एक स्थानीय पेंसिल्वेनिया बैंड, 1964 में एक आश्चर्यजनक हिट हासिल करता है और अपने प्रबंधक की खास मदद से, जब तक वह कर सकता है, स्टार बनाने में सबसे आगे रहता है.एक स्थानीय पेंसिल्वेनिया बैंड, 1964 में एक आश्चर्यजनक हिट हासिल करता है और अपने प्रबंधक की खास मदद से, जब तक वह कर सकता है, स्टार बनाने में सबसे आगे रहता है.एक स्थानीय पेंसिल्वेनिया बैंड, 1964 में एक आश्चर्यजनक हिट हासिल करता है और अपने प्रबंधक की खास मदद से, जब तक वह कर सकता है, स्टार बनाने में सबसे आगे रहता है.
- 1 ऑस्कर के लिए नामांकित
- 3 जीत और कुल 8 नामांकन
फ़ीचर्ड समीक्षाएं
Tom Hanks wrote and directed this paean to the glory days of rock n' roll, an era in which even the wildest music still reflected a certain innocence, long since gone if not forgotten, before the advent of Metal, Rap and Grunge. It's 1964, and `That Thing You Do!' is about to become a hit record for a small band out of Erie, Pa., who call themselves the `Oneders (pronounced Wonders),' but who are destined to begin their musical odyssey know as the `Oh-NEED-ers.' Drummer Guy Patterson (Tom Everett Scott) works in his father's appliance store, but when the band's drummer breaks his arm right before a gig, Guy is asked to sit in for him. And it winds up being a case of being in the right place at the right time for Guy, like when Ringo joined The Beatles, and the rest-- as they say-- is history.
It's a lively, upbeat tale in which luck, talent and chance all play a part. Hanks presents the upside of making it in the music business, including the adrenaline rush of hearing one's own song on the radio for the first time, as well as all the hoopla that surrounds those who happen to be in the spotlight at the moment. But he also shows the downside: The creative differences and in-fighting which plagues just about any band ever formed to some degree at one time or another, the personality conflicts and petty jealousies that are apt to surface at any time, and the reality of dealing with bloated egos, adoring fans and rude, insensitive record label executives who could care less about the talent that is putting the coins in their coffers, as long as they're selling records.
For the most part, Hanks keeps it lighthearted and cheerful, which-- along with the original songs (some of which he helped write)-- makes this an entertaining, fun and thoroughly enjoyable movie. He sugar-coats the dark side of it all to a certain extent, which makes the bad things that happen a bit easier to swallow, though it compromises the impact of the events somewhat as they unfold. Then again, he manages to maintain the credibility and integrity of his story, and after all, `this' is the film he wanted to make, and he presents it exactly as intended. Hanks captures a sense of time and place with this film, and also that same sense of reality conveyed by The Beatles' film, `A Hard Day's Night,' intentionally avoiding the more stoic reality of the more recent `Almost Famous.' All three films are fairly true to life, but with varying degrees of honesty. It's a matter of whether to `imply,' as Hanks has done, or to be explicit, as Cameron Crowe chose to do with his film.
With this film Hanks proves that he is equally as adept behind the camera as he is in front of it; he knows exactly where he wants to take his audience and when, and he does it quite successfully. He also extracts some nice performances from his actors, especially Scott, Johnathon Schaech (Jimmy, the lead singer), Steve Zahn (Lenny, on guitar) and Liv Tyler as Faye Dolan, Jimmy's girlfriend, who takes the brunt of the blunt edge of Jimmy's sudden notoriety. Hanks also turns in a notable performance himself, as Mr. White, the representative of one of the labels interested in the Oneders.
The supporting cast includes Ethan Embry (The Bass Player), Charlize Theron (Tina), Obba Babatunde (Lamarr), Giovanni Ribisi (Chad), Chris Ellis (Phil), Alex Rocco (Sol), Bill Cobbs (Del Paxton), Peter Scolari (Tony), Rita Wilson (Marguerite), Chris Isaak (Uncle Bob) and Kevin Pollak (Boss Koss). What `Happy Days' was to television, `That Thing You Do!' is to movies; a film that evokes that perceived sense of innocence of a time when life at least seemed simpler. For the more distance you put between the present and the `Good old days,' the better they get. In reality, they may not have been better, but Hanks preserves that illusion by giving us a picture of the way we'd at least like to think things were. And it's more than a pleasant diversion; this is a feel-good film you'll be able to enjoy time and again, because it takes you to a place you'd like to be-- a place you've been to before at one time or another, in one way or another, if only in your mind. And that Hanks can take you there so readily is not only a credit to his talent, but another fine example of the pure magic of the movies. I rate this one 9/10.
