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आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThe newly-regenerated Doctor takes on the Master on the turn of the millennium, 31 December 1999.The newly-regenerated Doctor takes on the Master on the turn of the millennium, 31 December 1999.The newly-regenerated Doctor takes on the Master on the turn of the millennium, 31 December 1999.
- पुरस्कार
- 1 जीत और कुल 1 नामांकन
Catherine Lough Haggquist
- Wheeler
- (as Catherine Lough)
Will Sasso
- Pete
- (as William Sasso)
David Hurtubise
- Professor Wagg
- (as Dave Hurtubise)
फ़ीचर्ड समीक्षाएं
This attempted pilot for a new Doctor Who series may have faults but I think some of the criticism is off-base. The original Doctor Who series was never a slave to realism or it's own continuity the way shows like Star Trek or The X-Files were. It was more like a long-running comic strip with it's light "who cares about obsessive fan-boys and fan-girls" approach. This show always played fast and loose with it's own continuity and often contradicted what had gone before for the sake of the present story being aired. So many fans went bananas over things like the Doctor being half-human and the Eye of Harmony being on board the Tardis and the Master being able to slither around in that black snake form to find a new host body or why he was put on trial by the Daleks. For a show that always pretty much made it up as it went along that's a waste of time. I've got some random thoughts to throw out about this attempt to revive the series.
As for the Doctor being half-human I'll repeat my remark about this show making it up as it went along. From what I recall the show was on the air for years before it even established that he was a Time Lord so a sudden revelation about a half-human heritage isn't as way out as it first seems.
My view on the Master being able to slither around in snake form is also to repeat that this show was never a slave to it's own continuity. I'd like every Dr Who fan who can't sleep at night fretting over this bit to explain to me what the White Form in the story where Tom Baker regenerated into Peter Davison was and why the other regeneration scenes took place without such a White Form "merging" with the Doctor.
As for why the Eye of Harmony was on board the Tardis I'll say that if a new Doctor Who series had resulted from this pilot movie they could have done a flashback story at some point featuring Sylvester McCoy's Doctor and explained all that.
I thought the Master being put on trial by the Daleks was kind of cool - sort of like they were saying "This guy is so evil even the Daleks are outraged!" If a new series had resulted they could have done another Sylvester McCoy flashback story at some point to explain what led up to the Master being put on trial by the Daleks. Maybe he tried to take over Skaro and turn all the Daleks into his own personal hit-squad or some other nonsense.
Sylvester McCoy was pretty cool for agreeing to appear in this movie to give the potential new Doctor Who series a legitimate link to the original British show. The poor guy had to come in with a lame regeneration scene and went out the same way and the effort was for nothing since the show's own fans turned up their noses at this film and the new series was never given a chance. A new Doctor Who series that didn't live up to the continuity geeks' vision of the show would have been better than no Doctor Who series at all. Just another example of the down-side to cult shows.
As for the Doctor being half-human I'll repeat my remark about this show making it up as it went along. From what I recall the show was on the air for years before it even established that he was a Time Lord so a sudden revelation about a half-human heritage isn't as way out as it first seems.
My view on the Master being able to slither around in snake form is also to repeat that this show was never a slave to it's own continuity. I'd like every Dr Who fan who can't sleep at night fretting over this bit to explain to me what the White Form in the story where Tom Baker regenerated into Peter Davison was and why the other regeneration scenes took place without such a White Form "merging" with the Doctor.
As for why the Eye of Harmony was on board the Tardis I'll say that if a new Doctor Who series had resulted from this pilot movie they could have done a flashback story at some point featuring Sylvester McCoy's Doctor and explained all that.
I thought the Master being put on trial by the Daleks was kind of cool - sort of like they were saying "This guy is so evil even the Daleks are outraged!" If a new series had resulted they could have done another Sylvester McCoy flashback story at some point to explain what led up to the Master being put on trial by the Daleks. Maybe he tried to take over Skaro and turn all the Daleks into his own personal hit-squad or some other nonsense.
