अल्टीमेट एलए स्लैकर जेफ "द ड्यूड" लेबोव्स्की, गलती से इसी नाम का एक करोड़पति समझ लिया गया, ऋण संग्राहकों द्वारा बर्बाद रग के लिए पुनर्स्थापन की मांग करता है, करोड़पति की लापता पत्नी को खोजने... सभी पढ़ेंअल्टीमेट एलए स्लैकर जेफ "द ड्यूड" लेबोव्स्की, गलती से इसी नाम का एक करोड़पति समझ लिया गया, ऋण संग्राहकों द्वारा बर्बाद रग के लिए पुनर्स्थापन की मांग करता है, करोड़पति की लापता पत्नी को खोजने हेतु अपने मित्रों को सूचीबद्ध करता है.अल्टीमेट एलए स्लैकर जेफ "द ड्यूड" लेबोव्स्की, गलती से इसी नाम का एक करोड़पति समझ लिया गया, ऋण संग्राहकों द्वारा बर्बाद रग के लिए पुनर्स्थापन की मांग करता है, करोड़पति की लापता पत्नी को खोजने हेतु अपने मित्रों को सूचीबद्ध करता है.
- पुरस्कार
- 5 जीत और कुल 18 नामांकन
- Maude's Thug #2
- (as Terrance Burton)
सारांश
फ़ीचर्ड समीक्षाएं
Not a flick for everybody that I can tell because a lot of talking is done but it's the talking that starts to get funny after a while. In fact, a bunch of loser trying to solve a abduction and trying to hold the money for themselves goes terribly wrong.
After a while you even want the talking to go on and on. And some art flick here and there it was indeed a hell of a ride, funny, stupid but genious in its kind.
Gore 0/5 Nudity 1/5 Effects 3/5 Story 4/5 comedy 2/5.
I believe it's a very funny film and I'm sure it can be rightfully called a comedy, but don't expect punchlines, gags, jokes or slapstick - it's not that kind of comedy. If you want to enjoy this film, you have to meet Jeffery "The Dude" Lebowski on his terms, hang out with him and his bowling buddies and follow them at a their (perhaps somewhat leisurely) pace through this weird and unbelievable tale about nihilism, theft (of a car and, more importantly: a Creedence Clearwater Revival tape), kidnapping, abstract art, porn and - of course - bowling.
The story is actually kind of simple. You see, some no-good German nihilists urinated on The Dude's rug - and this kind of aggression just won't stand against The Dude. With the help of his bowling buddies, he will do everything in his power to get someone to pay for his rug - or possibly get a new one (because that rug really tied the room together). So he embarks on this worthy quest during which he will encounter many wondrous things and fascinating people (even Jesus - who is NOT the messiah but a very naughty man).
With Jeff Bridges in the leading role, the Coen brothers have found the perfect actor to incorporate one of the most iconic characters that has ever been created. But it's not just The Dude that makes this a winner; the whole film is such an inspired folly and simply inventive filmmaking at its finest (the hilarious dream sequence alone is worth the price of admission). The supporting cast is outstanding (J.Turturro, J.Goodman and S.Buscemi among many others), the song choices are perfect and the dialog is the funniest, most quotable in any comedy I've ever seen. This - for me - is without a doubt the film with the highest rewatchability factor of all time. 10 stars out of 10.
Favorite Films: http://www.imdb.com/list/ls054200841/
Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget and B-movies: http://www.imdb.com/list/ls054808375/
Channeling the opaque mysteries of Raymond Chandler, the Coens throw LA resident bum and Bowling aficionado Jeff Lebowski ("The Dude" to his friends) into a strange triple-crossing case of kidnapping, ransoms, nihilists and urinated-upon rugs. It is the equivalent of throwing unrelenting forces at an immovable object, the Dude's bemused stoicism at constant odds with the world around him. He'd much rather be bowling with crazed Vietnam Vet Walter (John Goodman) and pure silent soul Donnie (Steve Buscemi).
As with so much of the Coens' output, style is more than half the point: not just visual, though ace DP Roger Deakins paints an alluring canvas, but tonal and auditory. This is an insanely funny head-trip of a movie, with wonderfully idiosyncratic characters, down to the smallest part. Who better than the Coens to reinvent the comedy of errors?
This is without a doubt one of their very best, a personal favorite, an unmissable film and the kind of experience that will plant an indelible smile on your face. Do yourself and see this now, if you haven't already.
The Big Lebowski is a film where the plot is entirely inconsequential; it doesn't matter. It's just a mere device to set The Dude on his way. The joy is in watching him interact with all the weirdos in Los Angeles and in listening to the dialogue the script is the most quotable since Withnail and I. Therefore it's the perfect film to just sit back and absorb.
Picking a favourite scene in a film that is jam packed with great moments and wonderful lines of dialogue is a near impossibility, but you'd be hard pressed to beat the scene with the Malibu police chief. "I don't like your jerk-off name. I don't like your jerk-off face. I don't like your jerk-off behaviour. And I don't like you jerk-off." And then to cap it off he throws his mug at The Dude's head. Brilliant! And making it even funnier is the scene that immediately follows it where the taxi driver throws The Dude out of his cab.
