IMDb रेटिंग
7.1/10
9.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंHomosexual German lovers are sent to Dachau.Homosexual German lovers are sent to Dachau.Homosexual German lovers are sent to Dachau.
- पुरस्कार
- 3 जीत और कुल 3 नामांकन
Nikolaj Coster-Waldau
- Wolf
- (as Nikolaj Waldau)
फ़ीचर्ड समीक्षाएं
When Martin Sherman's play first appeared (with Ian McKellen as Max and Tom Bell as Horst) it caused outrage and much discussion with its sympathetic and frank treatment of forbidden love in the age of the SS.
Here it has undergone a few changes but retains its stark power. Clive Owen (probably not my first choice for the role) plays Max, the homosexual who pretends to be a Jew so he is not at the bottom of the pecking order of prisoners. The way the SS force him to prove his sexuality is shocking whether on the printed page, in a theatre, or up on the big screen. Brian Webber plays his intellectual lover Rudy with some class and it is a brief but touching performance.
Lothaire Bluteau, who I had only seen before in 'Jesus of Montreal', was brilliant in the role of Horst, the prisoner with the pink triangle who awakens Max again from his imprisoned desires. There are quiet and intense scenes between the two that are almost unbearably moving to watch, and are done within this film extremely well.
Elsewhere in the cast, Ian McKellen himself plays Uncle Freddie (but those of us who saw him as Max would love to have seen that portrayal immortalised on screen), while Mick Jagger is surprisingly good as Greta (a role which could easily be played wrong but he's spot on).
This play/film is intended to make its audience confront their prejudices, to shock, move, and inspire them. I think it is an unmissable experience - a difficult one, but worthwhile.
Here it has undergone a few changes but retains its stark power. Clive Owen (probably not my first choice for the role) plays Max, the homosexual who pretends to be a Jew so he is not at the bottom of the pecking order of prisoners. The way the SS force him to prove his sexuality is shocking whether on the printed page, in a theatre, or up on the big screen. Brian Webber plays his intellectual lover Rudy with some class and it is a brief but touching performance.
Lothaire Bluteau, who I had only seen before in 'Jesus of Montreal', was brilliant in the role of Horst, the prisoner with the pink triangle who awakens Max again from his imprisoned desires. There are quiet and intense scenes between the two that are almost unbearably moving to watch, and are done within this film extremely well.
Elsewhere in the cast, Ian McKellen himself plays Uncle Freddie (but those of us who saw him as Max would love to have seen that portrayal immortalised on screen), while Mick Jagger is surprisingly good as Greta (a role which could easily be played wrong but he's spot on).
This play/film is intended to make its audience confront their prejudices, to shock, move, and inspire them. I think it is an unmissable experience - a difficult one, but worthwhile.
What can I possibly say about this movie that would not bring me to tears. This movie was very powerful and thought provoking. I just could not understand the hatred for human beings, just because of what religion, sexual orientation, or whether they had a big nose. I just can't for the life of me figured that out. I guess I will never figure it out.
There were some very strong scenes in this movie that tugged at my heart. The ridiculous killing of men and women for no apparent reason other than what I said above. The never ending work the prisoners did was just unspeakable. The conditions, and also the ever popular "no touching each other". The latter is the most difficult to endure for two gay men captured and put to work in the concentration camps. In one powerful scene, that I have to admit I watched over and over about five times, during one of Max and Horst's (main stars) rock moving extravaganza's, they are allowed a three minute rest period while working a twelve hour shift. They are not allowed to look at each other, they must stand up straight looking ahead (some rest period huh). Well without giving away the scene. They have what we would call very graphic and arousing phone sex. And I have to tell you, I was right there with them. This scene really brought these two prisoners much closer together and very much in love. It was beautiful.
I have a couple of things that bothered me in this movie. I really hated the way the SS men spoke to the prisoners. I mean, one word sentences like "You" - "Walk" - "Friend?" - or "Watching You". I mean for a people who claimed to be the superior race, these guys were not intelligent at all. Also the fake train outtakes that were obviously superimposed into the movie. The scenes themselves were in black and white which told the audience that they were not from the original film, but from some other movie.
Overall, this movie was profoundly incredible. It is a must see for everyone, no matter what the content of the movie - gays, murder, sex, SS men, Hitler's BS , concentration camps. You have to watch this movie with an open heart and mind to actually feel for these people, not just because they were two gay men in love and pain, because they were human beings first and foremost. 7.5 out **********. See it, you will not be disappointed.
There were some very strong scenes in this movie that tugged at my heart. The ridiculous killing of men and women for no apparent reason other than what I said above. The never ending work the prisoners did was just unspeakable. The conditions, and also the ever popular "no touching each other". The latter is the most difficult to endure for two gay men captured and put to work in the concentration camps. In one powerful scene, that I have to admit I watched over and over about five times, during one of Max and Horst's (main stars) rock moving extravaganza's, they are allowed a three minute rest period while working a twelve hour shift. They are not allowed to look at each other, they must stand up straight looking ahead (some rest period huh). Well without giving away the scene. They have what we would call very graphic and arousing phone sex. And I have to tell you, I was right there with them. This scene really brought these two prisoners much closer together and very much in love. It was beautiful.
I have a couple of things that bothered me in this movie. I really hated the way the SS men spoke to the prisoners. I mean, one word sentences like "You" - "Walk" - "Friend?" - or "Watching You". I mean for a people who claimed to be the superior race, these guys were not intelligent at all. Also the fake train outtakes that were obviously superimposed into the movie. The scenes themselves were in black and white which told the audience that they were not from the original film, but from some other movie.