Sylvester McCoy was pretty cool for agreeing to appear in this movie to give the potential new Doctor Who series a legitimate link to the original British show. The poor guy had to come in with a lame regeneration scene and went out the same way and the effort was for nothing since the show's own fans turned up their noses at this film and the new series was never given a chance. A new Doctor Who series that didn't live up to the continuity geeks' vision of the show would have been better than no Doctor Who series at all. Just another example of the down-side to cult shows.
Just suppose the film had been a reasonable success and maybe gained 10 million viewers in the United States, not that I agreed at all with a US co-production. £3.3 m is not a lot of money, even in 1996 for the BBC themselves to fork out.
According to Bidding Adeau, there would have been at least 6 other films. Perhaps the next set in the future on a space station penned by Terry Nation? Maybe another with The Cybermen and one with the Daleks?
I think if the TV series in 2005 works. There should be in parallel like DS9 ran along with Voyager, there should be an attempt to fill the gaps without running into Attack of the Cybermen syndrome. Maybe a few McGann films to see what happens between him and Christopher Eccleston's first appearance.
The half-human thing and kiss can be all but forgotten. A new TARDIS set.
If anything I would like to see more of McGann's Doctor. In that rape programme Lying he looked fantastic, still young enough.
According to Bidding Adeau, there would have been at least 6 other films. Perhaps the next set in the future on a space station penned by Terry Nation? Maybe another with The Cybermen and one with the Daleks?
I think if the TV series in 2005 works. There should be in parallel like DS9 ran along with Voyager, there should be an attempt to fill the gaps without running into Attack of the Cybermen syndrome. Maybe a few McGann films to see what happens between him and Christopher Eccleston's first appearance.
The half-human thing and kiss can be all but forgotten. A new TARDIS set.
If anything I would like to see more of McGann's Doctor. In that rape programme Lying he looked fantastic, still young enough.
It is now twenty years since the US/UK co-production of Doctor Who: The Movie was broadcast. Shown seven years after the cancellation of the television series and nine years before the relaunched series with Christopher Eccleston.
It was the only new Who in the 1990s. It also brings a lot of ingredients that was used in the relaunched series as Russell T Davies studied what it did right and what it got wrong.
Sylvester McCoy returns as the seventh Doctor, he gets shot and after receiving botched hospital treatment, regenerates into Paul McGann's eighth doctor.
The Tardis lands in San Francisco in 1999. The Master escapes in a snakelike form from the Tardis and plans to take control of the Eye of Harmony once he has occupied the body of a paramedic (Eric Roberts).
The Doctor must find a beryllium atomic clock and stop the Master with the help of Dr Grace Holloway.
British director Geoffrey Sax made use of the higher budget with good use of special effects even though he was hampered with a reduced number of shooting days.
The Tardis is much bigger but I guess the HG Wells like interior setting does not make it look like a Gallifreyan time machine.
The visuals were grand and obviously some of the morphing techniques were inspired by films such as Terminator 2.
The casting of Paul McGann was the master stroke, with the 60 minutes screen time he had, you really felt that he was the Doctor. A Byronesque romantic (he even got to have a kiss) and man of action.
It was a shame we have seen so little of McGann's time lord apart from the mini adventure, The Night of the Doctor; although there are plenty of Eighth Doctor audio adventures.
I also liked the malevolent interpretation of the Master by Eric Roberts who really pushes up the dial with his campiness when he puts on the time lord regalia. He shifted the emphasis of the Master from the moustache twirling villain of Anthony Ainley and it has been carried on by the subsequent Master's since then, male or female.
The story was not that great, you felt it needed a bit more reworking and it had rather a lot of continuity which was fine for fans of the original show, but what about new viewers?
A point not lost in the 2005 re-continuation which started afresh and only added continuity in small measures over subsequent seasons.
