La tregua

This movie is based on the true events that took place in one of the most renowned Auschwitz prisoners Primo Levi. More specifically, it is the last book of his experiences, whereby this book starts at the moment that Auschwitz is liberated, i.e. As end of january 1945. It describes his experiences he had during his travels in the soviet liberated part of the former Nazi empire.

Note: for the people that have never heard of "Is this a Man" - which describes his experiences in Auschwitz - one of the most impressive books that I have ever read.

With great acting and stunning scenes it is an altogether convincing image of how the situation may have been in the period up to the end of the war. It does not show the continuous women abuse that was ongoing during those times, but it shows that hunger and food were a day to day battle.

Overall, this movie deserves a score of 7.4 / 10, resulting in a very well earnt 7 star IMDb rating. I am personally surprised by the fact that this movie is not more known.

"The Truce" is unlike any other Holocaust film I've ever seen in at least two respects. First, it is focused on the return to their homes via the Soviet Union of a group of survivors from Auschwitz. Second, the events are distilled through the eyes of a particular victim, Primo Levi, an Italian chemist and disbelieving Jew, who recorded his experiences in an autobiographical memoir, "The Reawakening," transformed into a film by the Italian director, Francesco Rosi. Levi himself is portrayed by John Turturro, the only name likely to be recognized by an American audience. Turturro is a skilled actor and his performance is marked by emotional restraint. There are some telling scenes in the movie (and improbable coincidences relating to reappearance of characters who had previously departed the scene for destinations unknown). What holds the film together and makes it worth seeing is Levi's sensibility and occasional direct quotes: e.g., "In a world where there is Auschwitz, there is no God." This is not a great movie but it is very good.

This is a good adaptation based on Primo Levi book about his risked odyssey post-war, as he is back to Italy across several European countries to arrive in Italy. Main character is Primo Levi himself, John Turturro who committed the project long time ago, playing a loner and observer ex-inmate who flees from Auschwitz concentration camp and shortly after he carries out an ardous journey home to Turin. Being accompanied by other prisoners, the unfortunate compadres : Massimo Ghini, Rade Serbezja, Stefano Dionisi, all of them go crossing diverse countries to get their destination.

It is a worthy exercice but results to be slow-moving and boring, at times. Being well produced by the great producer Dino De Laurentiis, appropriately photographed by Pasqualino Di Santis and professionally directed by Francesco Rosi, though it has some flaws and gaps. It is a nice and thought-provoking film, but not excellent, concerning Primo Levi's traveling, as well as his slow rediscovery of hope and life . Including some flashbacks about the Auschwitz concentration camp with sad and violent frames . It has the usual trappings of a grand historical fresco, but it results to be more an introspective drama than an epic movie. To be sure the movie is enjoyable and strong, regarding the plight of the future novelist Levi and other survivors from Auschwitz and other concentration camps. As trivia to add Primo Levi committed suicide in 1987, bit later on giving Franco Rosi's rendition his blessing. A sensitive and brooding picture dealing with doubts facing the liberated prisoners and psychological dilemmas . Here a compelling but understated John Turturro gives a fine acting, delivering the best interpretation of his long career, as the ex-prisoner attempting to reclaim his humanity later experiencing unimaginable terror and distress.

It contains a sensitive and moving musical score by Luis Bacalov. As well as evocative and adequate cinematography by Pasqualino De Santis. And efficiently directed by Francesco Rosi, providing an introspective look about Nazism consequences with harrowing scenes, though including some failures. Francesco Rosi was a pretty good Italian filmmaker wo directed intense drama such as : Three brothers, Christ stopped at Eboli, Lucky Luciano, The Palermo connection, Carmen, and this The Truce. Rating 6.5/10. Decent and better than average movie.

The Truce is a great movie. Even if this is not your type of movie that you would want to see, the story in itself is terrific. The story of post-holocaust, the close of the 2nd World War in Europe and the prime of Stalin in command is the setting of the movie. The actors bring out the greatness of the story with their colorful and realistic characters. This story, of a kind of Italian band of brothers, trying to get back home is the plot to one of the best movies dealing with redemption in 1945 Europe. Agnieszka Wagner is down right stunning. Although she plays a simple role, it is moments like these, with her on camera that make the movie good. The entire movie is packed with moments of laughter, horror, sweetness and truth. The Truce is a forgotten classic of its genre.

I suppose everyone has seen one or more film representations of The Holocaust, but this one is different. It focuses not on the horror of the events themselves, rather, it's main thrust is struggle to return from the nightmare.

I liked the film for its apparent accuracy in location and the detail of what it was like for some of the Jews liberated from Auschwitz to find their way back to their homelands. Virtually helpless, the Jews in Primo Levi's autobiography embark on an odyssey that eventually gets them back to their homes -- at least some of them. All the more surprising is that Stalin's Soviet Union is their main benefactor throughout all of this. While this is supposed to be an autobiography, I have to wonder at some of the scenes, for example, when the train load of Jews arrives at the Munich main rail station, a former Werhmacht soldier kneels before them. In another, a Jew with barely enough food for himself, gives some bread to German POWs in Russia so that he can watch them fight over it. The irony is unmistakable.

Overall, I liked the film. It's one you have to see more than once because of all the detail. It's a bit difficult to follow the dialog in part, because much of it is in the language of the people who are represented: Poles, Russians, Ukrainians, French, Germans, Italians. Not only that, but the English dialog is accented and somewhat difficult to follow.

I intend to see it at least one or two more times in order to get the full effect of this very well done story.