Primal Fear

1996
A
2 घं 9 मि

IMDb रेटिंग

7.7/10

2.7 लाख

आपकी रेटिंग

लोकप्रियता

440

trailer प्ले करें2:28

6 वीडियो

94 फ़ोटो

अपराध कानूनी थ्रिलर ड्रामा थ्रिलर मनोवैज्ञानिक रोमांच रहस्य

एक ऑल्टर बॉय की ज़िन्दगी अचानक से बदल जाती है जब उसपर एक हत्या का आरोप लगता है. अब देखना होगा कि आगे क्या होता है.एक ऑल्टर बॉय की ज़िन्दगी अचानक से बदल जाती है जब उसपर एक हत्या का आरोप लगता है. अब देखना होगा कि आगे क्या होता है.एक ऑल्टर बॉय की ज़िन्दगी अचानक से बदल जाती है जब उसपर एक हत्या का आरोप लगता है. अब देखना होगा कि आगे क्या होता है.

IMDbPro पर प्रोडक्शन की जानकारी देखें

IMDb रेटिंग

7.7/10

2.7 लाख

आपकी रेटिंग

लोकप्रियता

440

IMDbPro पर प्रोडक्शन की जानकारी देखें

1 ऑस्कर के लिए नामांकित
- 10 जीत और कुल 12 नामांकन

वीडियो6

फ़ोटो94

+ 87

उपयोगकर्ता समीक्षाएं429

7.7265.9K

फ़ीचर्ड समीक्षाएं

8TBJCSKCNRRQTreviews

Excellent film

My fiancée suggested I watch this, and when we found it for sale at a good price, we bought it right away. I must say, this is a marvelous and quite well-crafted film. The acting is top-notch all the way. Gere manages to make us care about a type of person that few like. O'Quinn is somewhat underused, as he is a magnificent actor, but apart from that, everyone gets a good chance to perform well, and they all live up to it. I would have to say that I now have a completely new-found respect for Norton... and I had a great deal of respect for him before even knowing of this movie. The plot is well-written and has good layers to it, especially for a movie of two hours(running time does put quite a limitation on the level of detail and intricacy of the plot). The pacing is really good, the movie never moves neither too fast nor too slowly. This is the second film I've seen that was directed by Gregory Hoblit... and the second that I've really, really liked(both have received 8's by yours truly, and very deservedly so), so I will most definitely keep an eye out for any future works by the man. I haven't read the book of the same title that this is based on, so I can't comment on how accurate and true to the tone this film is. I urge anyone intending to watch this to steer clear of any spoilers on it, because the plot is too good to ruin. I won't detail it here, I'll just say that the film has many court-room scenes, and deals with a very violent crime(and it's not the only occurrence in the film of a violent nature). For that same reason, since it is depicted graphically in the film(but not too much... there was nothing gratuitous about it), I urge anyone who believes they may not be able to handle seeing such to consider if they should watch it or not. There is also quite a bit of language, as well as a brief scene of sexual nature, so if such bother you, you may want to watch a censored version, if you are interested in seeing it. I recommend this very warmly to any fan of court-room dramas and thrillers. If you enjoy an engaging and involving thriller with surprises, this is the movie for you. 8/10

9jjnxn-1

Exceptionally good all around

If you want to see excellent acting in the service of an involving well told story this is a good place to start. Across the board there is not one weak performance. Gere has one of his very best roles as a fame loving attorney who chases a headline case that is more than he bargained for. He and the Laura Linney spar and parry both in and out of court with wonderful brio, she is his equal even if he is loath to admit it and the actress's personal strong persona fits the role perfectly. In a star making performance Edward Norton grabs his part by the throat and runs with it, a brilliant job and one that marked him as a true talent to watch. Each secondary roles is filled with top drawer character actors-Frances McDormand as an understanding therapist, Maura Tierney and Andre Braugher as Gere's assistants and on and on all deliver quality work. Alfre Woodard deserves special mention as the no nonsense slightly cantankerous judge who tipples a little on the side. She takes what could have been a throwaway part and makes her both memorable and humorous. A little overlong you won't notice so good is the acting and once it gets going the story keeps the interest level high.

advixen

The birth of a star and the resurrection of another

It's not often that viewers get a chance to watch a star being born - that a talented unknown actor's performance that is so spectacular it leads to the A-list in one role is rare: Julia Roberts in Pretty Woman, Brad Pitt in Thelma & Louise to name a recent few. But Edward Norton's turn as the "defendant/victim" in Primal Fear is one of those "Wow" moments that leaves the audience salivating for his next performance. In this feature debut, Norton outdistances his role, as does Richard Gere, in a resurrection no less impressive than Norton's star-making turn. Heretofore, Gere has specialized in assorted intelligent professional cad roles. Here, he gets a chance to inhabit one that not only wears his dubious character on his sleeve, but wears it, drives it, drinks it... revels in it. Yeah, sure somewhere there's a heart of gold, but like his client, the layers on top serve him better, and the heart of gold is tarnished. Gere is at his peak, comfortably, cheerfully inhabiting the role.

Laura Linney deserves extra credit for often being the ice-queen foil which propels the two male characters' development; her own character is rather one- dimensional, but she herself squeezes as much dazzle as she can from it. Even though everyone else obviously falls for whatever Gere's Vail purrs into their ears, it's merely enough time for Linney's Janet to get a drag on her ubiquitous cigarette; another step in what will (hopefully) someday be film's love affair with her. Wasted, sadly, are fine character actors like John Mahoney, Steven Bauer, Maura Tierney & Andre Braugher who could have lit up the screen had they not been handed scripts with generic character stereotypes.

