Michael

in this, yet again, Nora Ephron pleaser. How can you not sniggle, laugh, guffaw and even cheer for a love-handled, smoking, suger-eating, beer-drinking, bull-charging, bar-dancing Archangel who sloops cereal and pie with his whole left-hand wrapped around a spoon-handle while outfitted in Vinnie Barbarino's middle-aged body with wings? It's one of the most ludicrous, classic, side-splitting images available on the silver screen. And if you don't 'get' that image, here's a quarter --- go buy yourself a life.

I found the supporting cast, well -- well-cast. Hurt, MacDowell, Pastorelli, Hoskins, Stapleton et al played the characters they were given to a 'T." And despite Travolta stealing the show, those characters are quintessential to the storyline – you'll see. Though this is a simple feel-good story (nothing complicated to follow, just out of the ordinary) with laughs, sniffles and a touch of heart, you can't get out of this without some introspection into your own life. Maybe that's why the IMDb nay-sayers of this film have such a problem with it (you poor, sad people).

Please – do yourself a favor, ignore the 'lifeless' and treat yourself to something GOOD. Lord knows, we can't get enough of that

It has been quite some time since I last saw this film. However, the amazingly low IMDB score has prompted me to jot down a few thoughts and memories I have regarding this under-appreciated masterpiece.

I find it appalling that this film would score so poorly in this arena. It is a wonderful, life affirming story with a positive message. Perhaps this is what we have come to. The comedy is not gross enough, the message too sentimental and the meaning too simple for modern "sophisticated" audiences. Well, I for one, absolutely loved every minute of it. It is easily Andie MacDowell's best performance. William Hurt is fantastic as the cynic who comes around in the end and the whole supporting cast does a wonderful job. Of course, John Travolta is superb. This is one of my favorite roles Travolta has played and it is simply resplendent. I would have to say this is in my top twenty of comedy-dramas ever. I just happen to love the way the film unapologetically illustrates how wonderful life is. How even the little things that we take for granted, like pie, are fantastic and how we should enjoy every minute like it was our last.

For a much more detailed and well written review see the fine work of jhclues who echoes my feelings about the movie so much that I feel it would be redundant of me to restate, probably poorly, all that they have already committed to page.

It is also interesting that so many people really hated it. I wonder if they weren't just put off by the "less than traditional" view of a religious subject.

Possibly the best John Travolta role ever. Saturday Night Fever was a great movie & role, but a LONG time ago. I can't think of many of his movies or roles I've even liked, and it's easy to think of rotten ones. He can do meanies like in Pulp Fiction, but he makes the perfect funky angel, and it's hard to imagine anyone doing a better (equally slobby) job with it. Plot summaries are available everywhere, but the plot isn't the point. Just go for the ride and enjoy the cleverness of the little funnies along the way. There is nothing to dislike about this movie, unless one is searching for something profound. I wish there were more movies like this. We need a break from deep or awesome or grisly or complex or hysterical.

I really enjoyed this movie for what it is: A funny little film that doesn't take itself too seriously. Plot summaries are available everywhere so I won't go into details. Michael isn't about a complex plot anyway. It just builds on a great premise and takes the viewer on a wonderful road trip.

John Travolta's performance as a chain-smoking, lady-loving, bar-brawling, pie-eating angel is just perfect. And who doesn't love Sparky?

Watch this if you want to have a few laughs and a overall good time. Highly recommended.

1996's MICHAEL is warm and winning comedy-fantasy that features one of my favorite performances from the John Travolta library. Travolta gives one of his breeziest and most likable performances as Michael, an archangel whose quiet existence at the home of a lonely innkeeper named Pansy (Jean Stapleton) is disrupted when Pansy reports Michael's presence in her home to a "National Enquirer"-like newspaper and the editor (Bob Hoskins) sends reporters (William Hurt, Andie McDowell, Robert Pastorelli) to the motel to check it out. Hurt, McDowell, and Pastorelli are quite good as the jaded news staffers who have a hard time accepting they've met an angel but this is Travolta's show and he rules as the pot-bellied, sugar-eating, cookie-smelling, pie-loving, Aretha-loving, bull-chasing Michael, an angel who just isn't what you think you of when you think of angels. And you have to love the scene in the bar when he and the ladies dance to "Chain of Fools". I love this movie more and more every time I watch it and it's mainly because of the completely winning performance from John Travolta.