The Last Days of Frankie the Fly

This movie definitely got the blues. I was really pleased by the sophisticated balance of humour and tragedy, not quite common for a Hollywood Film. Except the last minutes, that's where Hollywood returns, always the game err the same - what a pity. Do yourself a favour and switch it off when the girl sits in front of the TV. Then it's an 8 out of 10.

THE LAST DAYS OF FRANKIE THE FLY is an entertaining film . It`s by no means a classic but everyone plays their parts well enough especially Michael Madsen and I`m somewhat surprised as to why it went straight to video . Think about it for a moment if Martin Scorsese had directed this instead of Peter Markle it`d be called a brilliant romantic comedy thriller , and it does have an extremely Scorsese feel to it . Watch it and you`ll see what I mean

Frankie ‘The Fly' (Dennis Hopper) has decided he had enough that everyone calls him ‘The Fly' since the day Sal (Michael Madsen), his boss, humiliated the porn actress he's in love with. At the same time, Sal blinds Joey (Kiefer Sutherland) in one eye, a small porn films director who's tried to rip Sal off. Afterwards Frankie asks Joey to film him killing Sal, in order to be avenged and by the same way make a good «snuff movie»…

The screenplay of this excellent movie («Frankie», not the snuff !), indeed quite more tricky than this brief summary, don't miss to be striking and reminds us Gary Felder's cruelty in «Things to do in Denver when you're dead», or even the gangsters little stories in «Pulp Fiction». You must see Frankie now playing it «cool-styled» with his sunglasses, his three-piece suit and his sports car, now being totally old-fashioned when he bluntly barks at his car parker because he's driving too fast.

But besides, Frankie is an engaging character. He can fairly well talk to girls but he's rather wimpy when Sal or one of his henchmen totally ticks him off !

Michael Madsen («Kill me Again» ; «Reservoir dogs») takes himself very seriously in his little mafioso part. I enjoyed one of my favorite actors once again ! For once, Kiefer Sutherland doesn't play a too twisted character like in «Freeway» or «Truth or Consequences, N.M.». As for Dennis Hopper, he has already become a legend since «Easy Rider» and later, «Blue Velvet» and `Texas Chainsaw Massacre 2'…

The dialogs have got a black sense of humor and even sometimes a particular subtlety. I just love the original soundtrack, the songs fit very well to the sequences. So, I recommend this terrific movie to crime films and black humor fans.

Casually violent "crime comedy" about a verbally abused small-time "errand man" who decides he can't take it anymore, and plots an elaborate revenge against his boss, a sadistic gangster. Michael Madsen does what he does best (looking cool and being baaaaad) and Kiefer Sutherland is amusing as a desperate porn director, but Dennis Hopper is fatally miscast as the criminal with a heart of gold: hey, casting director, Hopper never begs for respect - he demands it, and makes life miserable for anyone who doesn't play along. The film is not without its moments, but the story (low-lifes looking to "get out" and "start over") is one big cliche from start to finish. (**)

This is a little off-beat gem as it deals with all of the dark issues about the mob but never in a heart attack manner. It is a comedy & to my mind better written that a lot of them. A good cast plus a good plot equals a better than you think movie. Dennis Hopper delivers one of his most effective performances in this made for video film. This isn't the Godfather or Thief. It is the Godfather on gas. A funny quirky story, with a bit of heart in it. Think of a more serious 8 Heads in a Duffle Bag. So it's not exactly noir per se, but on the other hand it's decent. Hopper falls in love with Hannah, who's a lot more intelligent than the typical porn actress, constantly berated by Sutherland, who's a gambling addict, in hock to Sal (Madsen) to the tune of more than 100 G's. Hopper agrees to place some bets for Sutherland at the track provided that Hopper can write and direct a film for Hannah. Sal complicates things by being brutal and nasty, ably abetted by his henchman Vic, played by Damon Callie, who also wrote the script. OK, sure, this is not a cinematic masterpiece. The most fun is watching the four leads do their thing; especially in the early part of the film, Sutherland is hilarious with his rapid fire sarcastic jabs.

The performances are what saves the film. Madsen actually acts rather than rely on tough guy bravado, Sutherland overacts shamelessly but is still entertaining, Hannah makes Margaret sympathetic and she looks great dolled up as Bettie Page. This is Hopper's movie though and he's excellent. For years he's made crap films that demand nothing more of him than to redo his crazy 'Blue Velvet' performance but here he plays it scared and sensitive. It's a very impressive performance. A must see for Hopper fans and worth a look for fans of Hannah, Madsen, or Sutherland.

Overall rating: 7 out of 10.