It's a lively, upbeat tale in which luck, talent and chance all play a part. Hanks presents the upside of making it in the music business, including the adrenaline rush of hearing one's own song on the radio for the first time, as well as all the hoopla that surrounds those who happen to be in the spotlight at the moment. But he also shows the downside: The creative differences and in-fighting which plagues just about any band ever formed to some degree at one time or another, the personality conflicts and petty jealousies that are apt to surface at any time, and the reality of dealing with bloated egos, adoring fans and rude, insensitive record label executives who could care less about the talent that is putting the coins in their coffers, as long as they're selling records.
For the most part, Hanks keeps it lighthearted and cheerful, which-- along with the original songs (some of which he helped write)-- makes this an entertaining, fun and thoroughly enjoyable movie. He sugar-coats the dark side of it all to a certain extent, which makes the bad things that happen a bit easier to swallow, though it compromises the impact of the events somewhat as they unfold. Then again, he manages to maintain the credibility and integrity of his story, and after all, `this' is the film he wanted to make, and he presents it exactly as intended. Hanks captures a sense of time and place with this film, and also that same sense of reality conveyed by The Beatles' film, `A Hard Day's Night,' intentionally avoiding the more stoic reality of the more recent `Almost Famous.' All three films are fairly true to life, but with varying degrees of honesty. It's a matter of whether to `imply,' as Hanks has done, or to be explicit, as Cameron Crowe chose to do with his film.
With this film Hanks proves that he is equally as adept behind the camera as he is in front of it; he knows exactly where he wants to take his audience and when, and he does it quite successfully. He also extracts some nice performances from his actors, especially Scott, Johnathon Schaech (Jimmy, the lead singer), Steve Zahn (Lenny, on guitar) and Liv Tyler as Faye Dolan, Jimmy's girlfriend, who takes the brunt of the blunt edge of Jimmy's sudden notoriety. Hanks also turns in a notable performance himself, as Mr. White, the representative of one of the labels interested in the Oneders.
The supporting cast includes Ethan Embry (The Bass Player), Charlize Theron (Tina), Obba Babatunde (Lamarr), Giovanni Ribisi (Chad), Chris Ellis (Phil), Alex Rocco (Sol), Bill Cobbs (Del Paxton), Peter Scolari (Tony), Rita Wilson (Marguerite), Chris Isaak (Uncle Bob) and Kevin Pollak (Boss Koss). What `Happy Days' was to television, `That Thing You Do!' is to movies; a film that evokes that perceived sense of innocence of a time when life at least seemed simpler. For the more distance you put between the present and the `Good old days,' the better they get. In reality, they may not have been better, but Hanks preserves that illusion by giving us a picture of the way we'd at least like to think things were. And it's more than a pleasant diversion; this is a feel-good film you'll be able to enjoy time and again, because it takes you to a place you'd like to be-- a place you've been to before at one time or another, in one way or another, if only in your mind. And that Hanks can take you there so readily is not only a credit to his talent, but another fine example of the pure magic of the movies. I rate this one 9/10.
"That Thing You Do!" is a perfect film about a group of guys in the mid-1960's inspired by Thelonius Monk-type jazz and Beatles-esque pop music. With one hit single, they are catapulted to clean-shaven, teen idol stardom. The band "The Wonders" could easily have been the 60's pop group "The Turtles" or "The Beau Brummels." The film's plot is fairly simple, yet it doesn't veer off into the typical VH1 Behind The Music avenue of excessive sex and drugs. Matter of fact, they aren't even mentioned. Written, directed and starring Tom Hanks, "That Thing You Do!" is honest and easily palitable for younger audiences. It rarely strays away from its theme: The climax and downward slope of musical fame. Viewers can also appreciate several 60's pop culture bones, thrown by Hanks himself to a nostalgic audience of youngsters such as myself. Plot occassionally gives way to hype and music, but that's okay. I was sort of looking for that. I really appreciated the "The Wonders" drummer relationship to "Dell Paxton," a jazz musician that's obviously a Thelonius Monk reference. Check them out jamming together during the third act of the film. Now THAT'S what I call truly remarkable music. The song "that thing you do" could easily have been a number one single in 1965. It's a simple, hook-laden piece of popcorn that's catchy on a near paranormal level. It was written by members of the modern pop/rock group "Fountains of Wayne." One can only wish for more music such as this today. There's enough innocence in it to guarentee parents' wide-eyed approval ... and just a bit of angst to attract the attention of hormone-raging teenagers the world over. Definetly an excellent movie for your shelf ... right next to your DVD copies of "A Hard Day's Night" and "The Beatles Anthology." Also ... check out "The Beau Brummels." Rhino Records has issued a great best-of package. One has to wonder if Tom Hanks had them in mind while writing the script. They had a few hits, though none will be as remembered as the poppy "Laugh, Laugh." A true gem from 1960's rock 'n roll.
