The Apostle

The Apostle hit close to home for me. I spent me teenage years attending churches in the holiness tradition. Since about my senior year of high school, I have grown increasingly skeptical of the emotional and spiritual experiences displayed in these Pentecostal churches. Because of my skepticism, I am glad I watched this film. Maybe somewhere along the journey I dismissed the possibility that God manifests Himself to different people in different ways. In some ways it is easy to dismiss Sonny (Robert Duvall). He is a flawed man. He is divorced, full of lust, and a murderer. However, it is also clear that his faith is enormous and despite his struggles he sees God perform miracles in his mist. Residing within him together with all his shortcomings, Sonny is full of love for God and for other people, especially those who do not yet know Jesus. The amazing accomplishment of this movie is that it shows you Christ in the form of a sinful man. And you can really see it. Over the film's 2 hours and 14 minutes, the audience's love and concern for Sonny grows increasingly stronger. He is a real person; the real Christian everyone wishes they knew because even though they know he is a sinner they also know that he really has a relationship with the God he speaks of. I'm glad I watched this movie. I hope that I am more tolerable to other Christian traditions. I hope that I am more loving and real with people. I hope that in the mist of adversity, in the darkest valley, I know who is with me at all times…Jesus.

Robert Duvall did an excellent job bringing this film to life. The other 'actors' in the film also contribute to give "The Apostle" a realistic warmth rarely achieved in mainstream films. I refer to the cast as 'actors' because aside from numerous character actors, Duvall being one of the greatest, the film is inhabited by non-actors. In other words, the people in church, from the Holiness preachers to the warm small-town folk, are real people, not trained in acting. Duvall's story is engaging and beautiful in the way it shows the flaws amid great talent in a man who chooses for himself the calling of Apostle. I love this film, the accurate portrayal of some aspects of southern U.S. life and culture, and especially Duvall's performance.

Superior acting and a plot based on realism make this a classic movie of actual southern life ... a life that I experienced as a child and adolescent. Duvall's evangelist portrayal is not only convincing but eerie in the way it so fully represents many southern ministers of the gospel ... be they true believers or be they charlatans. I can't help but wonder if the cast was comprised of local folks ... or at least folks reared in the south ... rather than professional actors. They all did an excellent job contributing to the realism of this movie. I almost always enjoy a movie that "tells it like it is" ... and sofar, this is one of the most enjoyable I have ever seen.

This movie is another powerful exhibit in the case for why there *should* be an Oscar category for Best Casting.

Apart from Mr. Duvall's identifying acting, so rightly hailed elsewhere on this forum, what truly makes this film stand out as so genuine, so founded, so real, is the casting.

Take the radio guy, right down to his supermarket-style glasses. Take the Rev. Blackwell, fighting to hold back his bursting enthusiasm for Jesus so as not to have another heart attack. Take the talkative lady who almost clashes with the fat woman with twins - haven't we seen them both in our churches? Take the Church Board representatives at the beginning of the film, I feel like I know a few like them! Take the elderly gentleman with the trumpet, struggling to play but doing it from his heart, I've seen it. And in the midst of it, enter mega-star Billy Bob Thornton - blending into the mix just like one of the rest. Bottom line is, there is simply not one character that doesn't come across as believable simply by *being* there, even before you see them act.

Academy, awake, let there be a Casting Category now.

I absolutely loved this movie and strongly recommended people in my own ministry to rent the video. From the very beginning you can tell this was not a "Hollywood movie" with the stereotypical preacher. It seems in the past, either the minister or priest is depicted as either the saintly sinless man (i.e. Father Flanagan in Boys Town) or as some perverse twisted child molester or monster. This simply portrays a man who loves God and His people with a pure heart but is a human being, subject to fall and make mistakes the same as anyone else. I especially enjoyed the flavor the extras gave the movie, as you could tell they were real people and not actors. The sound track to this movie was an added delight featuring a fine taste of Southern Gospel for us who have not been exposed to this kind of music too much. Put an Amen on it brother and give it a hearty hand clap for the Lord! : )