कैरन मैककैन (सैली फील्ड) का व्यवस्थित जीवन बिखर जाता है जब एक अजनबी उसके घर में घुस आता है और उसकी 17-साल की- बेटी की हत्या कर देता है. पर दहशत और मातम गुस्से और अविश्वास में बदल जाता है जब ... सभी पढ़ेंकैरन मैककैन (सैली फील्ड) का व्यवस्थित जीवन बिखर जाता है जब एक अजनबी उसके घर में घुस आता है और उसकी 17-साल की- बेटी की हत्या कर देता है. पर दहशत और मातम गुस्से और अविश्वास में बदल जाता है जब हत्यारा (सदरलैंड) कानूनी बारीकियों पर रिहा हो जाता है.कैरन मैककैन (सैली फील्ड) का व्यवस्थित जीवन बिखर जाता है जब एक अजनबी उसके घर में घुस आता है और उसकी 17-साल की- बेटी की हत्या कर देता है. पर दहशत और मातम गुस्से और अविश्वास में बदल जाता है जब हत्यारा (सदरलैंड) कानूनी बारीकियों पर रिहा हो जाता है.
- निर्देशक
- लेखक
- स्टार
- Susan Juke
- (as Natalia Nogulich)
सारांश
फ़ीचर्ड समीक्षाएं
Almost everyone loves a revenge story and that, of course, is what this movie is, pure and simple: kind of a female "Death Wish."
As for the characters, Sutherland is "over the top" with his guy - way, way past despicable, so ridiculously bad and evil you might even laugh.
For those who picture Sally Field as "The Flying Nun," this movie will be a shock. She is anything but the sweet, wholesome-looking girl she appeared to be in so many of her films when she was younger.....or even the new TV commercials of today. Even though she has shown she can be very foul- mouthed ('m talking 'real life'), somehow seeing her portrayed here as a vigilante, doesn't ring up. Charles Bronson, yes; Sally Field, uh.....no.
Be warned: this is a tough movie in spots, especially in the beginning. It is very similar to the opening in "Death Wish," and is not for the squeamish.
This isn't a bad movie. It is extremely manipulative and has a bunch of plot holes, but if you love revenge films and don't care about particularly intelligent scripts (although the mad-as-hell mom isn't stupid in here), you can just add this one to your library. It serves its purpose of entertaining.
Kiefer Sutherland plays beyond a disgusting bad guy, a true horror. The first scene will give you nightmares. The family is planning a birthday party for the victim's sister when the rape occurs, as Field listens in her car.
Field does a tremendous job, exhibiting her pain and anger and really making the audience feel every second of her suffering.
Parts of this were very disturbing.
Sam Harris does a good job as her husband, and Joe Mantegna is effective as a frustrated police officer.
Keeps one interested.
"Eye for an Eye" is a dramatic thriller with a great story of justice and revenge. It is a shame that lawyers use breaches in the laws to defend scums like the character Robert Doob, but that is the sad reality. The praiseworthy attitude of Karen McCann is an exception but perfectly understood in the situation. The acting is excellent and the plot is timeless. My vote is seven.
Title (Brazil): "Olho por Olho" ("Eye for an Eye")
Note: On 03 September 2024, I saw this movie again.
Everything in this movie is heightened to get on the audience's nerves. It jumps quickly into the rape and murder. It's a very effective scene especially with Sally Field acting for all her worth. However every scene is pushed hard by director John Schlesinger. Kiefer is all greased up. This is not a subtle movie but it could do with some. It's unnerving but in a bad way. It takes itself very seriously which makes all the manipulations all the much harder to take.
क्या आपको पता है
- ट्रिवियाJamie Lee Curtis was originally cast as Karen McCann, but had to drop out due to scheduling conflicts with House Arrest (1996). The lead female role was in the end cast with actress Sally Field.
- गूफ़When her daughter practicing French correctly says, "Sur la table," Karen "corrects" her, insisting on, "Sur le table." This however is wrong and her daughter had been right the first time.
- भाव
Robert Doob: What are you gonna do? Shoot me?
Karen McCann: You broke into my house with the intent to do me bodily harm. The law says I have the right to protect myself.
Robert Doob: What? You want me to say I'm sorry? It could have been anybody. I don't even remember what she looked like. It's nothing personal.
Karen McCann: She was seventeen years old. She was five-foot two. She had brown eyes. Her name was Julie. She was my daughter.
Robert Doob: She was a great f-f-f-fuck.
- कनेक्शनFeatured in Siskel & Ebert & the Movies: Memo to the Academy - 1996 (1996)
- साउंडट्रैकShining Road
Written by A. Shaw/J. Shaw
Performed by Cranes
Courtesy of Dedicated/Artista Records, inc.
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Ojo por ojo
- फ़िल्माने की जगहें
- Rosslyn Hotel - 451 S Main St, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(El Dorado Hotel . Exteriors.)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $2,68,77,589
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $69,68,044
- 14 जन॰ 1996
- दुनिया भर में सकल
- $2,68,77,589
- चलने की अवधि
- 1 घं 41 मि(101 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1