Comment je me suis disputé... (ma vie sexuelle)

A fascinating look at a group of post-grad friends as they drink, fight and fall in love. Very philosophical men, very beautiful women (or is it vice versa?) ponder what it means to be in a relationship and approaching 30.

I can understand why a lot of people will find this film boring. It's one of the most dialogue heavy films you'll ever see and the sporadic voice-over gives us so many complex and philosophical insights into the characters that it is quite hard to digest.

Having said that, I think this a fantastic film. It is very insightful, drole and poignant- for those who've ever been in any kind of relationship (or better yet, several, simultaneously). The narrative has a funny way of leaping around at times, but generally returns to Paul- whose daily struggles with his relationships to his friends, students and fellow academics cause him a lot of grief and awkward situations. The whole film is beautifully acted, and at times the dialogue soars from scene to scene with studied eloquence. The music is also used to dramatic effect, rendering the small interior changes and developments in the characters into the life changing moments of which they are worthy. I say get this film, some cigarettes, a couple of bottles of wine and a comfy seat. You're in for a treat.

This movie is hillarious, especially to those who might be taking a good number of years to finish their dissertations. Endless hateful characters, endless fun! Both my fiance (whose favourite movies include Dumb and Dumber and Trains, Planes and Automobiles) and I (a Gone with the Wind and Dr. Zhivago type) managed to find much to laugh about here!

It's a pretty long movie, but I'm so entertained by everything in it that I don't give a damn if it all falls neatly into a precise trajectory. My first viewing had me grinning in sheer pleasure. Now, having bought the video, I sometimes start and stop it at random places, and always am immediately engaged wherever I happen to dive in.

The film is not at all linear, but elaborates on a situation: Paul, having made a promising start as a philosophy prodigy, has become frozen, only to watch his friends all become successful. His love life is similarly suspended: he can neither be with his girlfriend of ten years nor let her go, while engaging in clandestine affairs with women who either torture him or are unavailable. The movie consists of all the permutations of romance and sex and humiliation and mistakes he goes through as he squirms his way back into life again. Now, I don't know if this sounds fun or not, but what's wonderful about it is, first of all, that it's very funny, and second, that it's so real.

Love and sex are presented as they happen in real life - nothing neat and clean, but a chaos made of moments of fascination an passion and searching and confusion made by two (or more) people whose lives are deep waters. Everything here is instantly recognizable and completely unpredictable. Candid, sexy...

In my comments on "J'embrasse Pas", a film I much admire, I mentioned the decline of the French cinema in recent years. As an example to substantiate this, look no further than "Ma Vie Sexuelle", a work of gargantuan proportions (3 hours running time) that for me fails to transcend the commonplace it seems to be celebrating and becomes trapped in inertia. On the surface much of it is not unlike a Rohmer film. There is a group of young people living in Paris. Paul, the central character is a University tutor. There are at least three young woman in his life and he moves from one to another indecisively. There are endless scenes in cafes, in one anothers' apartments and at parties; the very stuff of Rohmer. The Master, however, would have made it last half the time with several times the degree of perception. "Ma Vie Sexuelle", on the other hand, has a curious lack of purpose, often losing its sense of directional balance. What to make of the two flashbacks to Paul's childhood that seem to add nothing to our knowledge of his character? And then there is the strange figure of Rabier, a senior lecturer whose return to the University seems to fill Paul with unease over his inadequacy to cope with professional life. Presumably he is intended to play a pivotal role like one of Iris Murdoch's "enchanters". But how can he when he is depicted as a quirky idiot who goes everywhere with a pet monkey? The sudden change of mood to black comedy when the monkey becomes trapped behind a radiator is curiously at variance with the rest of the film. There is a background score that, with its suggestion of unease, would fit better in a Chabrol thriller than these mundane goings-on. To add to all the muddled pretentiousness there is a voice-over narrative so beloved by earlier French masters such as Resnais and Truffaut but here there is nothing perceptive in what is said. It simply supplies the connections that the Taiwanese masters, Hou Xiaoxian and Edward Yang, would have demanded far more subtly we make for ourselves. The film is thus a mishmash of influences completely lacking a sense of individuality. Let those in search of titillation from a film so entitled beware. "La Vie Sexuelle" is almost puritanically staid. It belongs to a much older Wave than the New.