The Whole Wide World

I saw online that this movie would be on TV and, since I love Renee Zellweger, I decided to give it a try. What I found was a rare movie that combines a tragic yet realistic romance with over-the-top performances that make the movie worth watching. For some it might get off to a slow start, but stay with it if you're the least bit interested. I made the mistake of playing around on the computer the first time I watched it, and I missed a lot. This movie deserves your full attention.

Based on the memoir by Novalyn Price about her relationship with pulp writer Bob Howard, the film does an excellent job of showing the on-and-off romance between grade-school teacher Novalyn and full-time writer Bob from both sides. Novalyn truly likes Bob, even loves him at one point, but Bob rides her off, saying "he can't be tied down." But once Novalyn starts dating Truett Benson, Bob's friend, Bob suddenly realizes what a special person Novalyn is and that he can't live without her. He tries several attempts to win her back, but all end either in tears or a fight. Every time Novalyn tries to give him a second chance to prove he loves her, he goes and spends all his time caring for his sick mother, not leaving her for a second. I know you're saying, "What's wrong with that? It just means he loved his mama." But as Novalyn points out, Bob is a grown man who should be leading his own life and being able to let go of his mother and get out once in awhile.

While most movies like these just go on and on about how one person can't live without the other, this one has you wondering if the two will really end up together. And unlike most romances where you're waiting for them to unlock lips, "Wide World" takes many twists and turns in the romance department;you may think you know what's going to happen, but you really don't [unless you already know the complete full story of Howard's life].

The performances by the two leads alone make the movie worth watching;anyone who appreciates good acting should definitely check this one out. Vincent D'Nofrio is amazing, in a performance that would make the real Bob Howard proud I'm sure. He was really overlooked and should have gotten way more recognition for this role. If his other movies are as good as this, it's really sad he doesn't have a more well-known career. There is some justice in the world though, because Renee Zellweger has gone on to become a major star after this part, as she should have. She has a warmth and sincerity that comes across in her acting and makes you root for her the whole time. You often forget she's acting because her delivery is so natural, and she has several emotional scenes to show her depth. I;m a big fan of hers, and this movie didn't disappoint. It's too bad this movie didn't get more recognition, but do yourself a favor and catch it the next time it's on TV. You won't be sorry.

Released in 1996, the movie focuses on budding writer Novalyne Price Ellis (Renée Zellweger) and her experiences with famous pulp writer, Robert E. Howard (Vincent D'Onofrio), creator of Conan the barbarian and other characters, like Kull, Solomon Kane and Red Sonya. The events take place in central Texas (Cross Plains and Brownwood) during the last two years of Howard's life, 1934-1936, and are based on Novalyne's memoirs "One Who Walked Alone" and "Day of the Stranger: Further Memories of Robert E. Howard." Ann Wedgeworth is on hand as Robert's sickly mother.

Howard's great imagination and expertise with words made him "the greatest pulp fiction writer in the whole wide world," as he was known. Unfortunately he died way too young at the age of 30 but, thankfully, he was prolific and so we have a lot of material by him to enjoy. It has always been a mystery to me why this talented man died the way he did, but this film gives life to REH's last two years and helps the viewer understand what happened.

This is a true-life drama with elements of romance consisting of the simple way of life of a writer, his parents and friends in the plains of central Texas in the mid-30s. Most of the sequences take place at the quaint Howard abode, the theater in Brownwood, the school where Novalyne taught and, mostly, Robert & Novalyne driving the desolate landscapes or walking and talking, sometimes in conflict. In other words, this is a simple drama. The potency comes with the subject matter, Robert E. Howard. I found the drama gripping as insights emerge in the dialogues and other sequences.

The film runs 1 hour, 51 minutes and was shot in the heart of Texas (Austin, Bartlett, Bastrop and Rockne).

