Evita

Surely Madonna was made for this role, that of Eva Duarte de Peron, a young girl from the country who rises to the top with a combination of brains, wits, political savvy and sexuality. Sure she used men to attain her dreams, but what was a girl to do in 1930s-40s Argentina? Antonio Banderas is superb as Che, the "narrator" critic, perhaps the soul of the Argentinian peasants. Banderas' background is stage musicals, and he matches Madonna in every way. Jonathan Pryce is also excellent in his role as the dictator who rises to power only with the talents of Eva. This is not your ordinary musical. Almost every word is sung, as in opera, and the whole thing works. Andrew Lloyd Webber proves himself again a master tunesmith. Besides "Don't cry for me Argentina," all the other songs (if you can call them that) are beautiful, ranging from sweet ballads to waltz and rock. The film is lavish in breadth and depth, with thousands of extras just like the old Hollywood spectaculars. No f/x here, but real people. The cinematography is also superb. This is truly a triumph, a glorious experience, totally unique in film. Highly recommended. *****

a surprising film. for the recreation of an image in each detail. for the flavor of great musicals. for Madona and her impressive work. for Jonathan Pryce. and for Banderas. it is a melodramatic story, remembering, in the same measure, the soap operas and the propaganda about Evita. but it is a film who descend from a musical. and this explains everything - the side of fairy tale, the love story, the chance to become, for many viewers, the film of a song. this is all.

"Evita" is an opera, albeit a rock opera, in the true sense of the word -- there can't be fifty words of spoken dialogue in the entire movie. Music drama is a highly stylized form, which admittedly is not everyone's cup of tea. Perhaps that is why the overall rating given the film by IMDb voters, 6.3 out of 10, is as low as it is. To those of us who like the operatic form, though, this is an outstanding film, beautiful to look at, well acted, and most importantly well sung. The only weakness I found was the one that inheres in every Andrew Lloyd Webber piece: too much recycling of too few musical themes over two-plus hours. Nevertheless, Tim Rice's lyrics are wonderful, they are consistently inventive and drive the story. Madonna was good in the title role but Antonio Banderas's performance as Ché was great, both dramatically and musically. "Evita" is highly recommended, 8 out of 10.

As a person who is not a big fan of movie musicals, I was thoroughly impressed by the magnificent performance of Madonna playing the title role and singing the immortal hit "Don't cry for me Argentina." Jonathan Pryce and Antonio Banderas were also spectacular in their respective roles.(p)

Andrew Lloyd Weber's musical genius is captured in this touching and historic portrayal of the life of Argentine First Lady Eva Peron. A peasant girl who used her charms and elegance as an aspiring entertainer and rises to become the wife of Argentina's most powerful politician is sequentially presented with song and dance that only a masterful musical producer such as Weber could create.(p)

I highly recommend this movie to anyone interested in learning about the life of an important poltical figure of the twentieth century and being delightfully entertained at the same.

I used to think that there were a couple of absolutes in this world other than the standard issue ones. One is that I will always hate Andrew Lloyd Webber and another is that Madonna will never be a good actress. After seeing Alan Parker's 1996 musical "Evita" however, starring Madonna and featuring the music of Andrew Lloyd Webber, I have had to amend those two statements slightly.

"Evita" tells the true story of Eva Peron, the wife of Argentina's former president (and dictator) Juan Peron. In a story that was ready-made for Hollywood, she started out as the illegitimate and poor daughter of a man who dies when she is very young, sleeps with a mediocre nightclub singer at the age of 15 in order to gain passage to Buenos Aires, and from there begins her struggle to reach whatever achievements her ambitions require (which is a lot). Using her body to gain important friends (because, frankly, she didn't have any acting talent) she becomes an actress and radio star before she meets Juan Peron, at the time, an up and coming politician. They get married and the two work to get him elected as the president of Argentina on the platform that "they are workers too". When he is elected, Evita's popularity grows even more, to the point where her dreams of becoming the vice president of the country could be realized, until she is stricken with cancer and dies, essentially with the image of a saint, at the age of 32.

"Evita" is a gorgeous, lush film, full of thousands of extras, great location scenes and features a very talented cast. It acts almost as an incredibly big budgeted and elaborate music video, mainly because it features almost constant singing, and well, it stars one of the most visible music video stars of all time. Madonna finally found her part in this film, and no, it wasn't just easier because she didn't have a lot of speaking lines. It is clear that not only did she take voice lessons (which actually is true) because her voice quality was better than "normal", and has stayed that way since the making of this film, but she was able to knock off some decent dramatic moments. Banderas, though he spent a lot of the film looking pretty furious with the camera, doesn't have to prove any acting mettle (anyone who has seen him in an Almodovar film can attest to this) but did come up with a surprisingly good singing voice. Jonathan Pryce, who was curiously cast as Peron also did a good job, though his part was fairly minor, and even at that he was relegated to giving Evita a lot of loving looks. All in all, however, the slick production, some catchy music (I cannot believe I am actually saying that I actually really like a film featuring the music of the insipid, mainstream, gnome-like Webber) that is good enough to listen to extra-curricularly and performances that weren't bad made for a pretty good and very entertaining viewing.

Don't get me wrong – there are more than a few eye-rolling moments in "Evita", but the good definitely outweighs the bad, exponentially. The story, while coherent, was pretty mediocre, and I found that I felt that there were some things that were glossed over or trivialized with a cute musical number. Admittedly, however, this IS a musical and you don't sign up for a hard-hitting knowledge fest when you watch one. This wasn't the first time I had seen this film, and yet I still end up getting so wrapped up in the action that I end up bawling a couple of times, and this viewing was no exception. More importantly, though, I didn't feel like a doofus when I recommended it as a movie that three guys and I should watch together, because while it's slick and a musical, (and therefore, traditionally, a chick film) there's enough compelling elements to the film that will keep some guys happy as well. Good job, Parker and thanks a lot for blowing two of the absolutes I normally stand by. 6/10 --Shelly