IMDb रेटिंग
7.6/10
58 हज़ार
आपकी रेटिंग
अपने पिता और शिक्षकों द्वारा संचालित पियानोवादक डेविड हेल्फगोट, मानसिक तौर पर टूट जाता है। सालों बाद वह पियानो पर लौटता है, अगर महत्वपूर्ण प्रशंसा नहीं तो लोकप्रिय होने के लिए।अपने पिता और शिक्षकों द्वारा संचालित पियानोवादक डेविड हेल्फगोट, मानसिक तौर पर टूट जाता है। सालों बाद वह पियानो पर लौटता है, अगर महत्वपूर्ण प्रशंसा नहीं तो लोकप्रिय होने के लिए।अपने पिता और शिक्षकों द्वारा संचालित पियानोवादक डेविड हेल्फगोट, मानसिक तौर पर टूट जाता है। सालों बाद वह पियानो पर लौटता है, अगर महत्वपूर्ण प्रशंसा नहीं तो लोकप्रिय होने के लिए।
- 1 ऑस्कर जीते
- 46 जीत और कुल 52 नामांकन
फ़ीचर्ड समीक्षाएं
This movie is definitely in my top five favorite movies of all time. It is unbelievably brilliant. Geoffrey Rush, dare I say, is perhaps the greatest actor of modern times. His performance alone is worth watching, let alone the outstanding supporting cast! Definitely not in typical Hollywood fashion, the movie is a truly great indie film. A must see for music lovers and indie film lovers alike.
This is a good film in every sense but will mean most to fathers with strong views :).
The story of a brilliant young pianist whose relationship with his father drives him to some sort of mental illness. Watchable, absorbing, brilliantly edited, deeply seriously moving, one of the rare films that pays attention to incidental sound. Wonderful direction and acting. This is a seriously good film.
The story of a brilliant young pianist whose relationship with his father drives him to some sort of mental illness. Watchable, absorbing, brilliantly edited, deeply seriously moving, one of the rare films that pays attention to incidental sound. Wonderful direction and acting. This is a seriously good film.
David is a stuttering, rambling man having suffer a complete breakdown as a young man. However when he was a child his skills on the piano were unmatched. Driven by his father, opportunities open up in front of him to go abroad to learn, but his father denies him the chance. He leaves for London where he drives himself to the point of exhaustion before coming back home to find his father has disowned him.
It took me years to finally watch this film. I was still in Northern Ireland when it came out in the cinema and such films were not permitted to cross our borders, lest they keep the latest action movies from our 1 or 2 screen cinemas! So away from the hype and the Oscar hoopla I sat to watch this film and found myself easily taken in by it. The story is the true story of David Helfgott who was a boy genius before his breakdown. The film starts with him as an adult then jumps back to see him as a child. This approach works well to allow us to see the `end result' as it were, before we see what would be considered the causation factors. These factors are a little heart breaking to watch but they are very well delivered. As an adult, David is comic, warming and tragic. The pain in his life is brought out very well.
A great deal of the praise for this must lie with the wonderful cast. Rush got his Oscar of course and I'll leave it to the users on the message boards to argue over whether or not you can be the lead actor with screen time of less than half the film! He is great, walking a difficult line with a `disabled' character but managing not to just make it a caricature at any point. David as a child is very well played by Rafalowicz and does more of the development work than Rush and hence gets less credit than he deserves for making us care for the adult David. Mueller-Stahl is as good as he can be and gives a great performance, the only downside being that he doesn't age a single day between the adult and child sections of the story - surely some makeup could have been used?
Overall this is a very enjoyable human story that is driven by several really strong performances in key roles. The story keeps it's tone light but yet still manages to be dramatic and, in some scenes far too touching to avoid being slightly moved. The music is beautiful when it is called on to be and dramatic at other times - the director does very well to make the intense music translate into intense scenes in the film. Overall a simple story of a man but one that is interesting and a lot more moving that I expected it to be.
It took me years to finally watch this film. I was still in Northern Ireland when it came out in the cinema and such films were not permitted to cross our borders, lest they keep the latest action movies from our 1 or 2 screen cinemas! So away from the hype and the Oscar hoopla I sat to watch this film and found myself easily taken in by it. The story is the true story of David Helfgott who was a boy genius before his breakdown. The film starts with him as an adult then jumps back to see him as a child. This approach works well to allow us to see the `end result' as it were, before we see what would be considered the causation factors. These factors are a little heart breaking to watch but they are very well delivered. As an adult, David is comic, warming and tragic. The pain in his life is brought out very well.
A great deal of the praise for this must lie with the wonderful cast. Rush got his Oscar of course and I'll leave it to the users on the message boards to argue over whether or not you can be the lead actor with screen time of less than half the film! He is great, walking a difficult line with a `disabled' character but managing not to just make it a caricature at any point. David as a child is very well played by Rafalowicz and does more of the development work than Rush and hence gets less credit than he deserves for making us care for the adult David. Mueller-Stahl is as good as he can be and gives a great performance, the only downside being that he doesn't age a single day between the adult and child sections of the story - surely some makeup could have been used?
Overall this is a very enjoyable human story that is driven by several really strong performances in key roles. The story keeps it's tone light but yet still manages to be dramatic and, in some scenes far too touching to avoid being slightly moved. The music is beautiful when it is called on to be and dramatic at other times - the director does very well to make the intense music translate into intense scenes in the film. Overall a simple story of a man but one that is interesting and a lot more moving that I expected it to be.
I don't now why but when I first viewed this a few years back I did not care for it, but after watching it again I was very impressed. Maybe because I have grown more of an appreciation for classical music in that timeframe. I really don't understand how I could have missed the outstanding portrayal of the nuturing/stultifying father-son relationship, or the moving way that David can only express himself via the piano (notice how he speaks in virtually only apothems). This is a very great film.
When I originally saw this film in the mid-90's, I was absolutely devastated throughout the first forty-five minutes. So much so, I was pretty much uncontrollably weeping, much to the chagrin of the friend I went with. Time has softened the film a lot for me, but it still remains a powerful, tender and somewhat inspirational film about a piano prodigy who has led a pretty tragic life. Geoffrey Rush is unbelievable as the piano prodigy David Helfgott, and although the film is kind of sewn up a little quickly with the Vanessa Redgrave subplot (what about Helfgott made her so in love with him in a short period of time as to want to marry him?) it is a very well done film that I highly recommend to just about anyone, but especially musicians and music lovers.
--Shelly
--Shelly
क्या आपको पता है
- ट्रिवियाGeoffrey Rush had once learned the piano up until aged fourteen. He took up piano lessons again thirty years later for this movie and also acted as his own hand double and body double.
- गूफ़The character shows all signs of schizophrenia; not bipolar disorder (formerly known as "manic-depressive disorder"), as is claimed in the film. The real David Helfgott likewise displays many symptoms of schizophrenia and none of bipolar disorder.
- भाव
Cecil Parkes: You must play as if there's no tomorrow.
- क्रेज़ी क्रेडिटHimself: hand double for Geoffrey Rush
- साउंडट्रैकWith A Girl Like You
Written by Reg Presley
© 1966 Dick James Music Limited
Performed by The Troggs
© 1966 Mercury Ltd. London
टॉप पसंद
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- How long is Shine?Alexa द्वारा संचालित
विवरण
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- आधिकारिक साइटें
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- इस रूप में भी जाना जाता है
- Tỏa Sáng
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बॉक्स ऑफ़िस
- बजट
- $55,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,58,92,330
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,62,179
- 24 नव॰ 1996
- दुनिया भर में सकल
- $3,59,99,121
- चलने की अवधि1 घंटा 45 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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