American Dragons

Okay, if you want a good movie with comedy between America and China, pick up the Rush Hour franchise. Don't get me wrong, I love Rush Hour, but I love the seriousness and suspense that's felt in some of the scenes, especially when the leader of the Yakuza meets his underlings in the harbor office. If you understand a bit of Japanese customs and culture, you would be able to feel that level of tension that I'm talking about.

I'm also a nut about Korean and Japanese cultures and customs and I was able to get into it easily. What Michael Biehn said at the end, "kahnsahamnida," is Korean for "Thank you very much." I train in Tae Kwon Do (a Korean Martial Art), and it's what drives my fascination about the cultures of Korea and Japan. Okay, I'm drifting off the subject, so I'll get back ON the subject.

A murder in Seoul,Korea of a detective's family...a black lotus origami-styled folding (I have no idea what they call it in Korea, so I'm using the Japanese similarity. If anyone knows what it's called, please let me know.) is the only clue that's given. Fast forward several years later to a murder in the New York alleyways; several members of the Yakuza are flat on their backs with their throats slashed out. A NY detective (Biehn) investigates the area and notices a black lotus origami floating by and scans the design to be sent to all police networks around the world. It is the same detective who's family was murdered that picks up the bulletin and when the two meet, you can tell there's some resentment until they have at it. It gets even better when the two go meet the Yakuza at the Harbor office.

I won't say anything more, but it gets better and better. I recommend this movie for anyone who wants good serious police work between two cultures.

True, the movie has this cheapish aura. But for some reason, the action wasn't even that crap. For example, the shooting in the bowling center had some sort of passion that is uncommon for a direct-to-video. Heck, even some of the more "cinema-worthy" movies couldn't beat this action. Rocco blasting everyone away with this jackhammer, while on the background you heard some opera. I liked it :P The dialogue's can be considered cheesy, but again, the dialogue's were crafted with some sort of passion that again, is truly uncommon for such a movie. And last but not least, I always had a soft spot for Michael Biehn... Or maybe I just played too much Tiberian sun ;) The Chinese guy was quite funny as well :D He had some sort of own style, instead of a plain Jacky Chan rip-off guy image you may get from him while you see him first. Don't get me wrong, I don't say this is a must-see or anything. But if you don't have anything better to do, and you notice in your TV-guide this movie is on at 12AM like it was in my country, you might as well go check it out!

I know it was made it 1998, but this movie is so 80s it almost hurts, but that's probably because it's a straight-to-video thing complete with all the usual 80s cliches - hammy over-acting, angry/rogue cop, Yakuza assassins, revolvers with infinite ammo unless the scene requires them to be empty for Dramatic Reasons...but somehow it manages to rise above the cliches to at least be worth watching.

Michael Biehn is in fine form as the Angry/Rogue Cop in America, with Park Joong-Hoon joining him from as the Specially Assigned Asian Cop sent from Korea to help investigate killings in a Mafia vs Yakuza war. Two other cast members are the ICONIC Cary-Hiroyuki Tagawa as the head of the local Yakuza, and Hiro Kanagawa as one of his underlings.

Honestly, you know pretty much exactly what you're getting here, and that's not necessarily a bad thing because at least it IS fun. Yes, it could have been better, but it could also have been a LOT worse.

If you are into the fighting-shooting all the time cr*p, then you could watch this. Otherwise, don't bother. Two cops, a tough american and a korean, are "forced" to work at a murder case. Of course they despise each other at the beginning and, of course, this situation will change very soon. Lots of action scenes, well done, but that's it. Vote: 4 out of 10.

American Dragons is a hugely underrated film that more people should definitely know about.

Biehn plays Tony Luca, an NYC detective working undercover trying to take down the Fiorino Mafia family. When some unfortunate events cause that investigation to "go sideways", he is transferred to another case, in the Chinatown area where there have been some murders. It seems someone is bumping off Yakuza gangsters and leaving a mysterious Black Lotus emblem. Enter Detective Kim (Park) from the Seoul police department. He comes to America because he has a score to settle with the evil Matsuyama (Tagawa, playing yet another gun-toting bad guy, see Danger Zone ,1996). He teams up with Luca, who also has his own score to settle with amoral gangster Rocco (Stark). So it goes that, despite some initial conflicts due to their different cultures, the two pugilistic cops must take down their respective enemies before a mob war breaks out between the Mafia and the Yakuza.

American Dragons is stylish and artsy, yet dark and brooding. It has an engaging storyline, and despite the fact that it has some brutal, gritty violence, it also has some unexpected humor which leavens everything out.

You really get your money's worth, as there are two personal vendettas that must be settled, and two super-evil bad guys that must get their comeuppance. Luckily, there are two heroes, in the form of Park and Biehn. Biehn gets some great lines and seems as intense as the movie itself. Try to imagine a better, more adult, mature version of Last to Surrender (1999). Also, if you can, try to imagine a MUCH better version of Massacre (1985). While 'Dragons shares some plot elements from those two films, what's really interesting is the similarity it bears to Punisher: War Zone (2008), both in the style in which it is filmed and the plot.

The cinematography truly is a double edged sword here, as it is inventive and stylish, but often the scenes are just too dark to see. It's almost funny how every bar, restaurant, police station or anywhere else in the movie never turns its lights on. A lot of the time it looks like they are talking in the dark. The station house resembles the one from the Law and Order franchises, and that adds to the "police procedural on steroids" feel and even the Captain of the Precinct is reminiscent of that show's Van Buren. But here they're clearly trying to save money on electricity.

The whole movie is a of a much higher caliber than the usual action junk, and you can tell some thought went into everything, from the rockin' soundtrack to the fact that even here there's a training sequence! This, and other clues tell me the filmmakers are action fans themselves and know what they are doing. It's nice to know you're in good hands when you watch a movie.

So remember, "So foul a sky clears not without a storm" and watch American Dragons tonight - it's a cut above the rest.

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