Some of the elements of the television film might have introduced a few groans. The cloaking device to describe the Tardis chameleon circuit and the Doctor being half human. However it was a lot less Americanised than people feared and had it contained lots of links to the television series.
There were a segment of fans who were disappointed after this was shown in 1996. Yet the movie received very good viewing figures in the UK and two decades on it was worth revisiting McGann's outing.
It was the only new Who in the 1990s. It also brings a lot of ingredients that was used in the relaunched series as Russell T Davies studied what it did right and what it got wrong.
Sylvester McCoy returns as the seventh Doctor, he gets shot and after receiving botched hospital treatment, regenerates into Paul McGann's eighth doctor.
The Tardis lands in San Francisco in 1999. The Master escapes in a snakelike form from the Tardis and plans to take control of the Eye of Harmony once he has occupied the body of a paramedic (Eric Roberts).
The Doctor must find a beryllium atomic clock and stop the Master with the help of Dr Grace Holloway.
British director Geoffrey Sax made use of the higher budget with good use of special effects even though he was hampered with a reduced number of shooting days.
The Tardis is much bigger but I guess the HG Wells like interior setting does not make it look like a Gallifreyan time machine.
The visuals were grand and obviously some of the morphing techniques were inspired by films such as Terminator 2.
The casting of Paul McGann was the master stroke, with the 60 minutes screen time he had, you really felt that he was the Doctor. A Byronesque romantic (he even got to have a kiss) and man of action.
It was a shame we have seen so little of McGann's time lord apart from the mini adventure, The Night of the Doctor; although there are plenty of Eighth Doctor audio adventures.
I also liked the malevolent interpretation of the Master by Eric Roberts who really pushes up the dial with his campiness when he puts on the time lord regalia. He shifted the emphasis of the Master from the moustache twirling villain of Anthony Ainley and it has been carried on by the subsequent Master's since then, male or female.
The story was not that great, you felt it needed a bit more reworking and it had rather a lot of continuity which was fine for fans of the original show, but what about new viewers?
A point not lost in the 2005 re-continuation which started afresh and only added continuity in small measures over subsequent seasons.
Some of the elements of the television film might have introduced a few groans. The cloaking device to describe the Tardis chameleon circuit and the Doctor being half human. However it was a lot less Americanised than people feared and had it contained lots of links to the television series.
There were a segment of fans who were disappointed after this was shown in 1996. Yet the movie received very good viewing figures in the UK and two decades on it was worth revisiting McGann's outing.
Whenever anyone talked about the possibility of America doing "Dr. Who" (especially after BBC cancelled the show), people would joke, "Oh, right! They'd add car chases and gun fights and the Doctor would fool around with his companions!" Then they'd have a hearty laugh at these stereotypes of Hollywood, confident that they were being sarcastic and, if it ever DID happen, certainly people involved with the show would try to preserve the sensibilities of the series. That'll show 'em for over-estimating the intelligence of our media! I think America should revive the Lend-Lease Act, providing funding for any future movies but letting the Brits actually make them. In turn, the BBC should file for a gun law exemption so they can shoot any Fox producer trying to visit the set.
This is one of the most over-analyzed pieces of television ever produced. "Doctor Who" fans are such a dedicated bunch that they'll buy camcorders and film their own episodes when the show is not in production; it stands to reason that they'd pick apart the only "official" new episode produced for TV in the 1990s, but the chorus of their dissenting voices sometimes really grates on me. Thanks to all the controversy, I still can't honestly say what I think of this movie, even all these years later; every time I see it, I have a different opinion.
I'm not on board with some of the usual criticisms. I don't care about the romance (it barely features), and I don't really mind that the Doctor is half-human (it's a side issue that doesn't alter the plot, hardly worth complaining about). What I do dislike is the fast-paced, action-oriented nature of the story, which prevents character development (Chang Lee is the chief offender here) and doesn't allow any room for the Doctor to act like a detective (which is his usual schtick).
