The Truth About Cats & Dogs

If it doesn't irk you when a plot hinges on inexplicable errors made by supposedly intelligent characters, then you may not be annoyed by 'The Truth About Cats and Dogs,' a romantic comedy starring Janeane Garofalo as Abby, a supposedly intelligent, supposedly insightful, and supposedly unattractive veterinarian who hosts a radio call-in show.

A shy photographer (Brian or Eric or something) calls in to the show having trouble with a large dog he's mounted on roller skates for a shoot. Oh, he's so cuuuute!!! Our heroine is in a tizzy. They make a date, but too insecure to face him herself, Abby sends her neighbor, Uma Thurman. How this plan is supposed to work to Abby's advantage, I can't say. Time after time Abby and Uma pass up opportunities to straighten out the confusion. It's a good thing too, because that gives them time to learn a valuable lesson about looks and love, which is: Nice guys don't care about looks. Uh huh.

But audiences do, saith the producers. Thus we have the famously fabulous Thurman cast against girl-next-door Garofalo, who is no slouch in the looks department. So, as Abby, she is frumped up from the start in dowdy, fat-girl clothes and flat hair. It's the oldest trick in pictures. As the credits slowly approach, Abby magically acquires better clothes, a more flattering hairstyle, and a makeup job that gives her lush lips and discernible cheekbones. I guess looks still count for something.

Janeane Garofalo stars as Abby, a veterinarian who has her own radio show. She is a cultured, educated woman, who is smart, has a good sense of humor and makes a great living. The problem is that her self-esteem is low because she does not find herself attractive being 5'1 brunette who once upon a time while in college had gained 40 pounds. Well, she looked like she lost all of them and she was charming if you ask me (perhaps, it is solidarity of another 5'0 brunette ) but when she developed a relationship over the phone with one of the callers, she tells him that she is 5'10" statuesque blonde who is hard to miss. The blonde (Uma Thurman) happened to be her next-door neighbor, the aspiring model/actress who agrees to go on the date instead of Abby... It may sound like cliché, and the film has several holes in the plot but is very enjoyable thanks to wonderful performance by Janeane and to these words:

"You know how someone's appearance can change the longer you know them? How a really attractive person, if you don't like them, can become more and more ugly; whereas someone you might not have even have noticed... that you wouldn't look at more than once, if you love them, can become the most beautiful thing you've ever seen. All you want to do is be near them."

7/10

When I read the synopsis for "The Truth About Cats & Dogs" I was hoping that it would not be another one of those overly sappy and corny romantic comedy that the movie industry tends to spew out by the dozens. And I was hoping it would be more than such, especially because it had Janeane Garofalo on the cast list.

I sat down to watch it in 2016, 20 years after it was released. And this was actually the first time that I have seen it, believe it or not.

And it turned out that "The Truth About Cats & Dogs" was a rather enjoyable movie, and one that did offer a bit more than your average run-of-the-mill romantic comedies.

The story is about low self-esteemed radio show host Abby who gives a caller named Brian some good advice on how to befriend a dog. And when Brian wants to repay her for her helpful advice, Abby turns to Noelle, a tall model living in her building, to stand in for her and pretend to be her.

Of course, there are elements of classic romantic comedy to "The Truth About Cats & Dogs", but it does have more than just that. I liked the aspect of the switched roles and pretending to be someone you are not, as it offered a different approach to the story.

And the cast in "The Truth About Cats & Dogs" was just phenomenal. Uma Thurman and Ben Chaplin were doing great jobs and were nicely cast. However, it was Jeneane Garofalo who stole the scene, without a doubt. With her amazing on-screen charisma and presence, she just carried the movie so well on her shoulders. She was an absolute delight to witness in this movie.

I was more than genuinely entertained by "The Truth About Cats & Dogs" and it turned out to be a much better movie than I had hoped. So if you haven't already seen his movie, and if you enjoy romantic comedies, then I can more than warmly recommend that you take the time to sit down and watch "The Truth About Cats & Dogs".

"The Truth About Cats & Dogs" scores a solid six out of ten stars rating from me.

Without a doubt, my favorite play ever written is CYRANO DE BERGERAC, by Edmund Rostand. People can tell me it's sentimental and mawkish, but I don't care; I absolutely love it. I've seen, I think, most, if not every, movie which has been inspired by it, from the 1950 version by Jose Ferrer(the movie is stagy and changes the play, but he's wonderful), to ROXANNE in 1987, Steve Martin's wonderful re-working of the play as romantic comedy, and best of all, the 1990 version starring Gerard Depardieu(how appropriate France's greatest actor should appear in it giving his best performance). Now comes this movie, which is inspired by it(as I understand it, writer Audrey Wells is a big fan as well) rather than being an outright remake of it, but it's still quite good.

Admittedly, it all hangs on a rather thin premise; that Brian(Ben Chaplin) is unable to tell the voices of Abby(Janeane Garofalo) and Noelle(Uma Thurman) apart. But romantic comedies have had more outrageous concepts before, and no one complained about how realistic they were(like RUNAWAY BRIDE; does anyone believe that one?). And by switching genders, it's able to talk about how women are forced to conform to an impossible ideal of beauty. And yet, at the same time, the message comes through comedy, so you're not being hit over the head.

Also, the performers are quite engaging. It goes without saying Janeane Garofalo is terrific in her first lead role. She's funny, as could be expected, but as she's had to fight the impossible ideal of beauty much of her career, you can sense something personal for her, and she brings that out without getting mawkish. Uma Thurman sends up the "dumb blonde" role without condescending to her. Plus, we like Noelle for the same reason we like Christian in the original; she's actually smarter about love than Abby is(when she says of Brian, "Plus, he's got this one, tiny little fault. He loves you."). Chaplin of course has the object of desire role, which is tough to play, but he brings humor and intelligence to it. And, of course, the dog is great.

This film is an absolute gem, showcasing the incredible talents of Janeane Garofalo and highlighting the physical beauty of Uma Thurman (and Ben Chaplin). It is an incredibly well crafted and well-written film due to the efforts of director Michael Lehmann and author Audrey Wells. If there were ever any doubts as to the acting ability of Ms Garofalo this film will put them to rest. There are scenes in which she is positively luminescent as the 'voice on the radio' – Dr Abby Barnes. This film was to be a star vehicle for Uma Thurman: she has top billing both in the opening title sequence and in the closing credits. She also has the personal assistant, personal makeup and hair and even a personal acting coach! But she has worked on just 12 films since 'Cats and Dogs' was released and Ms Garofalo has completed 39! Janeane steals the show (again)! The story is derivative: Basically it is the Cyrano story; however, it is given new life and freshness by the appealing characters and plot twists. I must admit that I am a bit tired of Janeane Garofalo playing the 'ugly' girl roles. She is far from ugly and really should be playing the romantic characters more often. This really is an outstanding film – the scenes with 'Hank' steal the show and the late-night telephone conversation between Abby and Brian should not to be missed.