Noon o goldoon

From what I've seen of Iranian Cinema, it seems to be that it is simultaneously simple and extremely complex. Simple in the way they capture real life moments, or simply cinematography-wise. Things look exactly how they would look in real life, the directors struggle is not to give reality another layer but to show it exactly like it is. Complex because it operates on so many levels. In "A Moment of Innocence", we talk about the meta-comment on cinema and its attempt to recreate reality, how we perceive our memories and how we would prefer real life to be like. The two main characters and their "young" counterparts are very elaborate, we get to know how their beliefs differ, how closely they resemble each other and what their goals become once they start to understand the way others think.

Beautiful imagery that transports us to the streets of Iran and its snowy roads, fantastic music and a brilliant ending that leaves us glued to the screen.

There is absolutely nothing bad I can say about this film. I was lucky enough to attend a screening of this gem last night at the Alamo Drafthouse. The show was nearly sold out, for good reason.

This film is about a real life experience that Mohsen Makhmalbaf had at the age of seventeen. When he was seventeen, he stabbed a police man while participating in a demonstration. He was imprisoned for five years. Twenty years after this event took place, he has made amends with the policeman he stabbed and is now making a film about this incident.

The film is a work of art. It is beautifully shot, with no over the top camera work and editing. The film is masterfully directed and it is very humanistic. This film will probably prove to be one if the most important films in the history of cinema, especially to Iranian filmmakers. I would recommend this film to any and everybody.

This is the greatest among the dozen or so Makhmalbaf titles I have seen. I was stunned that a movie so thematically complex (politics, history, redemption, etc.) can be conveyed with a superb lightness of touch. When you watch it, you really feel like you're watching a comedy. Only gradually does the movie reveal its many layers, culminating in a final freeze-frame that might be the BEST in all of cinema. More people should watch this movie! (It's certainly a lot more fun than anything by Abbas Kiarostami - a man who is more of a moral philosopher than a film-maker per se).

It is true that from a purely technical perspective, the freeze frame at the end of this film is quite revolutionary. A lot of viewers have expressed some positive comments about it. Hence, it would not be an understatement to call it one of the best moments in the history of cinema. However, Iranian director Mohsen Makhmalbaf goes much more beyond this accomplishment as 'A moment of innocence' attempts to recreate an important event of the past in present times for future generations using existential themes and film making process. As a young man, while protesting against Shah's regime, director Mohsen Makhmalbaf had stabbed a police man. Although he chose an autobiographical episode which occurred many years ago, there has been no attempt made by Makhmalbaf to glorify neither violence nor revolutionary ideology. It appears as if everybody has become more compassionate including the young actor chosen to represent Makhmalbaf. This pacifist strategy brings everybody connected to the film to the conclusion that violence is no solution if the world needs to be changed. It is only through love can somebody aspire to change the world.

Despite its technical flaws here and there, due to the (in)capabilities under which Iran filmmakers have to work -as I'm told-, it would not be an exaggeration to name this film one of the best of all times.

While reflecting or hinting at several 'layers' of personal and social conflicts and dilemmas roaming the daily lives of the youth and eld, native and universal, of the present and the past as well with a striking and effective language; at the same time it makes the viewer laugh one's guts out with the natural and fluent comedy. I daresay Chaplin style.

(Spoiler ahead) Aside from the magnificent bread and flower moment at the end, one of the best scenes is when the girl rushes into a watch repairer's shop filled up with hundreds of watches and clocks, asks the time and is answered "I don't know, these are all broken, we repair them here!" (Paraphrased.)

Don't miss it.