8hbs
My guess is that Tom Hanks is a really nice guy. He certainly seems like it when he's interviewed, and since he wrote and directed this movie, and it's really nice, too, that seems to be more evidence.
This is a very small movie. It has no pretensions, but just tells a simple story about a small-town band that makes good. It paints a nostalgic picture of the 60's -- I grew up in a small town during that time, and life wasn't so idyllic in my town -- but it isn't trying for gritty realism. The cast is attractive and more than adequate (some are quite good, including Hanks as the band's manager), and the story is observant enough to be an enjoyable confection. It's very nice family movie (my kids liked it, and so did I).
This is a very small movie. It has no pretensions, but just tells a simple story about a small-town band that makes good. It paints a nostalgic picture of the 60's -- I grew up in a small town during that time, and life wasn't so idyllic in my town -- but it isn't trying for gritty realism. The cast is attractive and more than adequate (some are quite good, including Hanks as the band's manager), and the story is observant enough to be an enjoyable confection. It's very nice family movie (my kids liked it, and so did I).
Overall, I have to say I enjoyed Hanks' feature directing debut(this is not, by the way, the first time he sat in the director's chair; he directed a segment of a Showtime film noir series; I think it was called CITY OF ANGELS). He did a convincing job not only recreating the time, but also the music, which sounded like period music without being a pale shadow of it. He also made a wise choice for his lead; Tom Everett Scott may not have moved on to bigger things yet, but as this film shows, he's destined for them. Steve Zahn is funny as always, Hanks does well playing a company man, and Liv Tyler is quite luminous(though I could have done without the "thousand kisses" speech; that was melodramatic). On the down side, I'm not a big fan of Johnathan Schaech, but his character was too much of a caricature. And sometimes it was just too light. Still, this was overall an enjoyable movie.
I remember when I first saw this in the '90s and thinking, "Wow, what a shock: a modern-day movie with no no villains, no nasty people and nary a cuss word." I kept waiting for that stuff, and it never appeared. It also has a nice sentimental ending.
The story is a simple one about a group of average guys who form a band and become one-hit wonders.
Tom Everett Scott, a young Tom Hanks-lookalike, is an appealing lead and Liv Tyler looks very, very pretty in the female lead role. The band in this almost-old-fashioned musical, is good to hear, too. They are a throwback to the old movie musical days of Mickey Rooney and Judy Garland. Yes, you hear the same song (the movie title) over and over but's a great song which is very catchy. The rest of the music is decent, too.
Speaking of Hanks, he plays the promoter of the group. It's not a huge part but Hanks, as always, is entertaining. The whole film is, and, is refreshing to see.
The story is a simple one about a group of average guys who form a band and become one-hit wonders.
Tom Everett Scott, a young Tom Hanks-lookalike, is an appealing lead and Liv Tyler looks very, very pretty in the female lead role. The band in this almost-old-fashioned musical, is good to hear, too. They are a throwback to the old movie musical days of Mickey Rooney and Judy Garland. Yes, you hear the same song (the movie title) over and over but's a great song which is very catchy. The rest of the music is decent, too.
Speaking of Hanks, he plays the promoter of the group. It's not a huge part but Hanks, as always, is entertaining. The whole film is, and, is refreshing to see.
क्या आपको पता है
- ट्रिवियाFilm debut of Tom Everett Scott. Tom Hanks was initially opposed to hiring Scott because of Scott's strong resemblance to a younger Hanks. He was finally convinced by his wife, Rita Wilson, who thought Scott was cute.
- गूफ़A character states that they'll have to sell 500,000 copies of their single to get a gold record. In 1964 it still required 1,000,000 singles sold to qualify for a gold single record by the R.I.A.A.. It wasn't until 1976 that this was changed to 500,000.
- क्रेज़ी क्रेडिटSoundtrack released on the Playtone record label, founded by Tom Hanks and Gary Goetzman to coincide with the fictional label in the movie and capitalize on the movie's success.
- इसके अलावा अन्य वर्जनIn the 2007 two disc version there is an extended version not shown in theaters. Before "The Wonders" appear on national television, Guy arrives back at the hotel in a drunken state and finds an excited Mr. White with the good news about being on television the next day. Waiting for Mr. White is his male friend "Lloyd" played by Howie Long.
- साउंडट्रैकThat Thing You Do!
Written by Adam Schlesinger
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- That thing you are
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,60,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,58,57,416
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $62,08,595
- 6 अक्टू॰ 1996
- दुनिया भर में सकल
- $3,45,85,416
- चलने की अवधि1 घंटा 48 मिनट
- रंग
- ध्वनि मिश्रण
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