Hype!

This movie establishes two things: 1. Seattle has a great music scene. 2. So does every other large city. 2 and a half. Eventually the media finds you and ruins you.

The events that went down in Seattle are nothing new and nothing old. Left to develop itself any local music scene will mature into something great. Whether or not the press/industry discovers this and shows up to suck the life out of it is up to fate. Hype! is a snapshot of money finding talent. The results range from crappy albums to suicide.

What this film does accomplish is to procure a reaction of artists caught in the overwhelming process of being found. Suddenly you are being offered loads of cash to do the same thing you've been doing for years, or even decades, for next to nothing. This changes your output - you stop playing to the crowd and start playing to the money. The interviewees in Hype! recognize this and speak to it. This is where the movie succeeds. The musicians see what is happening for what it is and call it out. What they fail to do is reject it, but at least they leave a document for the next generation.

At the end of the film there is a warning: Your town is next. Will the next town take the advice?

If you were above a certain age when the "Seattle sound" or "grunge rock" became the rage, HYPE! is a good place to catch up. I can't think of a single feature film that has concert performances from so many bands. Most songs are shown as excerpts rather than in full-length, but the clips are lengthy, and the musicians are shown in prolonged shots without the irritating frenetic cuts favored by post-MTV film editors. The concert footage has more the flavor of the 60's than the 90's. Although grunge rock was the signature of Generation X, both older and younger rock music fans will likely enjoy it.

Most of the interview material will be best appreciated by fans of the genre. Other viewers will find that, away from the stage and their instruments, grunge rockers are no wittier or more entertaining than the musicians who preceded them.

An incredible reminder of the intense, passionate, and powerful grunge movement from the late 80s through the mid 90s. A wonderful 1996 surprise for any rock lover, but especially those loyal to the genre itself. The honest and direct interviews, commentaries, and live performances provide inspiration to all open to hear what the fuss (or should I say fuzz?) was all about.

It's my hope that future musicians who are trying to make real music as opposed to Spice Girls pap and that ilk will look at this documentary and try not to make the same mistakes, and allow the hype to overwhelm what could have been a real musical revolution. The high points (or low points, depending on your point of view) are the Muzak version of "Smells Like Teen Spirit" and when the ex-Sub Pop employee made up "grunge" terms that The New York Times printed as gospel. I wish this had acknowledged earlier Seattle musicians like Hendrix and Heart, and tried to answer whether the Nirvana-Pearl Jam feud was real or just part of the hype, but otherwise, this is an important cautionary tale, and it's also fun and informative. Oh yeah, and the music is great too.

This film documents what was is referred to as the "Grunge", or "Seattle scene". It goes into depth exploring the tools the media, and corporations used to exploit and market this scene.

It goes back to the roots of grunge siting such bands as Skin Yard, Green River, and Mudhoney. One great thing about this film is the soundtrack. It's the best soundtrack since "Singles". It features The Gits, Mudhoney, Green River, The Fastbacks, etc.

Watch this film. Watch live performances, interviews with SoundGarden, Pearl Jam, etc.