See it to watch the ascension of Norton and Gere.

8inkblot11

Gere is wonderful, Norton is astounding in a spellbinding tale of secrets and lies

Martin (Richard Gere) is a very successful attorney in the Chicago area. However, his workaholic and limelight-seeking tendencies ruined one relationship with an underling (Laura Linney). Now comes the case of all cases. The archbishop of Chicago has been brutally murdered and the suspect is an innocent looking vagrant named Aaron (Edward Norton). Martin decrees that he MUST represent Aaron so he offers the young man his services pro bono, knowing the publicity for the trial will place them both squarely in the news for weeks and weeks. Yet, there is much evidence against Aaron. Despite his stuttering and guiltless demeanor, is Aaron truly not the killer? And, what is more important, justice or winning a case? This is a great, great movie, in many diverse ways. First, the performances are outstanding, with Gere giving a fine turn as the hotshot lawyer and Norton truly jawdropping as the murder suspect who looks like a choirboy. Linney does a nice turn as the district attorney and the other cast members are very well chosen, too. The Chicago setting shows the place as it is, a mixture of both wealthy and dismally poor neighborhoods. Costumes, especially Gere's lawyer garb, are very nice. Then, too, the script, based on a novel by William Diehl, is first rate and full of twists and turns, with a stunning maneuver at the finale. There are a few brief scenes of graphic violence, as the murder itself comes quite near the film's beginning, so there may be moments when you need to look away from the screen, if you are a bit squeamish. Also, if you are Catholic, there may be some parts of the story that are a bit offensive. But, all in all, if you love Gere or you long for interesting, intelligent thrillers, you should not miss Primal Fear. Why don't you speed off toward the video store and pluck this winner from the shelves tonight?

tweeterbirdy

Edward norton does an excellent job

I had just gotten done seeing the movie Fight Club when a relative of mine said " If you like that movie, you'll like Primal Fear." I didn't believe him, because I had believed that Fight Club was the best movie on the face of the planet. Well, he just so happened to have a copy of Primal Fear with him. I watched it and was amazed. I was speechless.The movie has so many twists! I was convinced that it was one of the best movies I had ever seen. Gere's performance is average. I say this because it seems that in many movies he plays the same cocky character. Linney's monologue in the courtroom is mesmerizing . It was just great. And Norton? Well this may be one of his best performances ever. The fact that this was made during the starting of his acting career was unbelievable. It was a great film and Edward norton does an excellent job

इस तरह के और

7.7

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कहानी

बदलाव करें

क्या आपको पता है

बदलाव करें

ट्रिविया
This is Edward Norton's motion picture debut.

गूफ़
It is stated by several characters that a plea cannot be changed mid-trial. However, it is entirely possible to change a plea before sentencing.

भाव
[last lines SPOILER]
[while in a holding cell in the back of the courthouse]
Roy: Mr. Vail?
Martin Vail: Yeah?
Roy: [stammering] Will you t-tell Miss Venable I'm sorry? Tell her I hope her neck is okay.
Martin Vail: Yeah... I will.
[begins walking away, then turns back]
Martin Vail: Wait... What did you just say? What? You told me just a few minutes ago that you didn't remember. You blacked out. You "lost time" yet again. So, how do you know about her neck?
Roy: [slow clapping sardonically; sneers] Well... good for you, Marty. I was going to let it go at that. You was looking so happy just now. I was thinking, hmmm God. But to tell you the truth, I'm glad you figured it out, because I have been dying to tell you. I just didn't know who you'd wanna hear it from, you know? Aaron or Roy... or Roy or Aaron. Well, I'll let you in on a little secret. A sort of a client-attorney-privilege type of a secret, you know what I mean? It don't matter who you hear it from. It's the same story.
[stammering as Aaron]
Roy: [in a southern accent] I j-j-just... had to kill Linda, Mr. Vail.
[normal voice as Roy]
Roy: That cunt just got what she deserved. But... cutting up that son of a bitch Rushman? That was just a fucking work of art.
Martin Vail: You're good. You are really good.
Roy: Yeah. I did get caught, though, didn't I?
Martin Vail: So there never... there never was a Roy?
Roy: Jesus Christ, Marty. If that's what you think, I am disappointed in you, I don't mind telling you. There never was an Aaron... counselor! Come on, Marty! I thought you had it figured, there at the end. The way you put me on the stand like that? That was fucking brilliant, Marty! And that whole thing like "act-like-a-man"? Jesus, I knew exactly what you wanted from me. It was like we were dancing, Marty!
Martin Vail: Guard!
Roy: [as Vail walks away] Oh come on, don't be like that, Marty. We did it, man. We fucking did it! We're a great team, you and me. You think I could've done this without you? You're just feeling a little angry here, because you started to care about old Aaron, I can understand that, but... you know, love hurts, Marty. What can I say? Hey, I'm just kidding, bud! I didn't mean to hurt your feelings! What else was I supposed to do? Hey, you're gonna thank me down the road, because this is gonna toughen you right up, Martin Vail! You hear me? That's a promise!

कनेक्शन
Featured in Siskel & Ebert & the Movies: Sgt. Bilko/Jack and Sarah/A Family Thing/Carried Away/From the Journals of Jean Seberg (1996)

साउंडट्रैक
Introitus: Cibavit Eos
by William Byrd
Performed by The Voices of Christ Church Cathedral Choir
Conducted by Stephen Darlington
Courtesy of Nimbus Records