Overall, this movie was profoundly incredible. It is a must see for everyone, no matter what the content of the movie - gays, murder, sex, SS men, Hitler's BS , concentration camps. You have to watch this movie with an open heart and mind to actually feel for these people, not just because they were two gay men in love and pain, because they were human beings first and foremost. 7.5 out **********. See it, you will not be disappointed.
I happened upon this movie in the "Sundance Film Recommends" section, and didn't even read the box before renting it. The name of the film sounded familiar...as it turns out, it was from a bit of miscellaneous info stashed in my brain: Jude Law IS in this movie. Saying that, however, blink and you'll miss him. His role is exactly 2 lines, and he wears an eyepatch, so for those Jude fans on the prowl for great eye-candy, you may be disappointed.
Granted, you will not be disappointed with this movie as a whole. I was extremely moved by this picture; it has the wonderful, heart-wrenching quality that only a great play can produce, mixed with a very compelling lead actor and fabulous supporting cast.
Clive Owen as Max was a wake-up call; at the end you may be asking yourself, "where can I see more of this actor??". He plays his character with beauty, strength, and emotion under conditions that no lving thing should have to endure.
The rest of the cast is equally wonderful, especially Ian McKellan as Uncle Freddie. He adds that special charm that we expect from his performances, no matter how small the role.
This movie requires an open mind, and the ability to not deny the reality of horrific, true events of the past. Above all, to not deny the importance of love, that which always tests and strengthens the human spirit.
Granted, you will not be disappointed with this movie as a whole. I was extremely moved by this picture; it has the wonderful, heart-wrenching quality that only a great play can produce, mixed with a very compelling lead actor and fabulous supporting cast.
Clive Owen as Max was a wake-up call; at the end you may be asking yourself, "where can I see more of this actor??". He plays his character with beauty, strength, and emotion under conditions that no lving thing should have to endure.
The rest of the cast is equally wonderful, especially Ian McKellan as Uncle Freddie. He adds that special charm that we expect from his performances, no matter how small the role.
This movie requires an open mind, and the ability to not deny the reality of horrific, true events of the past. Above all, to not deny the importance of love, that which always tests and strengthens the human spirit.
Clive Owen plays Max, a loose, carefree, and cowardly playboy who is caught by Nazis along with his gay partner and shipped off to the Dachau concentration camp to do hard labor. He pretends to be in the yellow star unit meaning that he is Jewish instead of the pink triangle unit meaning that he is gay. But he meets a member of the pink triangle named Horst who he befriends and begins developing feelings for as they work day after day moving rocks from one place to another. The film is based on a play of the same name that gained much critical acclaim and won many awards. One viewer may realize this very quickly upon watching this movie as the film does feel quite staged. film works as a message film, the message being "be yourself". The film nails this concept pretty much solidly. Unfortunately, there are some distractingly bad flaws here. As I mentioned earlier, the film is incredibly staged. The film doesn't feel like reality. There are scenes that are so stage like in execution, it almost incites an unintentional laugh. There's even a scene of violence that feels extremely prepared and strangely very dance like. It's really too bad because there are some fantastic scenes herein. There is an orgy scene early in the film that is full of erotic passion and beauty. There are some harrowing scenes that take place on the train that are pretty disturbing. And there is an early scene involving Mick Jagger that is pretty interesting. Overall, even though it's interesting, moving and well acted, it's a poor film. There are some undeniably powerful scenes, but there isn't enough there for me. I recommend it if it sounds interesting to you. Just be prepared for some really sloppy directing.
This journey is filled with seductive images and feelings-feelings that we tend to forget until we are reminded that life can change on a dime-
There is a scene on the way to Dachau where the Max (Clive Owen) has to denounce knowing his friend..." He is not my friend".....reminicient of Judas denying Jesus....was it to save himself or his friend....the answer comes when one cannot no longer deny who you are- facing your truth brings-reclaiming your dignity-Max's final journey.
Lothair (Jesus of Montreal) and a new-comer, Jude Law (The Talent Mr. Ripley) add to make up a fine cast.
Splendid job by all-especially Mr.Clive Owen.
Take the journey -it's worth your time.
There is a scene on the way to Dachau where the Max (Clive Owen) has to denounce knowing his friend..." He is not my friend".....reminicient of Judas denying Jesus....was it to save himself or his friend....the answer comes when one cannot no longer deny who you are- facing your truth brings-reclaiming your dignity-Max's final journey.
Lothair (Jesus of Montreal) and a new-comer, Jude Law (The Talent Mr. Ripley) add to make up a fine cast.
Splendid job by all-especially Mr.Clive Owen.
Take the journey -it's worth your time.
क्या आपको पता है
- ट्रिवियाSir Ian McKellen (Uncle Freddie) starred in the role of Max in the original London West End theatre production in 1979.
- क्रेज़ी क्रेडिटThe film opens with the main credits revealing like a searchlight.
- इसके अलावा अन्य वर्जनFor the U.S. release, the sex scenes were toned down from an "NC-17" rating to an "R" rated release. Both versions are available.
- साउंडट्रैकSTREETS OF BERLIN
Written by Martin Sherman and Philip Glass
Performed by Mick Jagger, piano by Matt Clifford
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Bent?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $4,96,059
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,09,243
- 30 नव॰ 1997
- दुनिया भर में सकल
- $4,96,059
- चलने की अवधि
- 1 घं 45 मि(105 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें