क्रूसिबल

Based on possibly the greatest play ever written, The Crucible is a fabulous movie - it's hard to believe that it was actually distributed by 20th Century Fox, and not an independent company. Why it took so long to be adapted for the big screen is just baffling to me. Thank God that the genius behind the original text, Arthur Miller, was permitted to write the screenplay - and get an Oscar nomination for it! The cast are all to die for, with Winona Ryder proving she doesn't always have to play lovable characters like Charlotte Flax in Mermaids (1990), or Jo March in Little Women (1994) - her performance as the malicious Abigail Williams is just as outstanding. In her Oscar nominated portrayal of Elizabeth Proctor, Joan Allen leaves an indelible impression of marvellous acting. I was in tears in the scene where she and John Proctor (Daniel Day-Lewis) fall in love all over again. I sincerely hope that The Crucible will be shown in schools/colleges in years to come, to remind us of the horror that occurred in 17th century Salem. A work of cinematic genius.

"The Crucible" is slow, but it doesn't make the film bad. It is a very impressing, beautiful, well-acted and well-done film.

The story of passion, lies, madness, witchcraft and tragedy kept my attention. The adaptation of Arthur Miller's play is superb.

Joan Allen deserved her nomination for the Oscar as best supporting actress and Daniel Day-Lewis should have been nominated.

A must see.

Rating: 9/10

...And I also happen to be a very critical person of most films. With that being said, The Crucible completely blows me away with its virtually flawless cinematic achievements!

Daniel Day-Lewis is absolutely superb as John Proctor; there is no other way to put it. He is simply perfect, from his bitter, withdrawn opening few lines to when he is accused of witchcraft by his former adulterous--and scorned--lover (Winona Ryder) and begins passionately fighting for his very life and existence--and, of course, his name.

Winona Ryder turns in a beautiful performance as the disturbed and tragic Abigail Williams: a Puritain orphan raised by her super-strict, brutal, and overall villainous uncle. She becomes infatuated with John Proctor, a married man and a bit of an outcast to their society, and is willing to do anything and everything to 'obtain' him, if you will.

Joan Allen's Oscar nomination for Best Supporting Actress was not undeserved. Her portrayal of the honest and saintly Elizabeth Proctor (not fake innocence, like Abigail's) was touching and a bit heart-wrenching toward the end (won't give that away here).

It wasn't just the awesome acting that won me over, but the authentic Old English dialog, the somewhat grainy cinematography (which provided an uneasy feeling in viewing the town of Salem), and wonderful sets and costumes that really made this a classic for me, and my all-time favorite movie. Highly recommend it! A perfect 10/10!

There is nothing I like better than a good play for the stage, even when it is on screen. This is the second time I have been able to see this worthy conversion of Arthur Miller's classic play adapted to the screen. Nicholas Hytner certainly earnt his wages; and all the cast should have received a good pay-rise. Convincing scene-setting in Massachussets at the end of the 17th Century with heavy wood-framed farm buildings and typical North European immigrant peasants' clothing, all beautifully filmed. Arthur Miller himself collaborated on the script, allowing certain poetic licence in modernising some of the speech forms, which, in the original play – written around 1952-1953 – reflected speech patterns of the times.

I blow the dust off my 1973 Penguin copy of the play, and can follow some of the scenes almost verbatim. Thus the effect is dramaturgical rather than cinematographic, a little like Branaghan doing his versions of Shakespeare. A pleasing result indeed. Highly recommended for conoisseurs of fine acting in the classic sense. Neither of the two leading actors – Daniel Day-Lewis and Winona Ryder – will let you down.

The Salem Witches have been the cause of a few forays by writers, historians and so on: really the whole affair seems to typicalize people's appetites for forming psychosis-like manias, often on the grounds of nothing very concrete. I mean to say, the devil exists in the minds of those who invent it; the same cause as the `reds under the beds' phobia of the 1960s and 1970s, today transformed into `Islam Terror' around every corner. The clothing is different, but the mentality producing the phobias is not.

`The Crucible' in this excellent adaptation make this poignantly clear. My vote is slightly higher than the present IMDb average.

Sometimes, movies that are designated as "classic" suffer from a strange sort of reverse- discrimination. That's probably the reason why it took me so long to actually see this version of "The Crucible", as I thought of it as "old" or "not exciting enough". What I quickly discovered, however, is that Arthur Miller's tale here is truly one for the ages. It's a shame I waited this long to see it!

For a basic plot summary, "The Crucible" is a story set during the Salem Witch Trials of 1692. Abigail Williams (Winona Ryder) and a number of her teenaged female friends are screwing around in the woods one night (typical teenage rebellion kind of stuff) when they are discovered and charged as witches. What Abigail and the gang quickly discover is that in front of Judge Danforth (Paul Scofield), "acting the part" of witches gives them a great deal of attention and power. Things get ugly fast and pretty soon the entire community is in an uproar over who may or may not be a witch. Enter John Proctor (Daniel Day-Lewis) and wife Elizabeth (Joan Allen), a common sense-driven couple who seemingly have the best chance to put an end to this madness. Yet, with John having a shady history with Abigail, they all ended up sucked into the lies and deceit, forcing difficult choices to be made regarding character and honesty.

Not being as much of a theater enthusiast as I am of film/TV, this was just the second Arthur Miller work that I had seen ("Death of a Salesman" with Dustin Hoffman being the first). That playwright has an incredibly keen sense of universal human themes and how to manipulate them to create high drama. Though "Crucible" is set hundreds of years ago, I can confidently say that it will endure (in some form or another) for hundreds of years more. The characters, emotions, and plots feel like they could happen today or tomorrow. This film touches on such common, deep-seated issues as:

-The power of religion (both good and bad) -The effect of mass hysteria on an uneducated community -The propensity of one lie to be followed by more -The lengths humans will go (or the shortcuts we may take) to preserve our names and honor -The conflicting romantic notions of both teenagers and adults

So, despite carrying a reputation that can get a little "weighty", "The Crucible" is really quite a simple film, concocting a plausible scenario and then letting human nature take its course. I recently saw the film "The Witch", a movie that shares much in theme with this earlier effort, and feel that the two measure up to each other quite well. If you enjoyed one, I think you will feel the same for the other.

Overall, I was blown away by the simple, yet spectacular, quality of the writing and acting in "The Crucible". It will stimulate a lot of deep thought on the part of the viewer without getting overly complex or confusing. I think that there will be more Arthur Miller stories in my future!