IMDb रेटिंग
6.0/10
4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA handyman with marital problems meets a housewife with the same.A handyman with marital problems meets a housewife with the same.A handyman with marital problems meets a housewife with the same.
- 1 ऑस्कर के लिए नामांकित
- 8 जीत और कुल 4 नामांकन
फ़ीचर्ड समीक्षाएं
6=G=
"You're the most fascinating woman I've ever met", he tells her after knowing her for about five minutes. Perhaps that will give you a sense of the sophomoric nature of "Afterglow"; a film which tells of two neurotic married couples, one middle aged (Nolte/Christie) and one younger (Boyle/Miller), and their respective interwoven infidelities. With a solid core cast and good technical and artistic capabilities and an interesting premise, "Afterglow" should have offered more than characters we're not given to care about even if we could suspend disbelief long enough to care. Nonetheless, there's enough going for this mediocre drama to make it a worthwhile small screen watch for sofa spuds with an appetite for the subject.
I have extremely mixed feelings about this film. On the one hand, I have only praise for Alan Rudolph for writing a great character for Julie Christie to play and giving her a role she could truly sink her teeth in and prove again what a sensational actress she is. And yet - the film that has been built around her is an almost total dud. I found the plot lame, and Lara Flynn Boyle and Jonny Lee Miller execrable. But when Nick Nolte and especially Julie Christie are on screen, all is forgiven. They're great together, but it's Christie's film all the way. She is such a rarity - an actress who combines genuine Movie Star Glamour, the real deal, with a thoroughly modern sensibility. I could go on gushing, but let me just say that she is sublime and this film gives us an all too rare opportunity to see her in full glory, albeit in a vehicle that's less than worthy of her.
How did this movie get rated 6.9 out of 10? Was Nick Nolte stuffing the ballot box? I agree with all who said it was boring and pretentious, but disagree that Julie Christie did much to help it.
This movie is destroyed by the screenwriter's inability to finish off any of the main storylines. This movie is destroyed by the director's unwillingness to trust the actors with actual characterization. This movie is destroyed by the cast, who seem to have no idea what their characters are supposed to be doing or feeling at any given moment.
The actors say all their lines as if they are great quotes. ALL of them. ALL THE TIME. I'm up for a mood piece every now and then, but you have to maintain the mood. At least with the altered film-speed sequences in "A Clockwork Orange", you've been prepared to expect some quirkiness of technique. Here, it just looks terribly silly (as does the last ten minutes).
The director might as well have put the camera in front of an aquarium full of horny cuttlefish. You get about two and a half minutes worth of entertainment before it all starts to look the same.
The actors say all their lines as if they are great quotes. ALL of them. ALL THE TIME. I'm up for a mood piece every now and then, but you have to maintain the mood. At least with the altered film-speed sequences in "A Clockwork Orange", you've been prepared to expect some quirkiness of technique. Here, it just looks terribly silly (as does the last ten minutes).
The director might as well have put the camera in front of an aquarium full of horny cuttlefish. You get about two and a half minutes worth of entertainment before it all starts to look the same.
I like Alan Rudolph movies. I always thought of him as Robert Altman Lite.
When I saw "Welcome to L.A." in 1902 (I am exaggerating, but barely), I loved it and it seemed very Altman-like, and even starred some of the Altman-ettes like Geraldine Chaplin and Sissy Spacek. Most of the people were unhappy and if I'm not mistaken, Chaplin spends the whole movie in taxi cabs, taking pictures of the corners of buildings.
When I saw "Choose Me" years later, it had a breezy, jazzy feel to it that I loved. It was about people in love, unlucky in love, wanting more love, wanting love from someone else, etc.
"Afterglow" is a little like both of these movies. It has its jazz soundtrack intact and the people are miserable.
In a nutshell, Julie and Nick haven't had a decent moment together since before they can remember. Lara and Johnny Lee are much younger but also accumulating many bad moments. Secrets are revealed.
Both couples switch mates. They are not that much happier. Both find out about the other. That's it.
Nolte and Julie Christie have some good scenes together, but she has much more chemistry with Johnny Lee Miller, who gives the best performance in the movie by a mile. He nails his role as a yuppie/scumbag perfectly.
The whole thing is way too long. There are unnecessary scenes galore. If it were not for Julie Christie, I would have lasted 20 minutes w/this one. 5/10.
When I saw "Welcome to L.A." in 1902 (I am exaggerating, but barely), I loved it and it seemed very Altman-like, and even starred some of the Altman-ettes like Geraldine Chaplin and Sissy Spacek. Most of the people were unhappy and if I'm not mistaken, Chaplin spends the whole movie in taxi cabs, taking pictures of the corners of buildings.
When I saw "Choose Me" years later, it had a breezy, jazzy feel to it that I loved. It was about people in love, unlucky in love, wanting more love, wanting love from someone else, etc.
"Afterglow" is a little like both of these movies. It has its jazz soundtrack intact and the people are miserable.
In a nutshell, Julie and Nick haven't had a decent moment together since before they can remember. Lara and Johnny Lee are much younger but also accumulating many bad moments. Secrets are revealed.
Both couples switch mates. They are not that much happier. Both find out about the other. That's it.
Nolte and Julie Christie have some good scenes together, but she has much more chemistry with Johnny Lee Miller, who gives the best performance in the movie by a mile. He nails his role as a yuppie/scumbag perfectly.
The whole thing is way too long. There are unnecessary scenes galore. If it were not for Julie Christie, I would have lasted 20 minutes w/this one. 5/10.
क्या आपको पता है
- ट्रिवियाLara Flynn Boyle is named after Julie Christie's character in Doctor Zhivago (1965). This is the first time they act together.
- गूफ़Phyllis puts out her cigarette at the restaurant, but it seems to be still burning.
- भाव
Lucky Mann: I don't know what I like, but I know what art is.
- साउंडट्रैकSomewhere
Written by Leonard Bernstein and Stephen Sondheim
Performed by Tom Waits
Published by Leonard Bernstein Music Publishing Company, LLC.
& G. Schirmer Inc.
Courtesy of Elektra Entertainment Group by arrangement with
Warner Special Products
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Afterglow?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Infidelidades
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $24,65,960
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $50,052
- 28 दिस॰ 1997
- दुनिया भर में सकल
- $24,65,960
- चलने की अवधि
- 1 घं 59 मि(119 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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