But another favourite is Jesus. He only has two scenes but both are hilarious. (I hope the Coens make 'The Passion of the Jesus.') And I love the flashback where you see him knocking on doors to tell his neighbours that he's a pederast. Especially good is the way that a large, bearded man with a dirty shirt answers the door (I always crack up at the breath Jesus takes when he sees the man I also noticed, for the first time, that Jesus in that flashback is visibly showing in his tight jeans; he's not a small guy).
But then there's the scene where The Dude first meets Maude Lebowski (excellently played by Julianne Moore). "I'm sorry if your stepmother is a nympho, but " And I also like the little dig at the porno film they're watching: "The plot is ludicrous." But the comment isn't really aimed at the porno film; the film is talking about itself. It knows the plot is nonsensical but it also knows that it doesn't matter it's best to just let it wash over you.
Mentioning porno has reminded me of Jackie Treehorn. Is there a better visual gag in modern cinema than The Dude scratching a notepad for a message or telephone number only to find a cartoon of a man with a gigantic erection? Well, maybe there is, because even earlier in the film there's the moment where The Dude spends a long time making a homemade device to keep intruders out only for him to forget the fact that his door opens outwards instead of inwards he nails a bit of wood to the floor, props a chair up to the door handle to keep people out and the very second he walks away, the door opens and the chair comes tumbling down. Pure genius!
And Jackie Treehorn's brainless goons are brilliant too. "You're not dealing with morons here." Oh yes we are. But the film's all the better for it.
But I'm not sure what my favourite line in the film would be again it's almost impossible to pick just one. But "I still jerk-off manually" would have to be up there, as would virtually every line Walter spews ("The Chinaman is not the issue "). However, if I was forced (at gunpoint) to choose, I'd have to go with a piece of Dude wisdom: "Fortunately, I'm adhering to a pretty strict, uh, drug regiment to keep my mind, you know, uh, limber." And The Dude's reaction when Maude tells him that she's trying to conceive is magnificent.
Yet another brilliant scene is the Larry scene. Walter and The Dude are trying to get information out of some kid but the kid just stares impassively at them, so Walter destroys his car or what he thinks is his car. Now at this moment I could quote the real dialogue, but the TV version dialogue is perhaps even better. "Do you see what happens, Larry? Do you see what happens when you find a stranger in the Alps?" It's even better than: "Fun you, melon farmer!"
Then there are the nihilists. "We believe in nothing, Lebowski. Nothing. And tomorrow we come back and we cut off your johnson." But try as they might to intimidate, the only scary thing about the nihilists is the techno music they listen to. Well, that and their obsession with the male member.
But I could quote lines from The Big Lewbowski all day. I just dig the film so much because it puts a goofy grin on my face; its stupidity is remarkably intelligent. Plus, in the end, it's actually quite heartfelt if the film's about anything, it's about friendship well, that and smoking pot, drinking beer, bowling and keeping hold of your johnson. Yeah, the world's a better place with The Dude in it.
क्या आपको पता है
- ट्रिवियाIn an interview with Rolling Stone Magazine, John Goodman stated that The Dude referring to The Big Lebowski as a "human paraquat" was one of the only improvised lines to make it into the final film. Virtually every other line, including every "man" and "dude," was scripted.
- गूफ़When the Dude is at Jackie Treehorn's and he rubs the pad of paper with a pencil revealing Treehorn's drawing of a naked man, the Dude tears the page off the pad and quickly crumples and shoves the paper into his pocket. Later, while in the office of the Malibu Chief of Police, the Chief goes through the Dude's wallet and the same piece of paper is neatly folded in the wallet with no sign of the previous crumpling.
- भाव
Walter Sobchak: Nihilists! Fuck me. I mean, say what you want about the tenets of National Socialism, Dude, at least it's an ethos.
- क्रेज़ी क्रेडिटBaby Wranglers: Howls/Giggles/Marmots
- इसके अलावा अन्य वर्जनThe version which premiered on USA Network in September, 2000 has been severely cut (aside from the usual edits for content). Among the story lines excised are virtually all the scenes involving Jesus Quintana (John Turturro), the private eye from Minnesota (Jon Polito) looking for Bunny Lebowski and the scene where Maud is trying to conceive The Dude's child.
- कनेक्शनEdited into The Making of 'The Big Lebowski' (1998)
- साउंडट्रैकTumbling Tumbleweeds
Written by Bob Nolan
Performed by Sons of the Pioneers
Published by Williamson Music Company / Music of the West c/o The Songwriters Guild of America (ASCAP)
Courtesy of the RCA Records Label of BMG Entertainment
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- El gran Lebowski: Identidad peligrosa
- फ़िल्माने की जगहें
- South Pasadena, कैलिफोर्निया, संयुक्त राज्य अमेरिका(opening sequence at grocery store)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,94,88,923
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $55,33,844
- 8 मार्च 1998
- दुनिया भर में सकल
- $4,82,61,691
- चलने की अवधि1 घंटा 57 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1