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Noon o goldoon

  • 1996
  • Not Rated
  • 1 घं 18 मि
IMDb रेटिंग
7.7/10
4.8 हज़ार
आपकी रेटिंग
Noon o goldoon (1996)
कॉमेडीड्रामा

अपनी भाषा में प्लॉट जोड़ेंAn Iranian policeman asks a director to make a film about a true stabbing incident involving both of them.An Iranian policeman asks a director to make a film about a true stabbing incident involving both of them.An Iranian policeman asks a director to make a film about a true stabbing incident involving both of them.

  • निर्देशक
    • Mohsen Makhmalbaf
  • लेखक
    • Mohsen Makhmalbaf
  • स्टार
    • Mirhadi Tayebi
    • Mohsen Makhmalbaf
    • Ali Bakhsi
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.7/10
    4.8 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Mohsen Makhmalbaf
    • लेखक
      • Mohsen Makhmalbaf
    • स्टार
      • Mirhadi Tayebi
      • Mohsen Makhmalbaf
      • Ali Bakhsi
    • 22यूज़र समीक्षाएं
    • 18आलोचक समीक्षाएं
    • 70मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 1 जीत और कुल 1 नामांकन

    फ़ोटो10

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 5
    पोस्टर देखें

    टॉप कलाकार7

    बदलाव करें
    Mirhadi Tayebi
    • The Policeman
    Mohsen Makhmalbaf
    Mohsen Makhmalbaf
    • The Director
    Ali Bakhsi
    • The Young Policeman
    Ammar Tafti Dehghan
    Ammar Tafti Dehghan
    • The Young Director
    • (as Ammar Tafti)
    Maryam Mohamadamini
    • The Young Woman
    Moharram Zaynalzadeh
    • Mr. Zinal
    Hana Makhmalbaf
    Hana Makhmalbaf
    • Girl at door (director's daughter)
    • (बिना क्रेडिट के)
    • निर्देशक
      • Mohsen Makhmalbaf
    • लेखक
      • Mohsen Makhmalbaf
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं22

    7.74.8K
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    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    8manumfernandes

    Our Perception Can Be Deceiving

    From what I've seen of Iranian Cinema, it seems to be that it is simultaneously simple and extremely complex. Simple in the way they capture real life moments, or simply cinematography-wise. Things look exactly how they would look in real life, the directors struggle is not to give reality another layer but to show it exactly like it is. Complex because it operates on so many levels. In "A Moment of Innocence", we talk about the meta-comment on cinema and its attempt to recreate reality, how we perceive our memories and how we would prefer real life to be like. The two main characters and their "young" counterparts are very elaborate, we get to know how their beliefs differ, how closely they resemble each other and what their goals become once they start to understand the way others think.

    Beautiful imagery that transports us to the streets of Iran and its snowy roads, fantastic music and a brilliant ending that leaves us glued to the screen.
    10headtrauma420

    Spectacular!

    There is absolutely nothing bad I can say about this film. I was lucky enough to attend a screening of this gem last night at the Alamo Drafthouse. The show was nearly sold out, for good reason.

    This film is about a real life experience that Mohsen Makhmalbaf had at the age of seventeen. When he was seventeen, he stabbed a police man while participating in a demonstration. He was imprisoned for five years. Twenty years after this event took place, he has made amends with the policeman he stabbed and is now making a film about this incident.

    The film is a work of art. It is beautifully shot, with no over the top camera work and editing. The film is masterfully directed and it is very humanistic. This film will probably prove to be one if the most important films in the history of cinema, especially to Iranian filmmakers. I would recommend this film to any and everybody.
    9dave-593

    Moments of Innocence Twenty Years Apart

    The Iranian cinema is perhaps the most self-reflexive of all national cinemas. Though it owes much to the development of Italian neo-realism, the Iranian cinema today is not just an extension of its predecessor's concerns about cinematic truth but a formal inquiry of the nature of cinema and the "truth" that lies within and outside of art. Jacques Rivette's groundbreaking "L'amour fou" already sets the stage in 1968 when he investigated the symbiotic relationship betwen art and life by using two different film stocks, 16 and 35 mm., to represent "reality" as it unfolds in front and behind the camera respectively.

    In Moshen Makhmalbaf's 1996 masterpiece "A Moment of Innocence" twenty years separates a key moment in time and the recreation of it. The incident occurred when Makhmalbaf was only a youth who participated in an anti-Shah demonstration which led to the stabbing of a policeman and his imprisonment for the next five years. In an attempt to recapture this moment Makhmalbaf decides to a make a film within a film casting all the original participants (including the policeman) to play themselves as mentors to their younger selves, (i.e., actors) guiding and instructing them in the making of this "fictional" documentary.

