Original Gangstas

Original Gangstas (1996)

*** 1/2 (out of 4)

Blaxploitation in the 90's has a street gang killing off people so the old guys (Fred Williamson, Jim Brown, Pam Grier, Ron O'Neal, Richard Roundtree) come to take the streets back. This all-star extravaganza remains a lot of fun like those films of the 1970's but this one here also has a message and asks a lot of serious questions. Whereas those 70's flicks simply blamed white folks, this one here goes a lot deeper in its message and even throws blame towards those earlier films. A lot of interesting ideas are brought up here, although we still get some mindless, if fun, action. Larry Cohen wrote a brilliant script and the performers all do a fine job. Robert Forster also stars.

This is something like a re-union party of the so-called blaxploitation film stars, which shows the whole world that those guys and ladies are still sexy and strong enough to teach some lessons to the young, disrespectful punks in the neighborhood of the city of Gary, Indiana. That's all about the story, which is as uninspired as any B-action flicks. "Original" gangstas come back to town, to fight against the "new" gangsters that rule the street with terror. The charm of the film lies in the cast, which looks a dream team for any fans of the 1970's blaxploitaion films. Here they are back in good form: Fred Williamson ("Black Caesar"), Jim Brown ("Slaughter"), Pam Grier ("Coffy"), Richard Roundtree ("Shaft") and Ron O'Neil ("Superfly") and you got also players like Robert Forster (who in the following year makes a smashing collaboration with Pam Grier in "Jackie Brown") and Wings Hauser in his very unlikely role. It is a gift from the heaven for the movie fans like me.

Overall rating: 7 out of 10.

Original Gangstas (1996) is a movie I recently watched for the first time in a long time on Tubi. The storyline for this movie tells the tale of a shop owner who helped raise the kids in his local neighborhood. When the kids in the neighborhood kill the store owner, his son comes back to town, rounds up some old friends and looks to restore order in the neighborhood.

This movie is directed by Larry Cohen (A Return to Salem's Lot) and stars Fred Williamson (From Dusk till Dawn), Pam Grier (Coffy), Jim Brown (Im Gonna Git You Sucka), Paul Winfield (The Terminator), Isabel Sanford (The Jeffersons), Ron O'Neal (Super Fly), Richard Roundtree (Shaft) and Robert Forster (Jackie Brown).

Jim Brown's introduction into this film is awesome. Pam Grier's self defense class also made me smile. The cars, music and cast in this is really fun. The storyline is a bit cliché, and the acting and action scenes are uneven; but overall, this was a nice way to pay homage to the blaxploitation genre.

I would score this film a 5/10 and only recommend this to fans of the classics from the blaxploitation era.

This film does not work.

It has great potential and the theme of abandoning your roots frequently pops up -- giving potential for further plot development which most action films do not even approach. However, this all-star cast of blaxploitation veterans making their first film together rarely jells.

For instance, Fred Williamson, who produced, seems to have forgotten that there were other great actors from that era. 90% of the film is him strutting around, pontificating on how bad the neighborhood has become and why don't the cops/neighbors/politicians/whoever do something about it. He saw fit to put Jim Brown in as co-star, but Brown serves as little more than a bodyguard, punching the whey out of a few people and (in his one big solo scene) threatening a young thug. Richard ("Shaft") Roundtree and Mr. "Superfly" himself -- Ron O'Neal -- are given glorified cameos. In fact, the introductory scene with O'Neal is shown completely in long shot. Why didn't the director do a few closeups? You can hardly tell it's O'Neal. That's just sloppy direction (either that or they didn't have permits to shoot on city streets and shot this on the sly).

Other great character actors -- Robert Forster, Charles Napier, Wings Hauser -- are featured but have little to do but act like cartoon characters. Whoever wrote this film should have given thought to the reasons why the best blaxploitation epics worked.

Not a complete failure but overall a major disappointment considering this is the first and only film these stars have been in together (no chance for a reunion with O'Neal's recent passing).

** out of *****

This movie is correctly graded as a B picture. And yet it is more: an honest hommage to a real, existing town in the throes of death. Before I picked up Original Gangstas as a cheap video cassette, I did not know that the town of Gary existed. I didn't even know a town like Gary could exist (this proves once more: maybe we Europeans are kind of naive in the ways we evaluate the US's wealth and power and its effects.). Now I know better.

There is a certain similarity between this film and Jules Dassin's legendary documentary/crime movie The Naked City of 1948. Both use a style that wants to "tell a city". With the title credits the town is introduced to the viewers, with aereal footage, ordinary street scenes and a voice-over that tells something about the history of the town and a few selected buildings (the bakery, the cinema etc.). It is really educational. Very good location shooting gives a vivid impression of the specific urban wasteland. Gary becomes a real place. I also had the impression that the mood of the people who are forced or willing to live in present day Gary is accurately recorded: A mixture of anger, shame and - above all - fear. People are desperate, they don't see a future and the affiliation of youngsters to a gang appears for many to be the only way to survive.

In the story the main character played by Fred Williamson (also the producer and a Gary native who certainly put some very personal feelings into this movie) descends on the town as an aging "knight in shining armour". He assembles his old, middle aged buddies (plus Pam Grier!) and stages a war against the gangs. I did not care much for the story and its action scenes with unvariably high death tolls, but I must admit that this movie realistically highlights in a specific place a specific problem that is disquieting and difficult to solve.