Children of the Revolution

"Children of The Revolution" is one of those well-executed dark comedies, that the Australian Film Industry excels at. If one enjoys dark comedy with a heady twinge of surrealism, you're really going to enjoy this movie. Our best scene (without spoiling it) is when the three start dancing and handing out flowers, with Louis Armstrong crooning Cole Porter's "You're The Top" in the background. My friends almost fell off the couch with laughter. It's a gem!

One unsettling attribute of this movie is that it presents itself as if it were based on a true story. Judy Davis plays a Socialist who allegedly had an affair with Josef Stalin (F. Murray Abraham), and when she gives birth to a son with all the revolutionary's traits, there is some dispute about whether he is who everyone thinks he is. During the film he gets into all sorts of trouble with the law and eventually falls in love with a cop that frequently arrests him (Rachel Griffiths). Only at the end does the whim tone down to a serious drama. Whatever this movie has to say, it kept my attention all the way through.

As many of the other reviews suggest, if you have ever been a lefty or if your parents were lefties you will enjoy this film. You really do need to have some familiarity with the vocabulary of socialism in the 1930s and 40s to fully appreciate how good this film is. The German film "Goodbye Lenin!" (2003) touches the same sort of themes.

So, anyway, the script well written, literate and just a bit edgy, the way Australian films often are. The back story is wonderful and is ably developed by Sam Neil, Judy Davis and F. Murray Abraham. To my eye the cast has given a back story a wonderful 1940s or 50s feel. Sam Neil is good, as always, and remind me of James Mason. Judy Davis is good the way she is always good and reminded me of Betty Davis. F. Murray Abraham's performance actually reminded me of Claude Raines.

This film works on many levels and Richard Roxborough and Rachel Griffiths are very good but I as am more familiar with Russian communist dogma and American films from the 40s and 50s, I am sure I missed a lot when the film turned its attention to contemporary Australian politics and the civil service.

I loved the way the "International" was used in the sound tack. Of course it had to be there but I really liked the way it was used here.

I'm heartened to see that several other critics in this column were apparently as confused as I was by this movie. The individual gags are quite funny, but overall, what is this movie about? Is it a comedy? Certainly that's part of it, but is that all? Is it an anti-communist film that relies on comedy to make its point? Well, it might be, but if so, then I think it fails. Or does it have no overall statement to make at all? A bit difficult to believe, given some of the plot lines.

Judy Davis is a young communist in 1950 Australia. She corresponds with Stalin and gets an invitation to Moscow. The trip changes her life (of course) which we get to follow for the next 40 years. You'll be hooked after the first two minutes of this very original film. Great performances (especially from Judy Davis) and unique plot twists made this film worth watching.