Spawn

Mercenary Al Simmons (Keith David) returns to earth five years after his death having made a deal with one of the lords of Hell, Malebolgia (who never appears on screen). Under the conditions of his deal his mind is broken into fragments with missing memories and his form is rotten and burned beneath his garb as Malebolgia's Spawn. Now Al wanders skid row tormented by the knowledge his wife is now married to his best friend, and now finds himself at the center of power struggles of Heaven, Hell, the criminal, underworld, and his former superiors.

During the late 90s HBO experimented with original animated programming with three original series under their short lived HBO animation label. The experiment's results were mixed. Austin Powers: The Animated Series was cancelled before production could be completed on a single episode due to Mike Myers' prima donna behavior that disillusioned HBO with the project, and while Ralph Bakshi's Spicy City gain enough viewership to greenlight a second season, HBO's desire to replace Bakshi's writing staff lead to creative clashes that ultimately lead to the series' cancellation. Spawn was the most successful of the three, lasting a respectable three seasons and tapping into the cultural zeitgeist that made Spawn so prolific in the 90s. The series was certainly groundbreaking for the time and its influence can be felt in projects that followed despite the series being rather rough around the edges.

The first season of Spawn is the strongest as it follows Al's adjustment to a world that has passed him by and he no longer belongs to. As he lives in the abandoned areas of squalor with the cities homeless becoming their reluctant protector, we see him tempted by hell's emissary Clown/Violator who's basically an amalgam of everything wretched with humanity. He delights in tormenting Al with flashes of his death inter cut with scenes of his wife having sex with his best friend and and while Clown is certainly a source of macabre humor throughout the show, there's also a threatening element to him that makes him an effective antagonist especially throughout the first season.

The first season also ties into a season long arc involving child murderer Billy Kincaid who is being manipulated by Clown to drive Al to a point where he'll be forced to use his demonic powers and descend into a dark path. The scenes with Billy are effectively disturbing, and the show doesn't hold back from diving into the ugliness. But despite the show's willingness to plunge into the darkest depths of humanity, there are lights trying to fight back against the darkness. Sam and Twitch are easily my favorite of the supporting cast as they're two of the only honest cops in the city willing to take on the city's criminal element as well as the hellish minions who exert their control. Sam's brashness and muscle are well balanced out by Twitch's intellect and calm collectiveness making them an endearing set of side characters who keep the series from becoming overbearingly dark.

The show unfortunately becomes less focused in later seasons as it struggles to balance new elements with the ones established in the first season. New plot threads involving emissaries of Heaven, Al's former boss Jason Wynn working deals with Hell, and police corruption in Sam and Twitch's department are all vying for attention and Al doesn't evolve much beyond the first season until the end of the third season in what's establishment for a fourth season that never happened. The second and third season are still compelling and have individual moments of greatness to them, but unlike the first season there's no central plot thread tying them together like the Billy Kincaid plot that kept the show moving.

Spawn is a flawed series, but it does have a lot going for it. From its beautiful and stylishly dark animation that brings life to the dilapidated streets and hellish artwork, to the unapologetically intense material that isn't afraid to be dark and sleazy Spawn was a groundbreaking series especially in an era when animation for adults consisted of Simpsons and South Park. The series has trouble finding its footing and doesn't know how to effectively balance competing plot threads (especially after its first season) but it's a respectable attempt an animated adult series that tries to go against established formula.

Spawn was way ahead of it's time. I remember watching the original in the 90's on HBO and loving it. Here we are in 2014 and I'm rewatching it and just loving it...just loving it. Adult all the way, Spawn isn't for the kids. It's, of course, a Faustian tale and a superhero title but at it's core this is horror. The cartoon is very dark, chilling, and gritty. It's ultra-violent, suspenseful, animated beautifully, the voice-acting is precise and quietly subdued. It's as if all it's characters are speaking as shadows. Brilliant stuff here that outshines anything DC is doing currently and DC is the only one really doing anything worth a crud for American comic-book animation. Love Marvel but their animation is pathetic. If you're over 18 and want a good super-hero animation that lives and breathes in the dark...go buy Spawn. Mr. McFarland....please bring this back!

This is the ultimate expression of the Spawn character, engaging plots, amazing artwork and a propensity to the excellent. The voice casting is perfect, and a good job was done trimming the crap out of the comic book, and improving and streamlining the storyboards, it beats the ever living crap out of the movie and is the sort of thing that creates fanatics out of people.

...does that make it good? I do find Spawn the animated series interesting. The characters are fairly well-developed, I suppose the gore is an accurate representation of what's going on. But...the thing drags. And it drags further because HBO only seems to air the show in 6-8 episode batches, once a year. Just when things get interesting, it's Whoosh! off the air for 6-8 months. There also seems to be a lot of unnecessary padding (more in the second year), and Cogliostro is just downright annoying, both as narrator and in his conversations with Spawn. Keith David's voice work is excellent as always, though. Generally, though, this doesn't inspire me to go out and read the comic books. It's one of those shows you like to watch, but don't inspire you to watch devotedly every week. And Todd McFarlane as the intro Serling-like host? Sheesh.

"Spawn: The animated series" is one of the best adaptations of one comic into animation, just like "The Maxx". The animation is excellent, full of details and with a dark and mysterious atmosphere, and the story is dark as well. While in the movie the characters are plain and uninteresting, in this show, all those characters are much better developed, and the story was interesting and well written.

the whole series was put together fabulously, and it is superior in every single detail in the movie. It stayed true to Spawns roots, it was dark, it was emotional, it was violent, it had a sick sense of humor. "Spawn" is one of the best animated series ever made.