Aprile

Italian director Nanni Moretti returns with another film with his distinct style and humor. Semi-fiction, semi-documentary, "Aprile" describe the thoughts of the director on politics, movies, his newly-born son. Although he uses the same materials as in his previous excellent film (Caro Diario), the result is not as fresh. The scenes about the Italian elections are quite weak, especially for a non-Italian. At least, it's good to see Nanni in such a good mood as a dad.

Bore, bore, bore... We've seen it all elsewhere. Nothing was funny, nothing was new. The only 5 minutes worth watching were those showing an overcrowded rusty ship, heavy with Albanian immigrants arriving to Venice. I wish this subject had been developed further, but it wasn't. Instead we have a silly film director who does not know what he wants until he has a son and appreciates the joy of life. How true, but how banal, who cares, we all know it...

I anticipated this movie for so long, because of that awesome dancing chef. Then I watch it and he's introduced at the start, then is not seen for the rest of the movie until the very end. And only for one measly minute. And even then, it was worth it. Anyone who wants to see an absolute legend, hire this movie out, fast-forward the first hour and a half, then sit back and enjoy the dancing chef.

They should make a whole movie on him, like they fictionally do at the end of APRILE.

Two words- Dancing Chef!

I did think it a little unkind that Silvio Berlusconi didn't get a credit here. He features enough - on television or by reputation! It's against the backdrop of the 1996 Italian elections that Nanni Moretti attempts to focus on two significant events in his life. Marginally more important is the birth of his first child, but that's only slightly ahead of his planned documentary about the aforementioned elections. Now this documentary wasn't his first choice. He was initially intent on making a musical, or some sort of revue, but now set on his new course he suffers from a director's block. The crew are poised but his brain is stalled. He's completely perplexed as he must juggle his priorities. He's man of the political left so his documentary planning is also fuelling his disdain for the future of politics in his country... Bluntly, he's between a rock and a very hard place. It's quirky and comical this film whilst taking a few free swipes at people generally out of their depth whether that be about fatherhood, politics or filmmaking. The last five minutes are maybe just a little predictably surreal and Moretti does rather monopolise the screen, but the jolly score and entertaining dialogue make for an enjoyable, if admittedly forgettable, eighty minutes of frustrated mayhem.

Most filmmakers don't use themselves and their families in such a shamelessly autobiographical fashion as Nanni Moretti. You could call him brave or, if a detractor, perhaps just lazy. I mean, it must be easy to regurgitate your life on screen in a quasi-documentary fashion except that Moretti is one of the smartest and funniest filmmakers ever to have come out of Italy and the shamelessly autobiographical "Aprile" is a small gem, (it's only 75 minutes long).

Moretti himself plays a film director called Nanni, planning to shoot a musical but finds he can't while his wife, played by real-life wife Silvia Nono, is pregnant, so instead he chooses to make a documentary on the Italian elections. "Aprile" itself isn't a documentary but a very charming if hugely self-indulgent comedy on the director's life. It is, in its way, another "Dear Diary" with its tongue lodged firmly in its cheek. How you respond to it, of course, will depend on how you respond to Moretti. I love him and am happy to take almost anything he sends my way. He may be indulgent but he's certainly a lot funnier and more likeable than Roberto Benigni, (he's closer to being an Italian Woody Allen). When I wasn't laughing out loud, which was frequently, I had a permanent smile on my face. See this.