फ्लाय अवे होम

Amy Alden (Anna Paquin) survives a car crash where her mother is killed. She leaves New Zealand to live with her father Thomas (Jeff Daniels) in his ramshackle house in Ontario, Canada. She has no memories of her Canadian home and feels isolated. He's an eccentric inventor artist who flies his homemade glider. Susan Barnes (Dana Delany) is his girlfriend. After a land developer tears down some trees, Amy finds an abandoned nest of goose eggs. She raises the chicks but when the time comes, she has to teach them to fly south.

This is a fine family movie. Anna Paquin is adorable and so are the chicks. The story is gentle feel good. Jeff Daniels is great as the eccentric dad. There is a real free feeling that comes from watching people run around with these geese. There is a minor drama with a wildlife officer and a main one with a land developer. In the end, the drama isn't too high but it's good for the whole family.

WARNING: This review may reveal portions of the movie plot.

If you want to just lose yourself in a story that is sweet and uplifting, then this is the movie for you. I was surprised at how efficiently this movie drew me in, but then again I'm a big softie at heart. I started watching this movie late one night and didn't want to stop -- so I didn't!

The movie concerns a young girl who goes to live with her father after her mother is killed in a car accident. Dad and Mom divorced many years before and live on opposite sides of the world -- Canada and New Zealand -- so she doesn't know Dad very well.

Jeff Bridges plays the father in this film and does it incredibly well. He's an artist who is just a little bit quirky, a big believer in following your dreams, and desperately trying to capture the love for his daughter that he regrets having lost in the divorce years before. Anna Paquin as his 13-year old daughter is wonderful -- how do young kids act so well??? -- as she learns to grieve for her mother, find a new life in a new country, and love and trust a father whom she has barely known most of her life.

The supporting cast shines as well, in most cases. Most notably is Terry Kinney as Daniels brother and the young girls uncle. He's the kind of uncle everyone wants to have around, although when he falls asleep while babysitting and Paquin's character disappears, he doesn't seem very responsible. He becomes a bit of a scene stealer though as the movie progresses. He has one of the best lines in the film when he tries to convince a U.S. border-patrol agent that he needs dozens of gallons of gas to go camping for his portable generator to run his blender and TV. "Nothing like camping in the middle of no where with your VCR, a good movie, and a pina colada."

Dana Delany (of TV's "China Beach" fame) plays Daniels sometimes live-in girlfriend and seems to be the only actor who doesn't really stretch in this part. I don't believe this is Delany's fault, however. This story is primarily about the father-daughter relationship, and Delany's part suffers as a result. Most scenes are supportive and don't really give her a chance to shine.

The story is well written with a combination of genuine emotion, without becoming overly sappy. Yes, the film is sweet, but not sickeningly so. When the credits began to roll at the end of this movie, the first thing I thought of way, "How could this have gotten a PG rating?" I *literally* heard one four-letter word in the entire film, and that is said under the breath so that I wasn't even sure I heard it. There is one reference to sex outside marriage, and a car accident at the beginning of the film. That's it. Parents, you can show this to young children without any real concern. My suggestion: Watch the first 5 minutes of the film and if you decide your children can handle the opening sequence of a car crash, then there probably is nothing else in the film that should be a problem (in my opinion!)

I watched this movie when I was really young. It has some powerful magic and beautiful cinematography. Really go and see it if you haven't seen it!

This is poetic, emotional, breathtaking film-making blessed with a truly inspiring Mark Isham score. The theme song, "10,000 Miles", is achingly beautiful and is first used with intuitive irony over the film's opening credit sequence.

Anna Paquin is the little girl who, with her father, Jeff Daniels, "imprints" with a flock of young geese and leads them, via homemade aircraft, to a new home thousands of miles away.

The flight sequences, which combine real flying with computer-assisted imagery over rivers, pastures and cityscapes, are flawless. They capture the awe and staggering thrill of flight without ever resorting to unnecessary, contrived stuntwork.

Daniels, not a regular face on the silver screen these days, is natural and likable as Paquin's eccentric father while Paquin once again demonstrates what a brilliant talent she is.

The narrative builds to an exciting conclusion as the film's environmental theme is amplified.

Director Ballard, who also made the striking BLACK STALLION and the stark NEVER CRY WOLF, brings acute visual economy to every scene and never allows the film's underlying theme to become preachy.

Caleb Deschanel, the film's cinematographer, gives us flawless images that frequently drop the jaw.

A major achievement in a minor key.

The greatest challenge any of us will ever face is how to regain the ability to reach for joy after the loss of a loved one. Especially, when that loss is abrupt and occurs at an age before one has developed the capacities to manage it. That is the over-arching and powerful theme that "Fly Away Home" manages to evoke so beautifully.

It's difficult to pin-point which of the masterfully developed elements of filmmaking that make this movie such a joy to watch again and again. But, surely, it all comes down to the great story-telling ability of Mr. Carol Ballard. Everything is harnessed to tell the story (a basic element of drama surprisingly ignored these days in Hollywood) of a girl who loses her mother at a critical point in her life, and has to find a way to the rest of her life, while reeling from the trauma and uncertain of how to survive her grief.

The discovery of an abandoned nest of Canadian geese eggs is the simple overlaying metaphor that takes us on her journey. The great difference between this movie and other movies of its type is that Mr. Ballard resists the temptation to explicate the transcendent story of Amy's emotional triumph over her loss and grief. Simply put, the story is about the geese, but it's really about Amy's recovery and reconnection with her future, with her life, though there isn't one line of dialogue explaining that to the viewer. It seeps out of the story through the masterful, chekovian performances of Anna Paquin as Amy and Jeff Daniels as her father. This theme is supported with such unerring consistency in the music (Mark Isham at his most sublime), the cinematography, editing, lighting, art direction and casting. All of the casting is just perfect. Especially in the sense that none of the actors ever seem to be pulling anything out of their "bag of tricks" or doing some bit you've seen them do before. The quality of the work is such that much of the dialogue in the movie seems spontaneous and almost ad libbed. The final sequence is a thing of sublime, subtly powerful beauty that is rarely seen in movies these days. A powerful, wordless climax. Something that happens so effortlessly, because the story that comes before has been told so completely and with such skill. I cry every time I watch it.

Thank you, Carol Ballard, for this beautiful gift of compassion and belief.

Note: Did Anna Paquin actually move from little girl to adolescent in the course of making this movie, or is it more of the master magicianry of Carol Ballard and his team?