    It is not surprising that non-professional actors are employed here to both maintain a semblance of reality and to keep cinematic distortion at bay. But paradoxically, the young non-professional actors chosen to play Makhmalbaf and the policeman of their youth are as similar as they are dissimilar from their counterparts, thus, setting the stage for exploring the many tensions that exist between past and present, art and life, cinema and reality. This type of casting not only blurs the line between fiction and reality but also the distinction between documentary and narrative filmmaking.

    The preoccupation with the phenomenological aspects of the cinema is as much the focus of this work as is the dramatization of the event leading up to the pivotal moment, then and now, reconstructed as a memory film as well as a product of the filmmaker's imagination to help correct an incident that only becomes clear to everyone involved after twenty years have elapsed. This celebrated moment which occurs at the end of film effectively captures the past by placing it in the present context much as if past and present suddenly converge and share the same space and time, thereby allowing us to see loss and recovery unfold simultaneously. That lost moment is now regained twenty years later through art's ability to heal and transform Makhmalbaf and his crew--thus altering the "reality" of life. The final shot is both life-affirming and referential because it so eloquently evokes the cinema's first prominent use of the freeze frame in Truffaut's "400 Blows"--if only to remind us just how far the cinema has come along. Like Truffaut's autobiographical based character Antoine Doinel the cinema has indeed grown up.
    10hbarbarossa

    Straight from the life right into the heart

    Despite its technical flaws here and there, due to the (in)capabilities under which Iran filmmakers have to work -as I'm told-, it would not be an exaggeration to name this film one of the best of all times.

    While reflecting or hinting at several 'layers' of personal and social conflicts and dilemmas roaming the daily lives of the youth and eld, native and universal, of the present and the past as well with a striking and effective language; at the same time it makes the viewer laugh one's guts out with the natural and fluent comedy. I daresay Chaplin style.

    (Spoiler ahead) Aside from the magnificent bread and flower moment at the end, one of the best scenes is when the girl rushes into a watch repairer's shop filled up with hundreds of watches and clocks, asks the time and is answered "I don't know, these are all broken, we repair them here!" (Paraphrased.)

    Don't miss it.
    jacques_05

    A Fantastic Exploration of Memory and History

    Makhmalbaf has arguably created one of the MOST interesting films I have seen in my entire life.

    Casting young men unexperienced in acting to portray himself and the policemen he stabbed when he was 17, the director separates himself and his young self from the policemen and his; they separately train the actors portraying themselves 20 years earlier during an anti-Shah demonstration.

    Culminating in the showdown between the young actors, the truths behind the situation unbeknownst to both director and policemen become evident. An extremely powerful film, and I advise you to stop at nothing to view it.

    इस तरह के और

    Salam Cinema
    7.6
    Salam Cinema
    Baran
    7.8
    Baran
    Nema-ye nazdik
    8.2
    Nema-ye nazdik
    Zendegi va digar hich
    7.9
    Zendegi va digar hich
    Dayereh
    7.4
    Dayereh
    Roozi ke zan shodam
    7.3
    Roozi ke zan shodam
    Bicycleran
    7.2
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    Zire darakhatan zeyton
    7.7
    Zire darakhatan zeyton
    Lakposhtha parvaz mikonand
    8.0
    Lakposhtha parvaz mikonand
    Talaye sorkh
    7.4
    Talaye sorkh
    Bad ma ra khahad bord
    7.4
    Bad ma ra khahad bord
    Gaav
    7.8
    Gaav

    संबंधित रुचियां

    Will Ferrell in एन्करमैन (2004)
    कॉमेडी
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    ड्रामा

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      This film is in the Official Top 250 Narrative Feature Films on Letterboxd.
    • कनेक्शन
      Featured in The Story of Film: An Odyssey: New Boundaries: World Cinema in Africa, Asia & Latin America (2011)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is A Moment of Innocence?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 9 अप्रैल 1997 (फ़्रांस)
    • कंट्री ऑफ़ ओरिजिन
      • ईरान
      • फ़्रांस
    • भाषा
      • पार्शियन
    • इस रूप में भी जाना जाता है
      • Nun Va Goldoon
    • फ़िल्माने की जगहें
      • तेहरान, ईरान
    • उत्पादन कंपनियां
      • MK2 Productions
      • Makhmalbaf Film House
      • Makhmalbaf Productions
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    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $37,598
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $3,997
      • 14 नव॰ 1999
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 1 घं 18 मि(78 min)
    • रंग
      • Color
    • पक्ष अनुपात
      • 1.85 : 1

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