Still, good effects, a rockin' music score and some nice arty camera work elevate this far above the average TV production. Perhaps the only thing that really matters is that it's entertaining; why analyze it beyond that? The only real problem here is that the original series is, generally speaking, even more entertaining, but that's one tough act to follow!
An ex-roommate and good buddy of mine perhaps summed it up best: "That was fun, but could you put on a cheesy one now? They're more interesting." I bet her opinion of it wouldn't change on a second viewing; I, alas, am afflicted with the curse of fandom!
I'm not on board with some of the usual criticisms. I don't care about the romance (it barely features), and I don't really mind that the Doctor is half-human (it's a side issue that doesn't alter the plot, hardly worth complaining about). What I do dislike is the fast-paced, action-oriented nature of the story, which prevents character development (Chang Lee is the chief offender here) and doesn't allow any room for the Doctor to act like a detective (which is his usual schtick).
Still, good effects, a rockin' music score and some nice arty camera work elevate this far above the average TV production. Perhaps the only thing that really matters is that it's entertaining; why analyze it beyond that? The only real problem here is that the original series is, generally speaking, even more entertaining, but that's one tough act to follow!
An ex-roommate and good buddy of mine perhaps summed it up best: "That was fun, but could you put on a cheesy one now? They're more interesting." I bet her opinion of it wouldn't change on a second viewing; I, alas, am afflicted with the curse of fandom!
क्या आपको पता है
- ट्रिवियाThe UK television broadcast ended with a dedication to Jon Pertwee, the third actor to play The Doctor in Doctor Who (1963) (and one of the most popular), who had died a week earlier.
- गूफ़Despite losing all of the possessions that were on his person after being checked into the hospital, The Doctor still produces his trademark bag of jelly babies twice. Where did they come from?
- भाव
The Doctor: Wait, I remember. I'm with my father, we're lying back in the grass, it's a warm Gallifreyan night...
Grace: Gallifreyan?
The Doctor: Gallifrey. Yes, this must be where I live. Now where is that?
Grace: I've never heard of it. What do you remember?
The Doctor: A meteor storm. The sky above us was dancing with lights. Purple, green, brilliant yellow. Yes!
Grace: What?
The Doctor: These shoes. They fit perfectly!
- क्रेज़ी क्रेडिटThe UK television broadcast ended with a dedication to Jon Pertwee, the third actor to play the Doctor in Doctor Who (1963) (and one of the most popular), who had died a week earlier.
- इसके अलावा अन्य वर्जनThe version broadcast and released on video by the BBC in 1996 had the following cuts (totalling 1 min 6 secs):
- The caption "Based on the original series broadcast by the BBC" is removed, although no footage is edited.
- Chang Lee's gang firing at the departing car.
- Chang Lee's two friends being shot.
- The third and fourth gunmen aiming at Chang Lee.
- The gunmen firing at the TARDIS.
- The operating scene is heavily edited with many cuts of Grace and her attempts to retrieve the probe from the Doctor's body. The sound of the Doctor's final scream was also removed.
- A closeup of Chang Lee's neck being twisted and the sound of Bruce's wife's neck snapping. These cuts were waived for the 2001 DVD release.
- कनेक्शनEdited into Comic Relief: Doctor Who - The Curse of Fatal Death (1999)
- साउंडट्रैकIn A Dream (I Called Out Your Name)
Written by Barbara L. Jordan and William Peterkin
Performed by Pat Hodges
Courtesy of Heavy Hitters Music
Played on a grammophone when the Doctor is sitting in the lounge of his Tardis, just before the Master escaped
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रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
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- इस रूप में भी जाना जाता है
- Doctor Who: The Movie
- फ़िल्माने की जगहें
- 1988 Odgen Avenue, वैंकूवर, ब्रिटिश कोलंबिया, कनाडा(Grace's house)
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