शेक्सपियर का प्रसिद्ध नाटक वेरोना के हिप आधुनिक उपनगर में अपडेट किया गया है जो अभी भी अपने मूल संवाद को बरकरार रखता है।शेक्सपियर का प्रसिद्ध नाटक वेरोना के हिप आधुनिक उपनगर में अपडेट किया गया है जो अभी भी अपने मूल संवाद को बरकरार रखता है।शेक्सपियर का प्रसिद्ध नाटक वेरोना के हिप आधुनिक उपनगर में अपडेट किया गया है जो अभी भी अपने मूल संवाद को बरकरार रखता है।
- निर्देशक
- लेखक
- स्टार
- 1 ऑस्कर के लिए नामांकित
- 15 जीत और कुल 30 नामांकन
सारांश
Reviewers say 'Romeo + Juliet' is a bold, modern adaptation praised for vibrant visuals, energetic direction, and stellar performances by Leonardo DiCaprio and Claire Danes. The contemporary setting and pop culture elements are lauded for making the story accessible. However, the film faces criticism for the jarring contrast between modern settings and Shakespearean language, uneven acting, and over-the-top stylistic choices. Despite these issues, many appreciate its ambition and success in introducing Shakespeare to a new audience.
फ़ीचर्ड समीक्षाएं
Everyone is familiar with William Shakespeare's boy-meets-girl love story, and it has already been interpreted into films, plays, TV adaptations and songs. But Baz Luhrmann gives this world-known love story a modern-day twist, setting it in Verona Beach, and piling on the religious imagery. The result is quite spectacular.
Leonardo DiCaprio and Claire Danes play the star-crossed lovers, and, whilst the latter is sadly a little bland, never truly convincing us in her portrayal of Juliet's loss of innocence or torment of feelings towards the foe, DiCaprio completely redeems her performance. He is a revelation. His Romeo is a wonderful mix of sad eloquence, a loving heart and a troubled soul, and all these elements come together beautifully in a performance hotter than a pepper sprout, with more layers than the proverbial onion. He is the very embodiment of sexy in his role. There is an extremely alluring way in which his character is filmed, which only enhances Romeo as a lover. This is epitomized in the opening shot of him, where the Leo is illuminated illustriously against the sunlight, and Radiohead's languid, sexy tune "Talk Show Host" plays.
The film itself has "sexy" written all over it, and, with the Gen X teenagers as his target audience, I don't think Luhrmann would have things any other way. But, unlike with that atrocity Moulin Rouge!, with Romeo + Juliet, the over-stylization is appropriate, making the movie more accessible to teens, for example, through gun warfare rather than swordplay, and the canny symbolisation of Queen Mab as a drug. But perhaps the most ingenious stylistic technique here is the slap-in-face Shakespearean references, which range from a ball called the Merchant of Venice, to 'Such stuff as dreams are made on' from The Tempest, making the film an absolute goldmine for trivia fans.
Style aside, there is more than enough substance. Romeo is presented exactly as the play does at first, the mawkish, gawky, lovesick teenager, then, the fickle boy, and finally, the devoted and caring lover, and much of this loyalty to the play is due to the screenplay from Luhrmann and Craig Pearce, which maintains the original memorable dialogue and descriptions, but also dares to stray from the sidewalk in some of the plot turns, and the film completely benefits from it. The set designs are intricate and beautiful, and suit every frame of the film perfectly, and the icing on the cake is the music. Craig Armstrong's score for the swimming pool scene is as stunning as it is original, and the use of non-original music, from Kym Mazelle to The Cardigans, give the film the added edge of cool, making Romeo + Juliet one of the boldest, sassiest and most unforgettable adaptations to date, and English Lit. GCSE has been made far more digestible for us kids across England. It's what Shakespeare would have wanted. A-.
Leonardo DiCaprio and Claire Danes play the star-crossed lovers, and, whilst the latter is sadly a little bland, never truly convincing us in her portrayal of Juliet's loss of innocence or torment of feelings towards the foe, DiCaprio completely redeems her performance. He is a revelation. His Romeo is a wonderful mix of sad eloquence, a loving heart and a troubled soul, and all these elements come together beautifully in a performance hotter than a pepper sprout, with more layers than the proverbial onion. He is the very embodiment of sexy in his role. There is an extremely alluring way in which his character is filmed, which only enhances Romeo as a lover. This is epitomized in the opening shot of him, where the Leo is illuminated illustriously against the sunlight, and Radiohead's languid, sexy tune "Talk Show Host" plays.
The film itself has "sexy" written all over it, and, with the Gen X teenagers as his target audience, I don't think Luhrmann would have things any other way. But, unlike with that atrocity Moulin Rouge!, with Romeo + Juliet, the over-stylization is appropriate, making the movie more accessible to teens, for example, through gun warfare rather than swordplay, and the canny symbolisation of Queen Mab as a drug. But perhaps the most ingenious stylistic technique here is the slap-in-face Shakespearean references, which range from a ball called the Merchant of Venice, to 'Such stuff as dreams are made on' from The Tempest, making the film an absolute goldmine for trivia fans.
