. Not to mention, the entire movie is action packed.
I highly recommend this movie to anyone seeking an original action movie, but on a critical level, just to be fair, I will list the few problems that I found: I think the fight scenes could have used a little more choreographing. It looked like budget constraints were limiting the number of takes they could do, and they were making up for actual precision work with simple slow motion and tricky camera angles. Falcon appears to be fairly well trained in Wu Shu, the standardized style of Chinese Kung Fu, but he is no Jet Li...nor Zhuang Hui, for that matter. It looked like he could use just a little more practice (I don't think he nailed that Butterfly Flat Spin in the sand dunes fight scene with the Death Archers). However, he is good enough to be quite convincing, and he was genuinely a lot of fun to watch. The fight scenes still managed to be quite exciting, and again, I highly recomend this movie. Especially, to anyone looking for a good independent movie. In my opinion, there really are not that many independent action movies that are worth seeing. The TROMA team tries to make action movies, and they pretty much all stink. Don't think that SIX-STRING SAMURAI is another MR. KABUKI MAN NYPD. Buddy would kick the crap out of Mr. Kabukki Man!
I rated this film a 7 out of 10 on the IMDB. Go rent it and let your mind get a little bent. Its really pretty clever.
The budget is low, the costumes and special effects are sparse, and some of the sound is non-synchronous. But this is all made up for with a story and directorial style that lends itself to "camp." The stylization of this movie is definitely what makes it worth seeing. It is kind of an over-the-top martial-arts, rock and roll, post-apocolyptic odessy-adventure.
I enjoyed the flow of the story, which breaks down like this: The hero is traveling across the desert to the post-apocolyptic city of Lost Vegas, to vai for his right as king. Along the way he is tested by other would-be-kings with the same goal in mind. This allows for constant samurai style action/fight scenes. But the story is compounded by the jugernaught he must inevitably face, which is manifested by his ultimate competition, a "Death Metal Band" lead by Death himself. The story is smart, allowing each fight scene to develop the characters. We see Buddy, the hero, to be a supreme, loan-wolf type fighter. And Death, stalking close behind, is ruthless and hard to beat. This sets the stage for their eventual conflict. The first conflict they have is ended permaturely by outside influence, which furthers the story by creating a score to settle in the final fight scene. I prefer when movies take the time to set up this kind of conflict. Rather than just throwing a good guy up against a bad guy and having one big fight scene, we get learn about the characters and the story. Business is left un-finished, which allows the audience to anticipate the climax. This adds suspense to the story and draws the audience in to the movie. The movie has a very good Second Act, which throws the main characters in to great peril, with the bad guy's having all the advantages. This is then resolved with a great third act, finding clever resolution. Very good story telling.
The movie is totally over the top and wierd, but the story is fairly concise and exciting. The circumstances are totally bizarre, but the director creates a world that is enigmatic and yet consistent. I would say this movie is kind of a "Mad Max in Wonderland." It is not your standard Hollywood tale, which, of course, made me like it even more. Not to mention, the entire movie is action packed.
I highly recommend this movie to anyone seeking an original action movie, but on a critical level, just to be fair, I will list the few problems that I found: I think the fight scenes could have used a little more choreographing. It looked like budget constraints were limiting the number of takes they could do, and they were making up for actual precision work with simple slow motion and tricky camera angles. Falcon appears to be fairly well trained in Wu Shu, the standardized style of Chinese Kung Fu, but he is no Jet Li...nor Zhuang Hui, for that matter. It looked like he could use just a little more practice (I don't think he nailed that Butterfly Flat Spin in the sand dunes fight scene with the Death Archers). However, he is good enough to be quite convincing, and he was genuinely a lot of fun to watch. The fight scenes still managed to be quite exciting, and again, I highly recomend this movie. Especially, to anyone looking for a good independent movie. In my opinion, there really are not that many independent action movies that are worth seeing. The TROMA team tries to make action movies, and they pretty much all stink. Don't think that SIX-STRING SAMURAI is another MR. KABUKI MAN NYPD. Buddy would kick the crap out of Mr. Kabukki Man!
I rated this film a 7 out of 10 on the IMDB. Go rent it and let your mind get a little bent. Its really pretty clever.
I have read a lot of comments regarding this film. All I have to say is, this movie is great. I never heard of it, but saw it in West Coast Video, and thought the cover was way cool. I was not disappointed. It seems that those who do not like this film consider Steven Segal a master of martial art films.
This is not a mainstream movie. How can you accurately describe this? You just can't! I just tell people that if the like post apocalyptic/samurai/rock & roll movies, this is the one to see. From the moment that first sword fight broke out, I knew that I was going to enjoy this flick. And when the prostitute approaches him in the cantina, I laughed until it hurt.
Bottom line, if you like movies that are a little (or possibly a lot) off-beat, you have to watch this one. I give it 8.5 out of 10 stars.
This is not a mainstream movie. How can you accurately describe this? You just can't! I just tell people that if the like post apocalyptic/samurai/rock & roll movies, this is the one to see. From the moment that first sword fight broke out, I knew that I was going to enjoy this flick. And when the prostitute approaches him in the cantina, I laughed until it hurt.
Bottom line, if you like movies that are a little (or possibly a lot) off-beat, you have to watch this one. I give it 8.5 out of 10 stars.
I had the rare honor of viewing this movie on Sunset the week it came out...and watching what was the accumulation of massive amounts of hard work...I thoroughly enjoyed the film...It's so original it's frightening...The choreography and a perfect mix of acid surf music thrust you on this adrenalin surged ride..that has been influenced by everything...Buddy(our hero) is the love child of Clint Eastwood, Mr.Blonde and Stephen Dorf. The sword play is incredible...but Jeffrey Falcon's acting could use some work...but, hey...who's watching the acting... He slices! He dices!...He goes through an entire hillside of Russian soldiers!...This movie is great following a night on the town...!
क्या आपको पता है
- ट्रिवियाIntended to be the first installment of a trilogy, which never came to be.
- गूफ़When the Ritchie Valens character charges Buddy his shoes fall off very obviously, but they are suddenly back on his feet in the very next shot.
- क्रेज़ी क्रेडिटOne of the "Red Elvises", Zhenya Kolykhanov, is miscredited as Zhenga Kolykhanov
- कनेक्शनFeatured in Siskel & Ebert & the Movies: 'Cult' Movies (2000)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Six-String Samurai?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- The Blade
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $20,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,46,125
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $36,896
- 20 सित॰ 1998
- दुनिया भर में सकल
- $1,46,125
- चलने की अवधि1 घंटा 31 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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