Hustler White

I stumbled across this film at the media center in my college where I was doing research for a paper on prostitution and the description of this film made it sound like a documentary on homosexual hustlers in west Hollywood. This movie was not what I expected but it was quite an experience. I can't say that I liked this movie but I'll never forget it, as certain images from it are stuck in my head forever. There isn't much plot beyond the story of an annoying German queen (played by the director) who is obsessed with a is-he-or-isn't-he-gay street hustler. I thought Tony Ward, as the hustler, was particularly unattractive, as there's no way I would ever pay to have sex with him. As a matter of fact, except for the cute bald guy who gets mummified and the blond porn star who gets gang banged, I thought all the guys in this movie were average looking at best. So, basically the most enlightening thing that I derived from this movie is that I'm just as good-looking as the guys who work the corner of Santa Monica boulevard. I just might give this street hustling thing a shot. Anyway, like I said there is some mummification, a gang bang, as well as bondage and an incredible scene of amputee gay sex, which is the most explicit I've ever seen. This scene, in particular, for better or worse will stay with me forever. Also, the kissing scene between Ward and the German guy really gave me the creeps. Don't get me wrong, I'm not homophobic and I like to see two guys kiss as much as any other red-blooded American boy but not these two...it really made me sick. In all, this flick is definitely worth a look, unless you're easily offended, and you'll certainly never forget it.

A lot of irony in this film. A pretentious reviewer could probably come up with some references to Derrida and self-deconstruction and how the ridicule the film got for the effeminate character who wishes to make a documentary of hustling in LA is a way of undermining the film itself, which indeed is something of a documentary of hustling in LA.

It got some nice and crazy sex scenes, which are important.

The overall feeling I have of the film is that it is like an artistic natural documentary, where the sad events, painful human conditions are like facts of nature, to be viewed, maybe briefly analyzed, but ultimately they are there and can't be changed. The story of "piglet" is like the bad consciousness of the film, however, the one condition where the film can't help but take sides.

I have seen this film twice and each time see different elements. The film is a 'shocker' not a family film. Graphic S&M, sexual, playful, obscene, realistic and just outrageous. For mature audiences with an open mind. The story starts by bouncing around Hollywood, looking into the encounters of other hustlers and later as the two main characters develop, finishes in a love story. Tony Ward (long time model in magazine & music video) is portrayed as La Bruce's obsession which might have a tragic ending? you'll have to see for yourself!

I wanted to dislike this more than I did, but against my will, after a while I began to sort of like it. It's still bad, but it's not offensive the way it seems like it will be from the opening. For a movie about hustling, with a few real-life gay porn stars thrown in for good measure, it isn't really smutty or gross -- it's having far too much fun with its own genre-hopping and movie-referencing for that. At the beginning it feels like it's going to be a lot more pornographic than it is -- that it so say, disgusting as opposed to sexy; however, there are a few sexy scenes -- there's a boots and leather porn shoot that's pretty erotic, as is the scene where a row of black men take turns with a blond muscle boy (and there are a lot of hustlers in short shorts, if that's your thing). There's a briefly touched-upon theme with a skinhead who wants to kiss, the notion of closeness vs. sex and if the two are compatible, that could have been elaborated on to give the film some weight, but it's not dealt with effectively; it's mainly there as a stupid joke. Most of the jokes are stupid, especially the recurring "Anger...any relation to Kenneth?" bit. (I love the movie's tagline, though.)

The editing is a particular flaw -- it's in your face and has no rhythm, and it makes the film seem more cheap than the subject matter already suggests. That cheapness may be part of LaBruce's intention (the amateurish acting would seem to say so), but it's still childish regardless -- a scene where someone repeatedly runs over a guy with his car is flat and unfunny. There's narration where Castro is talking to us, and it's completely phony-sounding -- the movie is fake everything. Again, I think that must be the point. (The film's overall reason for existence seems geared toward a scene where LaBruce gets to suck face with a hustler.) The best scene in the movie is that with Castro and a baby in the bathtub, a scene that is essentially a rip-off (or homage) to "Flesh." 6/10

A good effort from La Bruce as a director, if not as an actor. In fact the major drawback in the film is the dreadful 'acting'. Here I am Bruce! I'm a good actor (so I've been told anyway) and I'm gay! One of the major drawbacks of gay films in this ilk is the acting. So I'm not good-looking. Hey, we can't all be! Anyway, aside from a few sick, sleazy moments designed to shock (but are mostly just boring), this is a much better effort than his earlier films. Maybe because he had a collaborator this time?