काम की खोज में घूम रहा एक पेशेवर हत्यारा खुद को एक शराबबंदी के समय के भुतहा शहर में आयरिश और इतालवी माफिया के बीच चल रहे युद्ध के बीच में पाता है.काम की खोज में घूम रहा एक पेशेवर हत्यारा खुद को एक शराबबंदी के समय के भुतहा शहर में आयरिश और इतालवी माफिया के बीच चल रहे युद्ध के बीच में पाता है.काम की खोज में घूम रहा एक पेशेवर हत्यारा खुद को एक शराबबंदी के समय के भुतहा शहर में आयरिश और इतालवी माफिया के बीच चल रहे युद्ध के बीच में पाता है.
- निर्देशक
- लेखक
- स्टार
फ़ीचर्ड समीक्षाएं
First off I will never understand why Walter Hill does not have a better reputation. He's probably best known for his commercial success with the 48 Hrs films, and his other brilliant features get criminally overlooked. He scored a cult hit with "The Warriors", he delivered one of the best westerns ever with "The Long Riders", and put all other car chase movies to shame with the ultra cool "The Driver." As anyone who has seen these films should realise, Hill should be mentioned in the same breath as Peckinpah, Woo and Rodriguez when it comes to slow-mo gunplay.
"Last Man Standing" doesn't rival these earlier works, but it is a tough, gritty film with some fantastic shootouts. It doesn't hold itself back in terms of blood and violence, something current US films of the genre are guilty of doing. It has everything an action film needs; tough antihero, loath able bad guys, a creepy main villain and plenty of cannon fodder. As long as you don't get hung up on technicalities (ie the guns fire ten times more ammo than they hold) you should be entertained.
It doesn't feel like any effort went into the screenplay, but Hill adds some nice touches to the film in terms of nods towards the source material. I particularly like the opening where Bruce spins his empty whisky bottle on the ground to decide which road to take; a clear reference to Toshiro Mifune throwing a stick into the air to decide on his path. There is also an interesting cast; there's earlier Hill collaborator Bruce Dern (The memorable villain from The Driver), William Sanderson (Blade Runner) and of course Christopher Walken, who chews the scenery talking tough with his hoarse accent and threatening people with a Tommy gun. His performance is really the most memorable thing about the film. Willis is not Mifune or Eastwood, but he does suit the mysterious drifter character well and this is one of his better action man roles.
All things said, the film certainly doesn't come close to "Yojimbo", but it does give the more rough hewn "Fistful of Dollars" a run for its money. By no means a masterpiece, "Last Man Standing" should still provide enough for any action fans tired of watered down mainstream Hollywood nonsense that currently dilutes cinemas. It is certainly a lot better than its reputation makes out.
The gun battles are staged excellently and the music by Ry Cooder works very well with the picture. It's very much a guy film, though. There are only two women who play big parts in the film, but they don't appear very often.
I give LMS 7/10. It's a moody piece but enjoyable.
The editing, dialogue, cinematography, music, direction and acting are all top class. Everything is fantastically overblown but never preposterous. As for the film itself, it is very empty but the mood and tone are so very distant and weird, and I totally love it. Walter Hills direction is a well balanced cross between Sam Peckinpah and John Woo. And Cooder's score will transport you right into the movie even on it's own. Of course the film has its faults, there are very few films which posses non. For example Christopher Walken's character, Hickey is built up in his absence throughout the first third of the film as being the ultimate bad guy, however when he does actually appear he is a little tame. In fact he even tells Willis's character, Smith, not to believe all the bad things he has been hearing about him. Perhaps he is the anti-villain to Smith's anti-hero.
All in all, it's a film which is definitely worth seeing, even if you are unfamiliar with either of the two previous versions of the story.
Overall rating: 7 out of 10.
The Plot then is basically Bruce Willis's character playing both sides for whatever he can get. He is grimly cool in a certain way. The gangs then are the Irish, led by Doyle, and the Italians, led by Strozzi. These gangs are essentially copies of each other except for their names and accents, and perhaps their faces. The only difference of course being that Doyle has a psychotic second-in-command, or so we are told at the start of the movie. He, as a psychotic, is played by the true mother of all psychotic playing actors.... You guessed it, Christopher Walken, essentially playing Christopher Walken. The only other occupants of the town then are the sheriff, bartender, and undertaker.
In the end this is movie is certainly a dark one, although it is also not particularly serious in terms of realism. The atmosphere is extremely dark and grim as many characters are killed by Willis as well as Walken. It may actually be found depressing later on in the movie. However, contrary to this, the violence is often slightly comical. In one instance as many as forty bullets are needed to take down a character, and in others people, after having been shot by pistols, fly back several yards in the air. Something will certainly work for everyone who sees this movie, however only some will find all of these mixed aspects pleasurable when placed together as they have been here. This movie definitely employs major style, both in its shoot-outs and visual style. In parts of this film, the color has been diluted so much that it appears more or less selectively colored, such as in Sin City but not so much so. This will work for noir fans as well as those who find this bold style innovative and original, but others will find that it contributes more-so merely to the grim nature of this movie. The shoot-outs, undeniably are the best part of this movie and is all you desire is some good action then this movie fills that desire well. While this movie prefers darkness over fun, the stylistic and violent gunfights as well as the dark style will appeal to many, as it has to me. 7/10
क्या आपको पता है
- ट्रिवियाThis movie, like A Fistful of Dollars (1964), is a retelling of the story in Yôjinbô (1961), which is itself based on Dashiell Hammett's 1927 novel "Red Harvest".
- गूफ़Smith carries two Colt 45. s that hold 7+1 rounds or 14+2 rounds. Smith fires way more bullets than that.
- भाव
Capt. Tom Pickett: Things in this town are out of control. Two gangs is just one too many. I'm not an idealist. I know a lot of things that people do are awful low, but that's between them and God. Do you believe in God? I believe in God, son. But what I'm concerned with is keeping a lid on things, and what we got here in Jericho is just way out of hand, and Sheriff Galt here can't do much about it, right? Matter of fact, it might be fair to say that he's part of the problem, right? Now you been going back and forth playing both sides according to Mr. Galt, here, making yourself a lot of money out of all this. Well, it's over, son. I'm coming back here in ten days, and I'm gonna bring about 20 rangers with me. I will tolerate one gang because that is the nature of things. A certain amount of corruption is inevitable. But if I find two gangs here when I get back, then in a couple of hours there will be no gangs here. So it's simple. One gang quits and goes home. You boys work it out. I don't give a damn which one.
John Smith: Just so long as one side leaves or maybe one side loses.
Capt. Tom Pickett: That's fine, too, son. Kill as many as you want. Just don't kill no innocent people around here. I wouldn't like that.
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Last Man Standing
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $6,70,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,81,15,927
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $70,10,333
- 22 सित॰ 1996
- दुनिया भर में सकल
- $4,72,67,001
- चलने की अवधि
- 1 घं 41 मि(101 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1