GRADE: A-

This is actually a very lovely movie indeed. Everybody has heard of the pulp fiction stories of Conan the Barbarian but only hard core fans do know the story behind its writer Robert E. Howard, who created this fantasy hero in 1932. Unfortunately he died at the age of only 30. In his short very productive life he enjoyed literary success but had also, though inspiring and romantic, a not quite fulfilling love affair with Novalyne Price Ellis. The movie is historically and biographically correct. Very prettily filmed and characterisations seem to be truthful with accents and all. I definitely learned something new and enjoyed the skillful and atmospheric movie-making.

It's a good film, but it's absolutely painful to watch, as you repeatedly wish they'd put aside their insecurities and get together. The best screen kiss in recent memory is in this film and it gives you a taste of the power they would've had if they would've always stayed together, instead of straying alone. One of the most emotionally abusive films of the last year, it's more of a realistic romance instead of the perfect one featured in films such as "You've Got Mail". This and many other films serve as a reminder that most great romances are not without torturous actions from both halves.

I was thrilled to read the (almost) unanimous praise for this FANTASTIC little movie by fellow viewers, and I must chime in with my wholehearted agreement. Every once in a while you blunder across an under-financed and straight-to-video movie that just absolutely flattens you with that rare convergence of talent, story & production, and you're reminded anew of just how powerful a film can be.

Most of the previous postings give a good outline of the plot, so I won't recap it here. "The Whole Wide World" is remarkable in all sorts of ways, but I must use my space here to further celebrate the masterful acting of the leads, Vincent D'Onfrio (as Bob Howard) and Renee (as Novalyne Price). Indeed, the skill of the portrayals completely conveys the sense of time, place and emotional temperament necessary to draw us into their worlds--and break our hearts. And yeah, you're just absolutely made of stone if you're not weeping just a little as the credits roll(or trying hard not to). It's testament to D'Onfrio's amazing talent that we can clearly see Bob's misanthropic shortcomings, but still we hope this tragic misfit of a guy can (as another fan wrote here)"meet her half way." A DEEP, insightful performance by Vincent who has quietly been doing the same in lesser roles for decades now.

And I gotta give Renee her full due as well. She was EXCELLENT, fully credible, spiky, tender, flirtatious, frustrated, and ultimately emotionally exhausted trying to figure out this neurotic but strangely charming man she tried to get close to. Seeing this movie reminds me of "Casablanca" in the sense that you can't imagine anyone else in the Bogart & Bergman roles; no doubt other actors would have given their all, but I can't see how anyone other than Vincent & Renee could have spiked our hearts so fiercely.

Who would have ever thought that such a GREAT movie could be made of the abortive love life of Robert E. Howard? Of course that's not really what makes the movie great--as Flaubert said when asked to identify Madame Bovary, he replied "I am;" and so it is with "The Whole Wide World," where we are poignantly reminded of our own failures to engage with life and love in the ways we believe they should play out.

Again, I'm THRILLED to see how many other fans recognize the unique quality of this movie. I encountered it obliquely, noting its synopsis in the New Yorker back in '96 and thinking "what a curious thing to base a movie on." For some reason my sister tracked it down and loaned me a dubbed-from-TV video cassette; crummy video and sound, but the movie still BLEW ME AWAY (and it still does--thankfully it's now available on DVD). Given Renee's star power I don't think it will ever vanish completely, but we can only hope others will take a chance on this little masterpiece so it can one day receive the acclaim its excellence deserves.

I'd also be remiss if I didn't put in a small plug here for Robert E. Howard the pulp fictioneer; it wasn't complete hyperbole for Novalyne to dub him "the best pulp fiction writer..." His writing stands up well today; plenty of brawny page-turning adventure that still delivers fabulous escapist thrills for guys. But if some of us guys can watch this movie and worship it, I'd bet at least a few of the girls can read some Robert E. Howard today and get a sense of the tough-but-hurting guy depicted in the movie. But one certainly need not read Howard to appreciate this amazing movie on its own stellar merits.