A Family Thing

Any movie about racial matters is bound to be difficult to tackle by anyone with scruples and integrity. For those who can deftly deal with the issue and make a quality movie: my hat's off to them. "A Family Thing" is a quality movie.

Earl Pilcher, Jr. (Robert Duvall), an old white Arkansan finds out that his real mother was not the old white woman who raised him and who just passed away, but a Black woman his father had an illicit relationship with. This news rocked his genteel Southern world. He grew up a proud white Southern man who referred to Blacks as N-words. Now he has to confront the fact that A.) his father was a philanderer and B.) he was half Black. He now wanted to find his real brother, Ray Murdock (James Earl Jones), thereby fulfilling his adopted mother's wish and satisfying his own curiosity

It wasn't a felicitous reunion between the two of them. There was some serious bitterness: Earl because he had to face the fact he wasn't white (or at least all white) and Ray because he saw Earl's father as the cause of his mother's death.

This was a well written and finely acted drama. Billy Bob Thornton's first screenplay, "One False Move," was a good debut. "A Family Thing" is even better.

A Family Thing is a drama about a Southen man (Duvall) who's mother reveals on her deathbed that he was not her child. Rather he was the result of a forced encounter between his father and the black help. In order to keep a promise Duvall sets off to find his half-brother (Earl-Jones).

Although the story seems to be about race - it's main theme is one of forgiveness and acceptance of others, with race being one of the barriers to break down.

All the characters have their own barriers to overcome - Duvall has to confront the fact that he is not white, Earl-Jones has to deal with his hatred of past events and Michael Beach has to come to terms with missing out on pro-football and the breakup of his marriage. Only the sagely aunt T. (Irma P. Hall) has the ability to accept everyone for whom they are - partly due to being blind "and not being able to judge folks on what they look like".

It's not an earth shattering piece of story telling and at times doesn't seem to have a consistent flow to it but it held my attention throughout and was actually quite rewarding.

It's all a bit tidy (in real life, nothing gets sorted this easy), but it definately makes you think.

Another delightful collaboration of Robert Duvall and Billy Bob Thornton. How refreshing it is to be treated to non-Hollywood type characters that the viewer can identify with. Jones and Duvall are splendid, but like another reviewer says, the show stealer is Irma P. Hall.

I like Robert Duvall. He has made some great films over the years - A Civil Action, The Apostle, Tender Mercies, The Great Santini, Apocalypse Now and the Godfather, to name a few. Even his small films are great, like Assassination Tango.

This film, co-written by Billy Bob Thornton, is a gem that shines in a sea of excellence. The discovery that his real mother was black, was a shock to Earl Pilcher Jr. (Duvall), and he heads off from Arkansas to Chicago to find his brother Ray, played by James Earl Jones, another great actor known by most people as Darth Vader.

Ray already knows everything and is not anxious to revive old memories. The interaction between the two is mesmerizing and funny. It is what movies are all about.

Irma P. Hall (The Ladykillers, A Lesson Before Dying) is captivating as Aunt T. and has some of the best lines in the film. It is worth your time just to see her.

What a memorable experience!

Irma P. Hall should have won the Oscar for this performance. I can't believe she wasn't even nominated. Duvall and Jones were also wonderful. An actor's treat!