Style aside, there is more than enough substance. Romeo is presented exactly as the play does at first, the mawkish, gawky, lovesick teenager, then, the fickle boy, and finally, the devoted and caring lover, and much of this loyalty to the play is due to the screenplay from Luhrmann and Craig Pearce, which maintains the original memorable dialogue and descriptions, but also dares to stray from the sidewalk in some of the plot turns, and the film completely benefits from it. The set designs are intricate and beautiful, and suit every frame of the film perfectly, and the icing on the cake is the music. Craig Armstrong's score for the swimming pool scene is as stunning as it is original, and the use of non-original music, from Kym Mazelle to The Cardigans, give the film the added edge of cool, making Romeo + Juliet one of the boldest, sassiest and most unforgettable adaptations to date, and English Lit. GCSE has been made far more digestible for us kids across England. It's what Shakespeare would have wanted. A-.
90U
I wouldnt change a thing. The acting was beautiful, the scenery, the costumes, the raw emotion. The best version of this tale yet.
As a 12 yo girl I don't understand Shakespeare one bit. It's like a different language that u just get bored of trying to translate. But this movie - I understood every bit of it. And I loved it. Why is there all this hate? Especially for Leonardo, his performance was beautiful and I'm not just saying that bcs of his face but it was genuinely moving and Clare Danes was great in it too. It's not the greatest movie I've ever seen no. But in 2021 I don't care if this movie is gonna change my life or not or if it's a masterpiece or a flop, I wanna watch a movie that I'll be entertained by and moved by. And that was this movie.
This movie does an excellent job of combining Shakespearian dialogue with
modern imagery. Admittedly, I first watched this movie when it came out
because of Leo; eight years later (and seven years after middle school ended), I realize just how well-done this film actually is. Luhrmann did an excellent job of making the movie believable while using the quaint language. This movie
brings new life into the words of Shakespeare, and even if you know the play
almost by heart it is refreshing to hear the words in an entirely new context, and one which makes sense. This version of Romeo and Juliet actually does add
something to the extensive history of the play. The soundtrack is excellent, the acting is appropriate (Danes and DiCaprio do a wonderful job of portraying the young lovers), and the scenery is fabulous. This film jump-started the trend of modern-day Shakespeare remakes, and I think it's the best one.
modern imagery. Admittedly, I first watched this movie when it came out
because of Leo; eight years later (and seven years after middle school ended), I realize just how well-done this film actually is. Luhrmann did an excellent job of making the movie believable while using the quaint language. This movie
brings new life into the words of Shakespeare, and even if you know the play
almost by heart it is refreshing to hear the words in an entirely new context, and one which makes sense. This version of Romeo and Juliet actually does add
something to the extensive history of the play. The soundtrack is excellent, the acting is appropriate (Danes and DiCaprio do a wonderful job of portraying the young lovers), and the scenery is fabulous. This film jump-started the trend of modern-day Shakespeare remakes, and I think it's the best one.
Very underrated modernization of the classic Shakespeare play. This movie has been pretty heavily criticized for the directors outlandishness in cinematography, but he understands when to tone down the often frantic pace of the storytelling during the dramatic scenes, and in fact this relationship tends to amplify their potency. Beautifully choreographed and shot, wonderfully acted by both the supporting cast and the main 2 stars, Leonardo DiCaprio and Claire Danes, and extremely sly modernization techniques to the dialogue. All the elizabethan dialogue remains intact, yet it all seems coherent in the modern atmosphere. mostly due to good imagery and double meaning in the phrases (ex: their swords being a gun model, or the flash of money while quoting gold.). One of the best shakespeare adaptations in the multitude of which have entered the cinemas in the past few years.
क्या आपको पता है
- ट्रिवियाKey hair stylist Aldo Signoretti was kidnapped by gang members and held for $300 ransom which Baz Luhrmann paid.
- गूफ़When on the beach preparing for a duel, Abra ejects all the bullets from Tybalt's magazine except one. Romeo uses that same gun, in a new location, to kill Tybalt, shooting him 6-7 times. However, Tybalt carries two guns. The one Romeo uses is the second gun, which at this point was not unloaded.
- क्रेज़ी क्रेडिटThe film opens and closes with the Chorus, appearing as an anchorwoman on a TV screen, narrating the prologue and the closing lines.
- कनेक्शनEdited into Nothing Is Truer Than Truth (2018)
- साउंडट्रैक#1 Crush
Performed, Written and Produced by Garbage
Garbage appears courtesy of Almo Sounds, Inc./Mushroom Records UK Ltd.
Shirley Manson appears courtesy of Radioactive Records
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Romeo + Juliet?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- रोमियो + जूलियेट
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,45,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,63,51,345
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,11,33,231
- 3 नव॰ 1996
- दुनिया भर में सकल
- $14,75,54,998
- चलने की अवधि2 घंटे
- रंग
- पक्ष अनुपात
- 2.39 : 1
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